Harmony Hammond's inclusion in the 2024 Whitney Biennial featured in The New Yorker.

Harmony Hammond's inclusion in the 2024 Whitney Biennial featured in The Observer.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission covered in Culture Type.

Harmony Hammond's inclusion in the 2024 Whitney Biennial featured in Hyperallergic.

Harmony Hammond's inclusion in the 2024 Whitney Biennial featured in Artnet News.

Harmony Hammond's inclusion in the 2024 Whitney Biennial featured in Artnews.

Joan Semmel profiled in Art in America.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in Family Style.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in Hyperallergic. 

Jennie C. Jones's 2025 upcoming Metropolitan Museum Of Art commission featured in Ocula.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in FAD Magazine.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in The New York Times.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in BNN Breaking.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in Artnews.

Jennie C. Jones's 2025 Metropolitan Museum Of Art commission featured in Artsy.

Carrie Moyer profiled in The New York Times Style Magazine.

Alexander Gray Associates's grand opening mentioned in Artnet.

Joan Semmel profiled by Ida Panicelli in Artforum.

Harmony Hammond is among the 71 participating artists in the 2024 Whitney Biennial entitled Even Better Than The Real Thing.

Joan Semmel interviewed by Ella Martin-Gachot for Cultured Magazine.

Melvin Edwards will receive a lifetime achievement award from the International Sculpture Center on April 12.

Bethany Collins Undercurrents featured in Artnet News. 

Harmony Hammond is mentioned in Hyperallergic.

Luis Camnitzer on "frailty and power in old age" for e-flux Journal.

Joan Semmel is mentioned in New York Times T Magazine: Australia. 

Harmony Hammond's group exhibition, Shadow and Light at the New Mexico Museum of Art is highlighted in Pasatiempo.

Chloë Bass's #sky #nofilter: Hindsight for a Future America highlighted in the Los Angeles Times. 

Harmony Hammond Accumulations reviewed in The Brooklyn Rail.

Ronny Quevedo’s Pacha Cosmopolitanism Overtime highlighted in Curbed. 

Alexander Gray Associates's Art Basel 2023 Kabinett presentation of works by Hugh Steers highlighted in Wallpaper*.

Hugh Steers highlighted in Artsy.

Hugh Steers's High-Heeled Embrace, 1989, featured in Art Basel.

Carrie Moyer featured in Galerie Magazine.

Harmony Hammond and Carrie Moyer highlighted in Artsy.

Melvin Edwards Lines for the Poet reviewed in Artforum.

Bethany Collins, Harmony Hammond, and Joan Semmel mentioned in Holland Cotters review of Frieze New York 2023 in The New York Times.

Harmony Hammond highlighted in Galerie Magazine.

Melvin Edwards's Untitled, c. 1974 and Jennie C. Jones's Dense Tone, Break, 2023 named one of Erin Christovale’s Five Favorite Works from Frieze New York in Frieze.

Steve Locke's cruisers (vest), 2023 named one of Alex Gartenfeld's Top Picks from Frieze New York in Frieze.

Ronny Quevedo's Pacha Cosmopolitanism installation at Laguardia Airport highlighted in Metropolitan Airport News.

Luis Camnitzer's curated group exhibition Monuments to Unknown Heroes at the Contemporary Art Center in Cincinatti, OH reviewed in CityBeat.

Melvin Edwards's group exhibition, Revisiting 5+1, at Stony Brook University reviewed in Artforum.

Alexander Gray Associates's relocation to Tribeca and collaboration with studioMDA featured in The New York Times.

Melvin Edwards's one-person exhibition Lines for the Poet at Alexander Gray Associates reviewed in The New York Times.

Alexander Gray Associates announces the Gallery's relocation to Tribeca in The Art Newspaper.

Alexander Gray Associates announces the Gallery's relocation to Tribeca in Artnews.

Steve Locke's group exhibition Hot Off the Press at Anderson Ranch featured in The Aspen Times.

Regina Silveira's upcoming installation at George Bush Intercontinental Airport mentioned in Texas Monthly.

Luis Camnitzer's one-person exhibition Arbitrary Order at Alexander Gray Associates reviewed in e-flux.

Luis Camnitzer's one-person exhibition, Arbitrary Order, featured in Hyperallergic.

Melvin Edwards's group exhibition Revisiting 5+1 featured in Art in America.

