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Joan Semmel's approach to figurative painting featured in CNN.

 

Hassan Sharif honored by filmmaker Akram Zaatari’s The Landing, a Sharjah Art ­Foundation-funded piece featured in The National

Jennie C. Jones' presence in the dynamic collection of Arthur Lewis featured in Artsy.

Luis Camnitzer's paricipation in Una Escuela Sustentable in Chile alongside an interview with the artist featured in La Tercera.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art featured in Scoop Empire.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art featured in Architectural Digest.

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art featured in Columbus Alive.

Coco Fusco starts petition to free Luis Manuel Otero Alcántara featured in Hyperallergic.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art featured in The National.

Regina Silveira's solo show Limiares at Paço das Artes featured in NewCity Brazil along side an interview with the artist. 

Melvin Edwards' Nigerian Diamond, 1978 at the Rose Museum featured in The Justice's Just Art Spotlight

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art featured in Windy City Times.

Luis Camnitzer's essay on the curricular reform of the Escuela Nacional de Bellas Artes, Uruguay in 1958 featured in e-flux.

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Stranger.

Melvin Edwards' 1970 solo show at the Whitney Museum of American Art featured in Hyperallergic.

Alexander Gray Associates' presentation of Hugh Steers at ADAA's The Art Show featured in Penta.

Betty Parsons: Heated Sky featured in The East Hampton Star

Betty Parsons: Heated Sky featured in ArtsGazing.

Hassan Sharif mentioned in interview with Sharjah Art Foundation's founder Hoor Al Qasimi featured in Penta.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction featured in Hyperallergic.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction featured in Luxury London.

Hassan Sarif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery fetured in Art & Object.

Betty Parsons: Heated Sky featured in artnet News' "Editors’ Picks."

Joan Semmel's approach to figurative painting featured in Artsy.

Betty Parsons: Heated Sky featured in Hyperallergic's New York Art Guide for Spring 2020.

Alexander Gray Associates' presentation of Ricardo Brey at Frieze Los Angeles featured in Artsy.

Melvin Edwards' inclusion in the Smithsonian's travelling exhibiton African American Art in the 20th Century at the Westmoreland Museum of American Art feature in City Paper Pittsburgh.

Lorraine O'Grady's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the Museum of Fine Arts, Houston featured in CultureMap Houston.

Melvin Edwards' solo show at Stephen Friedman Gallery, London featurerd in Art Daily.

Luis Camnitzer: Towards an Aesthetic of Imbalance featured in The Brooklyn Raili.

Melvin Edwards' solo show at Stephen Friedman Gallery, London featurerd in Time Out.

Luis Camnitzer: Towards an Aesthetic of Imbalance featured in Auture.

Luis Camnitzer: Towards an Aesthetic of Imbalance featured in Art in America's "Gallery Walk: Chelsea NYC."

Luis Camnitzer: Towards an Aesthetic of Imbalance reviewed by Jonathan Goodman for Arte Fuse.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award featured in Culture Type.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award featured in ARTnews.

The Museu de Arte de São Paulo acquires work by Valeska Soares to the collection featured in Artforum.

Luis Camnitzer's inclusion in Walls Turned Sideways: Artists Confront the Justice System at the Tufts Aidekman Arts Center featured in The Artery.

Hassan Sharif's participation in the early years of the Sharjah biennial featured in ARTnews.

 

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Frank Bowling's Night Journey (1969–1970) selected as a work that defined the Civil Rights Era for curator Randall Griffey of the Metropolitan Museum of Art featured in artnet News.

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art featured in Culture Type.

Regina Silveira's solo show Limiares to be the debut exhibiton at Paço das Artes' new premises featured in Veja São Paulo.

Joan Semmel: Centered retrospective exhibtion at Pennsylvania Academy of the Fine Arts receives grant from The Andy Warhol Foundation featured in Artforum.

Harmony Hammond's inclusion in Making Knowing: Craft in Art, 1950–2019 at the Whitney Museum of American Art featured in Artsy.

Taking Shape: Abstraction From the Arab World, 1950s–1980s featuring Hassan Sharif included in artnet News' "Editors Picks."

Harmony Hammond's inclusion in Queer Abstraction at the Nerman Museum of Contemporary Art featured on NBC News.

