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Luiz Camnitzer in The New York Times.

Hugh Steers: Strange State of Being reviewed by Holland Cotter in The New York Times.

Lorraine O'Grady retrospective at the Brooklyn Museum reviewed in Hyperallergic.

Lorraine O'Grady interviewed in Frieze.

Lorraine O'Grady and Betty Parsons in Vogue.

Lorraine O'Grady in conversation with art critic Ben Davis on The Art Angle podcast.

Melvin Edwards in PBS NewsHour.

Lorraine O'Grady in The Boston Globe.

Lorraine O'Grady in the Observer.

Hugh Steers: Strange State of Being in The New Yorker.

Hugh Steers: Strange State of Being in Hyperallergic.

Hugh Steers: Strange State of Being in A&U Magazine.

Lorraine O'Grady retrospective at the Brooklyn Museum reviewed in The New York Times by Holland Cotter.

Lorraine O'Grady featured in Vogue.

Lorraine O'Grady featured in Art in America.

Lorraine O'Grady in New York Magazine

Lorraine O’Grady celebrated in Artforum International.

Lorraine O'Grady in The New Yorker.

Coco Fusco
Coco Fusco
The New York Review of Books February 25, 2021

Coco Fusco in The New York Review of Books.

Ricardo Brey in conversation with Hilde Van Canneyt.

Lorraine O'Grady interviewed in The New York Times T Magazine.

Lorraine O'Grady featured in The New York Times.

Melvin Edwards and Jennie C. Jones in New York Times.

Teresa Burga in Le Quotidien de l'art.

Teresa Burga in ARTnews.

Teresa Burga in The Art Newspaper.

In memoriam, Teresa Burga, 1935–2021
In memoriam, Teresa Burga, 1935–2021

It is with great sadness that Alexander Gray Associates shares the news of the death of Teresa Burga.

Harmony Hammond featured in New York Times.

Lorraine O'Grady
Lorraine O'Grady
ARTnews December 9, 2020

Lorraine O'Grady's Art Is ... named a defining work of 2020 by ARTnews.

Melvin Edwards in The Dallas Weekly.

Coco Fusco in No Country Magazine.

Melvin Edwards in Glasstire.

Melvin Edwards in NBC 5 Dallas-Fort Worth.

Betty Parsons
Betty Parsons
Financial Times November 18, 2020

Betty Parsons in the Financial Times.

Coco Fusco in Art in America.

Jennie C. Jones in The Art Newspaper.

Lorraine O'Grady in Surface Magazine.

Lorraine O'Grady in Observer.

Lorraine O'Grady in Artforum.

Lorraine O'Grady
Lorraine O'Grady
Artnet News November 9, 2020

Lorraine O'Grady in artnet News.

Lorraine O'Grady featured in New York Times.

Lorraine O'Grady in Culture Type.

Jennie C. Jones in Metropolis.

Coco Fusco in Variety.

Jennie C. Jones in The Williams Record.

Coco Fusco in Hyperallergic.

Jennie C. Jones in Design Milk.

Between the Lines in The Brooklyn Rail.

Hassan Sharif: I Am The Single Work Artist in Al Bawaba.

Lorraine O'Grady in Hyperallergic.

Hassan Sharif: I Am The Single Work Artist in the Office of Public and Cultural Diplomacy in Abu Dhabi.

Harmony Hammond: Material Witness, Five Decades of Art in Sarasota Herald-Tribune.

Lorraine O'Grady
Lorraine O'Grady
Art Papers September 24, 2020

Lorraine O'Grady in Art Papers.

Luis Camnitzer
Luis Camnitzer
e-flux September 17, 2020

Luis Camnitzer in conversation with editor Ben Eastham on the e-flux podcast.

Jennie C. Jones: Passing Tones and Broken Cords in The Brooklyn Rail.

Luis Camnitzer
Luis Camnitzer
Select September 11, 2020

Luis Camnitzer in Select.

Between the Lines in Artland.

Alexander Gray Associates as a gallery in Upstate New York in artnet News.

Frank Bowling in The East Hampton Star.

Frank Bowling's Middle Passage (1970) in Interior Design.

Jennie C. Jones These Mournful Shores (2020) in The Wall Street Journal. 

Jennie C. Jones interviewed by Jared Quinton for Bomb Magazine.

Alexander Gray Associates in Kulture.21's look at the New York art world. 

Alexander Gray Associates' expansion to the Hudson Valley in ARTnews.

Frank Bowling's Suncrush in Wbur's The Artery. 

Luis Camnitzer discusses the role of arts institutions in Cimam.

Joan Semmel in Het Financieele Dagblad.  

Hugh Steers' inclusion in Intimate Companions in The New York Times. 

Alexander Gray Associates' sustainable, plant-based events in ARTnews. 

Ricardo Brey
Ricardo Brey
ARTnews June 17, 2020

Ricardo Brey: I Love to Sail Forbidden Seas in ARTnews.