Steve Locke: your blues ain't like mine on view through December 17, 2022 at Alexander Gray Associates, New York featured in The New Yorker.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in Hyperallergic's guide to Miami Art Week.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, NY discussed in a profile of Linda Goode Bryant in Frieze.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in ArtNet News's guide to Miami Art Week.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL named a "must see during Miami Art Week" in Artsy.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in WMagazine's guide to Miami Art Week.

Ronny Quevedo featured in Art in America's piece Latinx Artists in the Borderlands.

Alexander Gray Associates featured among prominent art institutions located in the Hudson Valley in Art Basel.

Ricardo Brey's one-person presentation at ADAA featured in Hyperallergic.

Steve Locke in conversation with curator Helen Molesworth for The David Zwirner Podcast.

Valeska Soares's group exhibition Movement: The Legacy of Kineticism at the Dallas Museum of Art covered in NBC Dallas-Fort Worth.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in Forbes.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in ARTFIXdaily.

Ronny Quevedo profiled in "5 Latinx Artists Using Abstraction to Address Precolonial Histories" in Artsy.

Joan Semmel’s Red Hand (2019) featured in Artnews piece about work acquired by top Collectors.

Steve Locke's one-person exhibition the daily practice of painting at the Moss Arts Center at Virginia Tech, Blacksburg, VA covered in VTX.

Lorraine O’Grady interviewed by Doreen St. Félix for the New Yorker.

Harmony Hammond and writer and art critic Lucy Lippard in conversation reflecting upon the artists and artwork of the group exhibition Women's Work at Lyndhurst in Tarrytown, NY. 

Melvin Edwards’s site-specific installation at Dia: Beacon highlighted in Art in America’s September Sculpture issue.

Ronny Quevedo in conversation with Editor-At-Large Jason Rosenfeld about his current exhibition entre aquí y allá at Alexander Gray Associates, New York for the Brooklyn Rail's New Social Environment Conversation series.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art covered in the New York Times for championing Black Avant-garde art of the 1970s and 80s.

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art discussed by Gallerist Linda Goode Bryant in Artnet News.

Melvin Edwards's More Than You See selected as one of several works at the fair that explore heritage and identity at Seoul in Frieze.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art recognized by Holland Cotter as a  "don't miss important show" in the New York Times.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the Fall 2022 New York Art Guide in Hyperallergic.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Steve Locke awarded the Rappaport Prize by the deCordova Sculpture Park and Museum in Lincoln, MA announced in The Boston Globe.

Joan Semmel’s retrospective, Skin in the Game that traveled to the Herbert F. Johnson Museum of Art reviewed by Nancy Princenthal in Hyperallergic.

Hugh Steers's work in collections by gay art collectors highlighted in T: The New York Times Style Magazine.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the "Fall Art Preview" in The New Yorker.

Lorraine O'Grady's Art Is foregrounded in The Guardian's series on female artists.

Hugh Steers profiled in Artsy.

Jennie C. Jones: Nocturnes at PATRON Gallery highlighted in the Chicago Reader.

Betty Parsons's catalogue raisonné launch highlighted in Artnews.

Alexander Gray Associates's participation in ADAA 2022 announced in Artnews.

Alexander Gray Associates announces the Gallery's participation in the inaugural edition of Frieze Seoul.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in Ocula Magazine.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in The Art Newspaper.

Artists Melvin Edwards and Rashid Johnson reflect on the legacy of their friend Sam Gilliam in The New York Times.

Lorraine O'Grady: Body Is the Ground of My Experience at Alexander Gray Associates, New York, reviewed in Hyperallergic.

Ricardo Brey's one-person exhibition Gap in the Clouds covered in De Tijd.

Ronny Quevedo's site-specific commission for LaGuardia Airport highlighted in Hype Beast.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in Artnet News.

Ronny Quevedo mentioned in Surface Magazine.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in The New York Times.

Joan Semmel's commencement speech at the New York Academy of Art featured in Artnet News.

Harmony Hammond's group exhibition Women's Work covered in Artfix Daily.

Melvin Edwards's one-person exhibition at Dia Beacon covered in Stir World.

Lorraine O'Grady: Body Is the Ground of My Experience named one of the best shows to see during Frieze New York in Frieze.

Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Gazet van Antwerpen.

Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Het Laatse Nieuws.

Ronny Quevedo's errant globe named one of Marcela Guerrero's favorite works at Frieze New York in the Art Newspaper.

Melvin Edwards one-person exhibition Brighter Days at deCordova Sculture Park and Museum highlighted in Artfix Daily.

Melvin Edwards's Mozambique named one of Nora Lawrence's Top 5 Works at Frieze New York in Frieze.

Ricardo Brey featured in Harper's Bazaar Netherlands.

Melvin Edwards's group exhibition A Site of Struggle at the Block Museum of Art featured in Hyperallergic.

Ronny Quevedo's work in Alexander Gray Associates's Frieze New York presentation featured in the Financial Times.

Lorraine O'Grady: Body Is the Ground of My Experience named a must-see exhibition by Artforum.

Hassan Sharif mentioned in Gulf Today's review of Louvre Abu Dhabi's Stories of Paper exhibition.

Ronny Quevedo interviewed by Art in America.

 Steve Locke's one person exhibition Homage to the Auction Block at Alexander Gray Asociates Germantown, NY featured in Interior Design.

Lorraine O'Grady: Body Is the Ground of My Experience named a gallery show not to miss in Artnet News.

Joan Semmel: Skin in the Game reviewed in Artforum.

Hassan Sharif mentioned in e-flux.

Jennie C. Jones: Dynamics highlighted in the New York Times.

Melvin Edwards's exhibition Brighter Days at the deCordova mentioned in Artfix Daily.

Jennie C. Jones mentioned in Artnews.

Jennie C. Jones's group exhibition Walk the Line at the Center for Maine Contemporary Art mentioned in the Courier Gazette.

Hassan Sharif's group exhibition Stories on Paper at the Louvre Abu Dhabi highlighted in Emirates News Agency WAM.

Hassan Sharif mentioned in The National News.

Hassan Sharif mentioned in Emirates News Agency WAM.

Lorraine O'Grady mentioned in The New York Times's coverage of Simone Leigh's U.S pavilion in the Venice Biennale.

Lorraine O'Grady mentioned in CultureType for her inclusion in Los Angeles County Museum of Art's Black American Portraits.

Jennie C. Jones: Dynamics at the Solomon R. Guggenheim reviewed in Theguide.art.

Regina Silveria’s exhibition at Museu de Arte Contemporânea da Universidade de São Paulo featured in Frieze.

Valeska Soares mentioned in ARTnews. 

Jennie C. Jones participation in group exhibition Ground/work curated by Molly Epstein and Abigail Ross Goodman located at Clark Institute mentioned in Wallpaper*. 

Jennie C. Jones interviewed by the Brooklyn Rail for Jennie C. Jones: Dymanics exhibition at the Solomon R. Guggenheim Museum, New York.

Luis Camnitzer mentioned in Hyperallergic.

Lorraine O'Grady mentioned in Vogue's review of the Whitney Biennial.

Harmony Hammond's group exhibition The Printer's Proof reviewed in Hyperallergic.

Luis Camnitzer mentioned in El Marplatense.

Ronny Quevedo's group exhibition Lux et Veritas featured in Art Miami Magazine.

Regina Silveira mentioned in Newcity Brazil.

Melvin Edwards's group exhibition Epistrophy mentioned in Artnews.

Luis Camnitzer mentioned in The City Paper, Bogotá.

Melvin Edwards interviewed with Sam Gilliam and William T. Williams for their group exhibition Epistrophy at Pace Gallery in T: The New York Times Style Magazine.

Hassan Sharif: Political Paintings (2008–2009) named a "must see" by Artforum.

Joan Semmel mentioned in Smithsonian Magazine.

Hassan Sharif mentioned in The National News. 

Luis Camnitzer's site-specific installation A Museum is a School at the Institute for Contemporary Art at Virginia Commonwealth University mentioned in Virginia Living.

Melvin Edwards's Asafokra at the Aldrich Contemporary Art Museum covered in Hamlet Hub.

Melvin Edwards mentioned in The Brooklyn Rail.

Melvin Edwards mentioned in Artnews.

Luis Camnitzer’s site-specific installation A Museum is a School at Virginia Commonwealth University's Institute for Contemporary Art covered in Style Weekly.

Lorraine O'Grady's retrospective Both/And at the Weatherspoon Art Museum featured in the Winston-Salem Journal.

