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Joan Semmel: Centered retrospective exhibtion at Pennsylvania Academy of the Fine Arts receives grant from The Andy Warhol Foundation featured in Artforum.

Harmony Hammond's inclusion in Making Knowing: Craft in Art, 1950–2019 at the Whitney Museum of American Art featured in Artsy.

Taking Shape: Abstraction From the Arab World, 1950s–1980s featuring Hassan Sharif included in artnet News' "Editors Picks."

Harmony Hammond's inclusion in Queer Abstraction at the Nerman Museum of Contemporary Art featured on NBC News.

Melvin Edwards' inclusion in the Museum of Modern Art's new permanent collection display featured in Hyperallergic

Luis Camnitzer: Towards an Aesthetic of Imbalance included in artnet News' "Editors Picks."

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Artblog.

Joan Semmel's inclusion in the Museum of Modern Art's new permanent collection display featured in Artforum

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York Univeristy's Grey Art Gallery featured in Arab News

Joan Semmel's figurative painting practice mentioned in Artsy.

Harmony Hammond's inclusion in Art After Stonewall, 1969–1989 at Leslie-Lohman Museum of Art and Grey Art Gallery featured in ARTnews.

Frank Bowling's retrospective at Tate Britain featured in The Arts Desk.

Frank Bowling's retrospective at Tate Britain featured in The Guardain.

Soul of a Nation: Art in the Age of Black Power at the Broad Museum which included the work of Frank Bowling, Melvin Edwards and Lorraine O'Grady featured in Hyperallergic.

The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Datebook.

Melvin Edwards: Painted Sculpture featured in Hyperallergic

Harmony Hammond's retrospective at the Aldrich Contemporary Art Museum featured in The New York Times

Frank Bowling's inclusion in Art Basel Miami Beach featured in Hyperallergic.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Betty Parson's Vertical Waves (1974) included in Locally Sourced at the Heckscher Museum of Art featured in Newsday

Frank Bowling's retrospective at Tate Britain featured in Hyperallergic.

 

Melvin Edwards' inclusion in Generations: A History of Black Abstract Art and Afrocosmologies: American Reflections featured in The Wall Street Journal.

Coco Fusco interviewed by Jamila Medina Rios in the December 2019 issue of Rialta Magazine

Valeska Soares discusses Collection in Transformation: Women in Front at Museu de Arte de São Paulo featured in Artforum.

Melvin Edwards' inclusion in Where the Oceans Meet at the Museum of Art and Design at Miami Dade College featured in the Miami Herald.

 

Luis Camnitzer presents a lecture at the IV Congress of Artistic Education for Human Development featured in Noticias Vespertinas.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Culture Type.

Frank Bowling is named winner of Artist of the Year as part of the Apollo Awards 2019 featured in Apollo. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Mercury News.

Joan Semmel attends TWO x TWO's black-tie gala for the Dallas Museum of Art and The Foundation for AIDS Research featured in Paper City.

Luis Camnitzer speaks at The International Studio and Curatorial Program's 25th Aniversary Symposium featured in Hyperallergic.

The announcement of The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Culture Type. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Bay Area Reporter.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Vogue.

Harmony Hammond's inclusion in Making Knowing: Craft in Art at the Whitney Museum of American Art featured in ARTFIX Daily.

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Vancouver Sun

A survey exhibition of Melvin Edwards' sculptural career at City Hall Park announced as part of Public Art Fund's 2020 exhibition program featured in Observer.

Luis Camnitzer discussed on Aquellas Voces, a program on La Canoa, Radio Mundo.

 

Melvin Edwards: Crossroads exhibition at the Baltimore Museum of Art and Public Art Fund's inclusion of a survey of Melvin Edwards' work as part of the 2020 exhibition program featured in artnet News

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art featured in Baltimore Fishbowl.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic

Coco Fusco's solo exhibition, Swimming on Dry Land/Nadar en seco at the Flaten Art Museum, featured in Manitou Messenger.

Hassan Sharif's inclusion in the Barjeel Art Foundation Collection featured in The National.

Melvin Edwards interviewed by Choghakate Kazarian for The Brooklyn Rail.

Regina Silveira's inclusion in the Museum of Modern Art's new permanent collection display featured in ARTnews. 

Lorraine O'Grady's retrospective at the Brooklyn Museum, NY featured in Artforum.

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Culture Type

Melvin Edwards and Regina Silveira featured in Artsy's reflection on the Berlin Wall. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Melvin Edwards' inclusion in Soul of a Nation at the de Young Museum featured in Marina Times. 

Regina Silveira's inclusion in Art Weekend São Paulo featured in Ocula.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in London Evening Standard.

Teresa Burga reviewed by Jan Avgikos in the November 2019 print issue of Artforum.