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Soul of a Nation: Art in the Age of Black Power at the Broad Museum which included the work of Frank Bowling, Melvin Edwards and Lorraine O'Grady featured in Hyperallergic.

Melvin Edwards: Painted Sculpture featured in Hyperallergic

Harmony Hammond's retrospective at the Aldrich Contemporary Art Museum featured in The New York Times

Frank Bowling's inclusion in Art Basel Miami Beach featured in Hyperallergic.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Betty Parson's Vertical Waves (1974) included in Locally Sourced at the Heckscher Museum of Art featured in Newsday

Frank Bowling's retrospective at Tate Britain featured in Hyperallergic.

 

Melvin Edwards' inclusion in Generations: A History of Black Abstract Art and Afrocosmologies: American Reflections featured in The Wall Street Journal.

Coco Fusco interviewed by Jamila Medina Rios in the December 2019 issue of Rialta Magazine

Valeska Soares discusses Collection in Transformation: Women in Front at Museu de Arte de São Paulo featured in Artforum.

Melvin Edwards' inclusion in Where the Oceans Meet at the Museum of Art and Design at Miami Dade College featured in the Miami Herald.

 

Luis Camnitzer presents a lecture at the IV Congress of Artistic Education for Human Development featured in Noticias Vespertinas.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Culture Type.

Frank Bowling is named winner of Artist of the Year as part of the Apollo Awards 2019 featured in Apollo. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Mercury News.

Joan Semmel attends TWO x TWO's black-tie gala for the Dallas Museum of Art and The Foundation for AIDS Research featured in Paper City.

Luis Camnitzer speaks at The International Studio and Curatorial Program's 25th Aniversary Symposium featured in Hyperallergic.

The announcement of The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Culture Type. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Bay Area Reporter.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Vogue.

Harmony Hammond's inclusion in Making Knowing: Craft in Art at the Whitney Museum of American Art featured in ARTFIX Daily.

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Vancouver Sun

A survey exhibition of Melvin Edwards' sculptural career at City Hall Park announced as part of Public Art Fund's 2020 exhibition program featured in Observer.

Luis Camnitzer discussed on Aquellas Voces, a program on La Canoa, Radio Mundo.

 

Melvin Edwards: Crossroads exhibition at the Baltimore Museum of Art and Public Art Fund's inclusion of a survey of Melvin Edwards' work as part of the 2020 exhibition program featured in artnet News

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art featured in Baltimore Fishbowl.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Datebook

Coco Fusco's solo exhibition, Swimming on Dry Land/Nadar en seco at the Flaten Art Museum, featured in Manitou Messenger.

Hassan Sharif's inclusion in the Barjeel Art Foundation Collection featured in The National.

Melvin Edwards interviewed by Choghakate Kazarian for The Brooklyn Rail.

Regina Silveira's inclusion in the Museum of Modern Art's new permanent collection display featured in ARTnews. 

Lorraine O'Grady's retrospective at the Brooklyn Museum, NY featured in Artforum.

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Culture Type

Melvin Edwards and Regina Silveira featured in Artsy's reflection on the Berlin Wall. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in The Art Newspaper

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Melvin Edwards' inclusion in Soul of a Nation at the de Young Museum featured in Marina Times. 

Regina Silveira's inclusion in Art Weekend São Paulo featured in Ocula.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in London Evening Standard.

Teresa Burga reviewed by Jan Avgikos in the November 2019 print issue of Artforum.

Lorraine O'Grady's inclusion in Exodus at The Watergate Complex, Washington D.C. featured in artnet News

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in Elephant Magazine

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University’s Grey Art Gallery featured in Al-Fanar Media. 

Melvin Edwards: Painted Sculpture featured in Culture Type

Melvin Edwards: Painted Sculpture featured in ArtsGazing

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, reviewed by Emily LaBarge for Artforum. 

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in The Art Newspaper

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Artforum.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in El Mostrador.

Harmony Hammond included in Rebecca Solnit and Joshua Jelly-Schapiro's City of Women 2.0, featured in ARTnews.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Frieze.