Jennie C. Jones's group exhibition Soundwaves at the Moody Center for the Arts at Rice University mentioned in Houstonia Magazine. 

Steve Locke highlighted in the Boston Globe's coverage of group exhibiton On This Ground: Being and Belonging in America at the Peabody Essex Museum in Salem, Massachusets. 

Alexander Gray Associates inclusion in Frieze New York mentioned in Artnews.

Jennie C. Jones interviewed by Taylor Dafoe for Artnet News.

Teresa Burga's one-person exhibition The Equilibrist at Museo de Arte Contemporáneo de Castilla y León's mentioned on e-flux.

Harmony Hammond mentioned in Artnews.

Ronny Quevedo's site-specifc commission for LaGuardia Airport covered by Telemundo. 

Joan Semmel interviewed by Amelia Jones for The Brooklyn Rail.

Harmony Hammond's exhibition A Lesbian Show referenced in i-D.

Harmony Hammond's group exhibiton The Printer’s Proof: Artist and Printer Collaborators mentioned in the Albuquerque Journal.

Valeska Soares interviewed by Katie White for Artnet News.

Lorraine O'Grady's retospective at the Brooklyn Mueseum mentioned in British Vogue.

Joan Semmel mentioned in Artforum coverage of Frieze Los Angeles 2022.

Lorraine O'Grady mentioned in Artsy.

Jennie C Jones: Dynamics reviewed by Seph Rodney for Hyperallergic.

Ronny Quevedo's exhibition offside covered by the Times Union.

Hassan Sharif: Political Paintings (2008–2009) featured on Hyperallergic.

Hassan Sharif mentioned in Emirates News Agency.

Luis Camnitzer mentioned in Hyperallergic.

Jennie C. Jones interviewed by Alison Stewart on WNYC.

The Worcester Art Museum's group exhibition, Us Them We | Race Ethnicity Identity, featuring works by Lorraine O’Grady, Melvin Edwards, and Jennie C. Jones reviewed by The Boston Globe.

Jennie C. Jones interviewd by Taylor Dafoe for Artnet News's podcast, The Art Angle Podcast.

Joan Semmel mentioned in The Washington Post's 100 Great Works In Focus.

Ronny Quevedo's commision for La Guardia Airport mentioned in Artnet News.

Lorraine O'Grady mentioned in Rutgers University News for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.

Ronny Quevedo's commision for La Guardia Airport announced in The New York Times.

Melvin Edwards's installation of his Breaking of the Chains monument in San Diego mentioned in The Daily Aztec.

Joan Semmel featured in Galerie Magazine for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Betty Parsons featured in National Museum of Women in the Arts.

Jennie C. Jones mentioned in ARTnews for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Regina Silveira mentioned in Architectural Digest.

Joan Semmel mentioned in Whitewall for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Luis Camnitzer mentioned in VCUnews for the upcoming installation of his "A Museum is a School" on February 24, 2022.

Ricardo Brey's "Saturno devorando a uno de sus hijos" (2012) will become part of the collection of S.M.A.K.

Lorraine O'Grady mentioned in The Cut for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.

Steve Locke mentioned in Frieze for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Joan Semmel mentioned in Artnet News for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Jennie C. Jones profiled by Siddhartha Mitter at The New York Times for her exhibit Jennie C. Jones: Dynamics at the Solomon R. Guggenheim Museum.

Jennie C. Jones's one person exhibition Jennie C. Jones: Dynamics at the Solomon R. Guggeneheim mentioned in Culture Type.

Jennie C. Jones is featured by Hyperallergic for being the upcoming sixth Jack Wolgin Visiting Artist and Lecturer at the Tyler School of Architecture at Temple University, February 23rd.

Steve Locke's group show, On This Ground: Being and Belonging in America, at the Peabody Essex Museum mentioned in Art Fix Daily.

Jennie C. Jones: Compilation publication highlighted by Artbook.

Jennie C. Jones's role on the board of the Foundation for Contemporary Arts mentioned by Hyperallergic.

Ronny Quevedo now represented by Alexander Gray Associates mentioned in Baer Faxts.

Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina Greensboro, SC, following its premiere at the Brooklyn Museum, NY covered by The University of North Carolina Greensboro News.

Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game is traveling to the Green Family Art Foundation in Dallas, TX announced on Glasstire.