Melvin Edwards' inclusion in the Museum of Modern Art's new permanent collection display featured in Hyperallergic

Luis Camnitzer: Towards an Aesthetic of Imbalance included in artnet News' "Editors Picks."

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Artblog.

Joan Semmel's inclusion in the Museum of Modern Art's new permanent collection display featured in Artforum

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York Univeristy's Grey Art Gallery featured in Arab News

Joan Semmel's figurative painting practice mentioned in Artsy.

Harmony Hammond's inclusion in Art After Stonewall, 1969–1989 at Leslie-Lohman Museum of Art and Grey Art Gallery featured in ARTnews.

Frank Bowling's retrospective at Tate Britain featured in The Arts Desk.

Frank Bowling's retrospective at Tate Britain featured in The Guardain.

Soul of a Nation: Art in the Age of Black Power at the Broad Museum which included the work of Frank Bowling, Melvin Edwards and Lorraine O'Grady featured in Hyperallergic.

The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Datebook.

Melvin Edwards: Painted Sculpture featured in Hyperallergic

Harmony Hammond's retrospective at the Aldrich Contemporary Art Museum featured in The New York Times

Frank Bowling's inclusion in Art Basel Miami Beach featured in Hyperallergic.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art featured in The Boston Globe.

Betty Parson's Vertical Waves (1974) included in Locally Sourced at the Heckscher Museum of Art featured in Newsday

Frank Bowling's retrospective at Tate Britain featured in Hyperallergic.

 

Melvin Edwards' inclusion in Generations: A History of Black Abstract Art and Afrocosmologies: American Reflections featured in The Wall Street Journal.

Coco Fusco interviewed by Jamila Medina Rios in the December 2019 issue of Rialta Magazine

Valeska Soares discusses Collection in Transformation: Women in Front at Museu de Arte de São Paulo featured in Artforum.

Melvin Edwards' inclusion in Where the Oceans Meet at the Museum of Art and Design at Miami Dade College featured in the Miami Herald.

 

Luis Camnitzer presents a lecture at the IV Congress of Artistic Education for Human Development featured in Noticias Vespertinas.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Culture Type.

Frank Bowling is named winner of Artist of the Year as part of the Apollo Awards 2019 featured in Apollo. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Mercury News.

Joan Semmel attends TWO x TWO's black-tie gala for the Dallas Museum of Art and The Foundation for AIDS Research featured in Paper City.

Luis Camnitzer speaks at The International Studio and Curatorial Program's 25th Aniversary Symposium featured in Hyperallergic.

The announcement of The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Culture Type. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Bay Area Reporter.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Vogue.

Harmony Hammond's inclusion in Making Knowing: Craft in Art at the Whitney Museum of American Art featured in ARTFIX Daily.

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Vancouver Sun

A survey exhibition of Melvin Edwards' sculptural career at City Hall Park announced as part of Public Art Fund's 2020 exhibition program featured in Observer.

Luis Camnitzer discussed on Aquellas Voces, a program on La Canoa, Radio Mundo.

 

Melvin Edwards: Crossroads exhibition at the Baltimore Museum of Art and Public Art Fund's inclusion of a survey of Melvin Edwards' work as part of the 2020 exhibition program featured in artnet News

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art featured in Baltimore Fishbowl.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic

Coco Fusco's solo exhibition, Swimming on Dry Land/Nadar en seco at the Flaten Art Museum, featured in Manitou Messenger.

Hassan Sharif's inclusion in the Barjeel Art Foundation Collection featured in The National.

Melvin Edwards interviewed by Choghakate Kazarian for The Brooklyn Rail.

Regina Silveira's inclusion in the Museum of Modern Art's new permanent collection display featured in ARTnews. 

Lorraine O'Grady's retrospective at the Brooklyn Museum, NY featured in Artforum.

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Culture Type

Melvin Edwards and Regina Silveira featured in Artsy's reflection on the Berlin Wall. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Melvin Edwards' inclusion in Soul of a Nation at the de Young Museum featured in Marina Times. 

Regina Silveira's inclusion in Art Weekend São Paulo featured in Ocula.

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in London Evening Standard.

Teresa Burga reviewed by Jan Avgikos in the November 2019 print issue of Artforum.