Luis Camnitzer featured on Hans Herzog's blog A Latin American Art Serial. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Melvin Edwards' inclusion in The Museum of Modern Art's new collection display featured in The Wall Street Journal.

Joan Semmel honored with the Impact Award at Pratt Institute’s 2019 Alumni Achievement Awards Ceremony. 

Harmony Hammond featured in Women’s Wear Daily.

Melvin Edwards featured in Baltimore Fishbowl. 

Melvin Edwards: Crossroads and Generations: A History of Black Abstract Art featured in e-flux.

Teresa Burga reviewed by Johanna Fateman in The New Yorker. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times Style Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times.

Teresa Burga profiled by Francisco Melgar Wong in the Fall 2019 print issue of Revista h.

Betty Parsons
Betty Parsons
Frieze October 1, 2019

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured Frieze.

Teresa Burga reviewed by Jonathan Goodman for Whitehot Magazine. 

Melvin Edwards: Crossroads featured in Garden & Gun's October/November 2019 issue. 

Ashton Cooper discusses Harmony Hammond's Presences series in Artforum's October 2019 print issue. 

Frank Bowling's retrospective at Tate Britain reviewed by Gabriel Coxhead in Art in America

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in artnet News

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The Financial Times

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Harper's Bazaar

Melvin Edwards featured in Christopher Knight's review of LA Blacksmith for The Los Angeles Times

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Wallpaper

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Apollo Magazine 

Betty Parsons
Betty Parsons
Evening Standard Magazine September 27, 2019

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Evening Standard Magazine

Regina Silveira discusses Richard Serra's Wake on the Seattle Art Museum Blog. 

Coco Fusco interviews Pope L. for Art Basel. 

Melvin Edwards featured in Artfix Daily.

Coco Fusco investigates the treatment of Luis Manuel Otero Alcantara in Cuba for Hyperallergic.

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in Ocula

Joan Semmel's Skin in the Game featured in artnet News.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in Whitewall.

Frank Bowling, Teresa Burga, and Lorraine O'Grady featured in The Artsy Vanguard 2019: 50 Artists to Know Right Now

Luis Camnitzer's exhibition, Cuaderno de Ejercícios, featured in Observador.

Luis Camnitzer featured in Wall Street International Magazine's art section. 

Harmony Hammond featured in Garage

Harmony Hammond's retrospective, Material Witness, Five Decades of Art will travel to the Sarasota Museum of Art, FL.

Harmony Hammond's talk with Holland Cotter at SITE Santa Fe in Pasatiempo Magazine.

Regina Silveira's Octopus Wrap featured in The Stranger. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Holland Cotter for The New York Times. 

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in FAD Magazine

Frank Bowling interviewed by Poppy Malby for GQ.

Frank Bowling's retrospective at Tate Britain featured in FAD Magazine. 

Harmony Hammond featured in At London Bridge

Harmony Hammond: Material Witness, Five Decades of Art featured in Art Daily.

Coco Fusco's editorial on the 2019 Havana Biennial featured in Hyperallergic

Harmony Hammond's inclusion in About Face: Stonewall, Revolt and New Queer Art featured in New City Art

Frank Bowling's retrospective at Tate Britain reviewed by Sabo Kpade in Guardian Arts

Coco Fusco quoted in ARTnews

Lorraine O'Grady's inclusion in Harlem: In Situ at Addison Gallery featured in Culture Type. 

Lorraine O'Grady's upcoming retrospective featured in ARTnews

Harmony Hammond and Joan Semmel featured in Flaunt

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Meredith Mendelsohn in The Brooklyn Rail. 

Frank Bowling's retrospective at Tate Britain, London, reviewed by Jason Farago in The New York Times​.

Harmony Hammond's inclusion in About Face: Stonewall, Revolt and New Queer Art featured in People's World. 

Betty Parsons featured in The Architect's Newspaper.

Betty Parsons featured in The New Yorker. 

Frank Bowling featured in Culture Type. 

Regina Silveira: Unrealized / Não feito reviewed by Alejandra Villasmil in Artishock Revista.

Regina Silveira's Octopus Wrap featured in 425 Magazine.

Betty Parsons featured in Less than Half's review of Kasmin’s Painters of the East End.