Melvin Edwards's participation in the Destination Crenshaw project mentioned in the Los Angeles Downtown News.

Melvin Edwards's group exhibition, This Tender, Fragile Thing, at Jack Shainman Gallery mentioned in Chronogram.

Melvin Edwards's group exhibition The Profound Responsibility of Individuality: A Selection of Works by Prominent African American Artists (1957-2013) at The Creative Arts Guild mentioned in Daily Citizen News.

Joan Semmel mentioned in "What to read in 2022: The Best New Art Books To Look Out For" in Christie's.

Ronny Quevedo's exhibition, Ronny Quevedo: offside, at the University Art Museum at UAlbany is featured in The Daily Gazette.

Valeska Soares highlighted in ARTnews's coverage of 2022 Lyon Biennale participating artists.

Valeska Soares highlighted in ArtReview's coverage of 2022 Lyon Biennale participating artists.

Jennie C. Jones included in Walk the Line, a group exhibition curated by Timothy Peterson at the Center for Maine Contemporary Art, Rockland, ME.

Valeska Soares highlighted in e-flux's coverage of 2022 Lyon Biennale participating artists.

Melvin Edwards mentioned in Artfix Daily.

Joan Semmel's upcoming participation in Frieze Los Angeles with Alexander Gray Associates.

Melvin Edwards mentioned in The Highland Current.

Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game reviewed by Andrea Kirsh at Artblog.

Melvin Edwards mentioned in the Tribune Chronicle.

Hassan Sharif mentioned in Gulf Today.

Hassan Sharif mentioned in Zawya.

Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina, featured on the Triad City Beat.

Steve Locke's representation by Alexander Gray Associates is announced in Culture Type.

Steve Locke now represented by Alexander Gray Associates mentioned in The Baer Faxt.

Melvin Edwards's group exhibition, A Site of Struggle: American Art against Anti-Black Violence, at the Block Museum of Art mentioned in the Northwestern Daily.

Jennie C. Jones: Dynamics at the Solomon R. Guggenheim mentioned in Vogue.

Luis Camnitzer mentioned in The New Yorker.

Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game is featured on Juxtapoz.

Melvin Edwards's group exhibition, A Site of Struggle: American Art against Anti-Black Violence, mentioned in the Chicago Tribune

Jennie C. Jones mentioned in Houstonia Magazine.

Hugh Steers mentioned in Out in Jersey.

Lorraine O'Grady's first retrospective and portrait included in "Our Favorite Art Photos of 2021" by The New York Times.

Melvin Edwards featured in Art Daily.

Luis Camnitzer mentioned in El País.

Luis Camnitzer mentioned in The New York Times.

Melvin Edwards's exhibition at Dia Beacon, mentioned in e-flux.

Joan Semmel's retrospecitve is a special mention in Vulture's coverage of the best exhibitions in New York in 2021.

Luis Camnitzer mentioned in The New York Times.

Hassan Sharif mentioned in Ocula magazine. 

Jennie C. Jones is mentioned in coverage of Art Basel Miami Beach by Surface Magazine.

Joan Semmel's exhibition Joan Semmel: Skin in the Game at the Pennsylvania Academy of Fine Arts is featured in Next Tribe.

Jennie C. Jones mentioned in Vogue.

Joan Semmel is profiled by Daphne Merkin for T: The New York Times Style Magazine. 

Joan Semmel's retrospective at the Pennslyvania Academy of the Fine Arts is featured as one of the top exhibitions of 2021 in Hyperallergic.

Lorraine O'Grady's one-person exhibition Both/And, Joan Semmel's retrospective Skin in the Game, and Melvin Edwards's group exhibition The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse are all featured among the "Best Art Exhibitions of 2021" in The New York Times.

Melvin Edward's group exhibition at the Southampton African American Museum mentioned in The New York Times.

Melvin Edwards's group exhibition, A Site of Struggle: American Art against Anti-black Violence at the Block Museum of Art, Evanston IL, in announced to open January 26, 2022 in Northerwestern Now.

Joan Semmel mentioned in The Philadelphia Inquirer.

Lorraine O'Grady mentioned in the New Delhi Times.

Hassan Sharif mentioned in The National.

Harmony Hammond: Women in Abstraction at Guggenheim Bilbao reviewed by Artlyst.