Luis Camnitzer's publication One Number Is Worth One Word from Sternberg Press in e-flux.

Frank Bowling and Melvin Edwards in Independent.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Nola.

Frank Bowling's inclusion in The Shape of Abstraction: Selections From the Ollie Collection at St. Louis Museum of Art, MO in Culture Type.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Off Beat Magazine.

Hassan Sharif included in Liberation.

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Wall Street Journal Magazine

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Time Out New York

Frank Bowling and Melvin Edwards in ARTnews.

Valeska Soares' You and I in Design Milk

Frank Bowling's life story presented in the new children's book Meet the Artist: Frank Bowling by Zoé Whitley, included in Culture Type.

Alexander Gray Associates' Senior Director John Kunemund quoted in ARTnews about Frieze New York's online viewing platform. 

Jennie C. Jones: Constant Structure at the Arts Club Chicago, IL in Contemporary Art Daily. 

Coco Fusco writes on Cuban artist Luis Manuel Otero Alcántara’s arrest and release for Hyperallergic.

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin, Germany in Süddeutsche Zeitung. 

Betty Parsons highlights from Heated Sky and additional works video on Daily Plinth.  

Lorraine O'Grady included in T Magazine's exploration of influential artists of color. 

Jennie C. Jones' representation announcement in Artforum. 

Jennie C. Jones' representation announcement in ARTnews

Luis Camnitzer included in La Tercera.

Coco Fusco included in Art Critique. 

Joan Semmel's approach to figurative painting in CNN.

 

Hassan Sharif honored by filmmaker Akram Zaatari’s The Landing, a Sharjah Art ­Foundation-funded piece in The National

Jennie C. Jones' presence in the dynamic collection of Arthur Lewis in Artsy.

Luis Camnitzer's paricipation in Una Escuela Sustentable in Chile alongside an interview with the artist in La Tercera.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in Scoop Empire.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in Architectural Digest.

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Columbus Alive.

Coco Fusco starts petition to free Luis Manuel Otero Alcántara in Hyperallergic.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in The National.

Regina Silveira's solo show Limiares at Paço das Artes in NewCity Brazil along side an interview with the artist. 

Melvin Edwards' Nigerian Diamond, 1978 at the Rose Museum in The Justice's Just Art Spotlight

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Windy City Times.

Luis Camnitzer's essay on the curricular reform of the Escuela Nacional de Bellas Artes, Uruguay in 1958 in e-flux.

Regina Silveira's Octopus Wrap at the Seattle Art Museum in The Stranger.

Melvin Edwards' 1970 solo show at the Whitney Museum of American Art in Hyperallergic.

Alexander Gray Associates' presentation of Hugh Steers at ADAA's The Art Show in Penta.

Betty Parsons: Heated Sky in The East Hampton Star

Betty Parsons: Heated Sky in ArtsGazing.

Hassan Sharif mentioned in interview with Sharjah Art Foundation's founder Hoor Al Qasimi in Penta.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Hyperallergic.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Luxury London.

Hassan Sarif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery fetured in Art & Object.

Betty Parsons: Heated Sky in artnet News' "Editors’ Picks."

Joan Semmel's approach to figurative painting in Artsy.

Betty Parsons: Heated Sky in Hyperallergic's New York Art Guide for Spring 2020.

Alexander Gray Associates' presentation of Ricardo Brey at Frieze Los Angeles in Artsy.

Melvin Edwards' inclusion in the Smithsonian's travelling exhibiton African American Art in the 20th Century at the Westmoreland Museum of American Art in City Paper Pittsburgh.

Lorraine O'Grady's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the Museum of Fine Arts, Houston in CultureMap Houston.

Melvin Edwards' solo show at Stephen Friedman Gallery, London in Art Daily.

Luis Camnitzer: Towards an Aesthetic of Imbalance in The Brooklyn Raili.

Melvin Edwards' solo show at Stephen Friedman Gallery, London in Time Out.

Luis Camnitzer: Towards an Aesthetic of Imbalance in Art in America's "Gallery Walk: Chelsea NYC."

Luis Camnitzer: Towards an Aesthetic of Imbalance reviewed by Jonathan Goodman for Arte Fuse.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in Culture Type.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in ARTnews.

The Museu de Arte de São Paulo acquires work by Valeska Soares to the collection in Artforum.

Luis Camnitzer's inclusion in Walls Turned Sideways: Artists Confront the Justice System at the Tufts Aidekman Arts Center in The Artery.

Hassan Sharif's participation in the early years of the Sharjah biennial in ARTnews.

 

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art in Culture Type.

Regina Silveira's solo show Limiares to be the debut exhibiton at Paço das Artes' new premises in Veja São Paulo.

Joan Semmel: Centered retrospective exhibtion at Pennsylvania Academy of the Fine Arts receives grant from The Andy Warhol Foundation in Artforum.

Harmony Hammond's inclusion in Making Knowing: Craft in Art, 1950–2019 at the Whitney Museum of American Art in Artsy.