Valeska Soares' inclusion in Glasstress featured in Wallpaper. 

Frank Bowling: Mappa Mundi at Haus der Kunst cited as Julie Mehretu's favorite exhbition of 2018. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Sharmistha Ray in Hyperallergic. 

Harmony Hammond's inclusion in Art After Stonewall featured in Miami's Community Newspapers.

Frank Bowling featured in Datebook. 

Frank Bowling's retrospective at Tate Britain, London featured in artnet News

Frank Bowling featured in SFist.

Frank Bowling featured in Artsy.

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Clarity Haynes in ARTnews.

Frank Bowling featured in ARTnews.

Frank Bowling's retrospective at Tate Britain reviewed by James White in The Upcoming. 

Harmony Hammond featured in artnet News. 

Lorraine O'Grady featured in Callan Malone's review of Acting Out: Works from the Marieluise Hessel Collection for Cultured.

Frank Bowling's retrospective at Tate Britain featured in The Londonist. 

Harmony Hammond featured in The Modern Art Notes Podcast 

Coco Fusco's inclusion in Art Basel, Unlimited featured in Artblog

Frank Bowling's retrospective at Tate Britain featured in Dazed.

Hassan Sharif featured in Harper's Bazaar Arabia.

Hassan Sharif's inclusion in Art Basel, Parcours featured in ARTnews. 

Joan Semmel's inclusion in Art Basel, Unlimited featured in Art Basel

Lorraine O'Grady featured in Lynne Cooke's review of Acting Out: Works from the Marieluise Hessel Collection for Chronogram.

Coco Fusco's inclusion in Art Basel, Unlimited featured in Garage.

Frank Bowling featured in Harper's Bazaar Arabia.

Hassan Sharif's inclusion in Art Basel, Parcours featured in Daily Maverick.

Coco Fusco
Coco Fusco
New York Review of Books June 15, 2019

Coco Fusco featured in The New York Review of Books.  

Joan Semmel's inclusion in Art Basel, Unlimited featured in ARTnews.

Harmony Hammond featured in Artsy.

Frank Bowling's retrospective at Tate Britain reviewed by Javier Pes for artnet News

Coco Fusco's inclusion in Art Basel, Unlimited featured in Exhibitionary.

Hassan Sharif's inclusion in Art Basel, Parcours featured in The National.

 

Coco Fusco's inclusion in Art Basel, Unlimited featured in Free Malaysia Today.

Hassan Sharif featured in Harper's Bazaar Arabia. 

Frank Bowling's retrospective at Tate Britain reviewed by Hettie Judah in iNews.

Frank Bowling and his grandson, Frederick, interviewed in The Sunday Times.  

Frank Bowling's retrospective at Tate Britain reviewed by Martin Gayford in The Spectator.

 

Coco Fusco's inclusion in Art Basel, Unlimited featured in ARTnews.

Regina Silveira: Unrealized / Não feito featured in ArtsGazing

Hassan Sharif's inclusion in Art Basel, Parcours featured in Galerie Magazine.

Harmony Hammond featured in Hyperallergic. 

Frank Bowling's retrospective at Tate Modern reviewed by Harriet Lloyd-Smith. 

Frank Bowling and Melvin Edwards featured in Artfix Daily. 

Frank Bowling's retrospective at Tate Britain reviewed by John Gulliver for Camden New Journal

Frank Bowling featured in Apollo Magazine. 

Joan Semmel's inclusion in Art Basel, Unlimited featured in artnet News.

Frank Bowling's retrospective at Tate Britain reviewed by Alastiar Curtis for The Economist. 

Frank Bowling praised by Oscar Murillo in The Art Newspaper. 

Regina Silveira: Unrealized / Não feito featured in ARTnews. 

Frank Bowling's retrospective at Tate Britain reviewed in Artlyst

Frank Bowling's retrospective at Tate Britain reviewed by Chris Shields in the June 2019 issue of Art & Antiques.

Harmony Hammond: Material Witness, Five Decades of Art featured in Sotheby's.

Frank Bowling's retrospective at Tate Britain reviewed by Victoria L. Valentine for Culture Type