Betty Parsons mentioned in Hyperallergic.

Melvin Edwards mentioned in Next City.

Joan Semmel interviewed by Mathias Döpfner for the cover of Blau International No. 5.

Jennie C. Jones is among those honored at the Guggenheim International Gala and is mentioned in Vogue.

Lorraine O'Grady interviewed on the Barbara London Calling podcast.

Luis Camnitzer featured in Prensa Latina.

Hassan Sharif featured in Artnet News.

Jennie C. Jones honored at the Guggenheim International Gala is mentioned in The New York Times.

Melvin Edwards Lynch Fragments are exhibited in The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, curated by Valerie Cassel Oliver, at the Contemporary Arts Museum Houston.

Ricardo Brey: Blue Shore is reviewed in Dream Idea Machine.

Alexander Gray Associates' presentation of Melvin Edwards work at ADAA: One of the best booths at The Art Show in ARTnews.

Steve Locke is featured in The Post and Courier.

The catalogue for the Joan Semmel retrospective, Joan Semmel: Skin in the Game, is reviewed in Bookforum.

Jennie C. Jones: New Compositions reviewed in The Brooklyn Rail.

Jennie C. Jones: New Compositions is reviewed in 4Columns.

Jennie C. Jones: New Compositions is reviewed in Frieze.

Subliminal Horizons curated by Alvin Hall is mentioned in the Albany Times Union.

Joan Semmel's retrospective is mentioned in the Philadelphia Inquirer.

Regina Silveira's solo exhibition as part of the 34th São Paulo Bienal is mentioned in Artforum. 

Melvin Edwards will participate in Destination Crenshaw, a public art initiative in Los Angeles that will see 100 Black artists create outdoor artworks across a 1.3-mile stretch of Crenshaw Boulevard. 

Alexander Gray on Upstate Art Weekend 2021 is quoted in Artnet news. 

Subliminal Horizons curated by Alvin Hall is reviewed in Chronogram magazine.

Regina Silveira interviewed in Arte Al Dia

Melvin Edwards: Brighter Days, an exhibition organized by Public Art Fund at City Hall Park, is selected by Cultured Magazine as a must-see show of the summer.

Lorraine O'Grady in conversation with Andrea Fraser in ARTnews

Melvin Edwards: Brighter Days included in "Goings On About Town" section in The New Yorker. 

Joan Semmel: A Balancing Act reviewd by Adam McGovern in HiLobrow

Melvin Edwards discussed in Hyperallergic.

Joan Semmel: A Balancing Act reviewed in The New York Times. 

Coco Fusco discussed in The Brooklyn Rails

Regina Silveira included in São Paulo Bienal, reported in Artforum. 

Hassan Sharif mentioned in The National  

Melvin Edwards included in 2021 Texas Biennial. 

Joan Semmel: A Balancing Act featured in the Arts section of The New Yorker. 

Melvin Edwards: Brighter Days included in must-see shows in The Art Newspaper. 

Joan Semmel reviewed in The Washington Post

Joan Semmel: A Balancing Act reviewed in Art in America. 

Alexander Gray Associates, Germantown will participate in ART + NATURE + HOME, an art and design exhibition organized by Upstate Diary. 

Hugh Steers included in group exhibition marking the 40th anniversary of the AIDS pandemic, organized by David Zwirner. 

Alexander Gray on Frieze New York 2021 quoted in ARTnews. 

Joan Semmel: A Balancing Act featured on ADAA's gallery guide. 

Melvin Edwards mentioned in connection to Sarah Elizabeth Lewis' Vision and Justice initiative for Frieze New York in Artnet News. 

Melvin Edwards: Brighter Days included in Hyperallergic's New York art guide for May 2021 

Alexander Gray quoted in The New York Times on Frieze New York 2021

Melvin Edwards: Brighter Days organized by Public Art Fund reviewed in The New York Times

Melvin Edwards: Brighter Days in Hyperallergic

Melvin Edwards in Financial Times

Luiz Camnitzer in The New York Times.

Hugh Steers: Strange State of Being reviewed by Holland Cotter in The New York Times.

Lorraine O'Grady retrospective at the Brooklyn Museum reviewed in Hyperallergic.

Lorraine O'Grady interviewed in Frieze.

Lorraine O'Grady and Betty Parsons in Vogue.

Lorraine O'Grady in conversation with art critic Ben Davis on The Art Angle podcast.

Melvin Edwards in PBS NewsHour.

Lorraine O'Grady in The Boston Globe.

Lorraine O'Grady in the Observer.

Hugh Steers: Strange State of Being in The New Yorker.

Hugh Steers: Strange State of Being in Hyperallergic.

Hugh Steers: Strange State of Being in A&U Magazine.

Lorraine O'Grady retrospective at the Brooklyn Museum reviewed in The New York Times by Holland Cotter.

Melvin Edwards and Jennie C. Jones in Hyperallergic. 

Lorraine O'Grady featured in Vogue.

Lorraine O'Grady featured in Art in America.

Lorraine O'Grady in New York Magazine. 

Lorraine O’Grady celebrated in Artforum International.

Lorraine O'Grady in The New Yorker.

Coco Fusco in The New York Review of Books.

Ricardo Brey in conversation with Hilde Van Canneyt.

Lorraine O'Grady interviewed in The New York Times T Magazine.

Lorraine O'Grady featured in The New York Times.

Melvin Edwards and Jennie C. Jones in New York Times.

Teresa Burga in Le Quotidien de l'art.

Teresa Burga in ARTnews.

Teresa Burga in The Art Newspaper.

Jennie C. Jones's group exhibition, Ground Work, at the Clark Institute featured on the Wall Street Journal.

Harmony Hammond featured in New York Times.

Melvin Edwards in The Dallas Weekly.

Coco Fusco in No Country Magazine.

Melvin Edwards in Glasstire.

Melvin Edwards in NBC 5 Dallas-Fort Worth.

Coco Fusco in Art in America.

Jennie C. Jones in The Art Newspaper.

Lorraine O'Grady in Surface Magazine.

Lorraine O'Grady in Observer.

Lorraine O'Grady in Artforum.

Lorraine O'Grady featured in New York Times.

Lorraine O'Grady in Culture Type.

Jennie C. Jones in Metropolis.

Coco Fusco in Variety.

Jennie C. Jones in The Williams Record.

Coco Fusco in Hyperallergic.

Jennie C. Jones in Design Milk.

Between the Lines in The Brooklyn Rail.

Hassan Sharif: I Am The Single Work Artist in Al Bawaba.

Lorraine O'Grady in Hyperallergic.

Hassan Sharif: I Am The Single Work Artist in the Office of Public and Cultural Diplomacy in Abu Dhabi.

Harmony Hammond: Material Witness, Five Decades of Art in Sarasota Herald-Tribune.

Jennie C. Jones: Passing Tones and Broken Cords in The Brooklyn Rail.

Between the Lines in Artland.

Alexander Gray Associates as a gallery in Upstate New York in artnet News.

Frank Bowling in The East Hampton Star.

Frank Bowling's Middle Passage (1970) in Interior Design.

Jennie C. Jones These Mournful Shores (2020) in The Wall Street Journal. 

Jennie C. Jones interviewed by Jared Quinton for Bomb Magazine.

Alexander Gray Associates in Kulture.21's look at the New York art world. 

Alexander Gray Associates' expansion to the Hudson Valley in ARTnews.

Frank Bowling's Suncrush in Wbur's The Artery. 

Luis Camnitzer discusses the role of arts institutions in Cimam.

Joan Semmel in Het Financieele Dagblad.  

Hugh Steers' inclusion in Intimate Companions in The New York Times. 

Alexander Gray Associates' sustainable, plant-based events in ARTnews. 

Luis Camnitzer's publication One Number Is Worth One Word from Sternberg Press in e-flux.

Frank Bowling and Melvin Edwards in Independent.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Nola.

Frank Bowling's inclusion in The Shape of Abstraction: Selections From the Ollie Collection at St. Louis Museum of Art, MO in Culture Type.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Off Beat Magazine.

Hassan Sharif included in Liberation.

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Wall Street Journal Magazine. 

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Time Out New York. 

Frank Bowling and Melvin Edwards in ARTnews.

Valeska Soares' You and I in Design Milk. 

Frank Bowling's life story presented in the new children's book Meet the Artist: Frank Bowling by Zoé Whitley, included in Culture Type.

Alexander Gray Associates' Senior Director John Kunemund quoted in ARTnews about Frieze New York's online viewing platform. 

Jennie C. Jones: Constant Structure at the Arts Club Chicago, IL in Contemporary Art Daily. 

Coco Fusco writes on Cuban artist Luis Manuel Otero Alcántara’s arrest and release for Hyperallergic.

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin, Germany in Süddeutsche Zeitung. 

Betty Parsons highlights from Heated Sky and additional works video on Daily Plinth.  

Lorraine O'Grady included in T Magazine's exploration of influential artists of color. 

Jennie C. Jones' representation announcement in Artforum. 

Jennie C. Jones' representation announcement in ARTnews. 

Luis Camnitzer included in La Tercera.

Coco Fusco included in Art Critique. 

Joan Semmel's approach to figurative painting in CNN.

Hassan Sharif honored by filmmaker Akram Zaatari’s The Landing, a Sharjah Art ­Foundation-funded piece in The National. 

Jennie C. Jones' presence in the dynamic collection of Arthur Lewis in Artsy.

Luis Camnitzer's paricipation in Una Escuela Sustentable in Chile alongside an interview with the artist in La Tercera.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in Scoop Empire.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in Architectural Digest.

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Columbus Alive.

Coco Fusco starts petition to free Luis Manuel Otero Alcántara in Hyperallergic.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in The National.

Regina Silveira's solo show Limiares at Paço das Artes in NewCity Brazil along side an interview with the artist. 

Melvin Edwards' Nigerian Diamond, 1978 at the Rose Museum in The Justice's Just Art Spotlight. 

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Windy City Times.

Luis Camnitzer's essay on the curricular reform of the Escuela Nacional de Bellas Artes, Uruguay in 1958 in e-flux.

Regina Silveira's Octopus Wrap at the Seattle Art Museum in The Stranger.

Melvin Edwards' 1970 solo show at the Whitney Museum of American Art in Hyperallergic.

Alexander Gray Associates' presentation of Hugh Steers at ADAA's The Art Show in Penta.

Betty Parsons: Heated Sky in The East Hampton Star. 

Betty Parsons: Heated Sky in ArtsGazing.

Hassan Sharif mentioned in interview with Sharjah Art Foundation's founder Hoor Al Qasimi in Penta.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Hyperallergic.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Luxury London.

Hassan Sarif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery fetured in Art & Object.

Betty Parsons: Heated Sky in artnet News' "Editors’ Picks."

Joan Semmel's approach to figurative painting in Artsy.

Betty Parsons: Heated Sky in Hyperallergic's New York Art Guide for Spring 2020.

Alexander Gray Associates' presentation of Ricardo Brey at Frieze Los Angeles in Artsy.

Melvin Edwards' inclusion in the Smithsonian's travelling exhibiton African American Art in the 20th Century at the Westmoreland Museum of American Art in City Paper Pittsburgh.

Lorraine O'Grady's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the Museum of Fine Arts, Houston in CultureMap Houston.

Melvin Edwards' solo show at Stephen Friedman Gallery, London in Art Daily.

Luis Camnitzer: Towards an Aesthetic of Imbalance in The Brooklyn Raili.

Melvin Edwards' solo show at Stephen Friedman Gallery, London in Time Out.

Luis Camnitzer: Towards an Aesthetic of Imbalance in Art in America's "Gallery Walk: Chelsea NYC."

Luis Camnitzer: Towards an Aesthetic of Imbalance reviewed by Jonathan Goodman for Arte Fuse.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in Culture Type.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in ARTnews.

The Museu de Arte de São Paulo acquires work by Valeska Soares to the collection in Artforum.

Luis Camnitzer's inclusion in Walls Turned Sideways: Artists Confront the Justice System at the Tufts Aidekman Arts Center in The Artery.

Hassan Sharif's participation in the early years of the Sharjah biennial in ARTnews.

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art in Culture Type.

Regina Silveira's solo show Limiares to be the debut exhibiton at Paço das Artes' new premises in Veja São Paulo.

Joan Semmel: Centered retrospective exhibtion at Pennsylvania Academy of the Fine Arts receives grant from The Andy Warhol Foundation in Artforum.

Harmony Hammond's inclusion in Making Knowing: Craft in Art, 1950–2019 at the Whitney Museum of American Art in Artsy.

Jennie C. Jones's exhibition, Jennie C. Jones: alternate takes mentioned in Artforum.