Melvin Edwards' solo exhibition Melvin Edwards: The Architecture of Being, curated by Kevin Tervala, at the University of Southern California Fisher Museum of Art, Los Angeles.
Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Columbus Museum of Art, OH.
Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized at the de Young Museum, San Francisco by Timothy Anglin Burgard.
Lorraine O'Grady included in Direct Message at the Museum of Contemporary Art Chicago, IL.
Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Patricia and Phillips Frost Art Museum, Miami.
Melvin Edwards solo exhibition Melvin Edwards: The Architecture of Being, curated by Kevin Tervala, at the Baltimore Museum of Art, MD.
Polly Apfelbaum included in Maneuver at The Artist's Insitute, Hunter College, NY.
Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Museum of Art, MO
Harmony Hammond included in Queer Forms curated by Howard Oransky at the Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN.
Harmony Hammond in conversation with art critic and Pulitzer Prize winner Holland Cotter at the Marlene Marlene Nathan Meyerson Auditorium, SITE Santa Fe, NM.
Betty Parsons included in Painters of the East End at Kasmin Galllery, New York.
Polly Apfelbaum included in Painters Reply: Experimental Painting in the 1970s and now curated by Alex Glauber and Alex Logsdail at Lisson Gallery, New York.
Polly Apfelbaum included in Less Is a Bore: Maximalist Art & Design, curated by Jenelle Porter and Jeffrey De Blois, at Institute of Contemporary Art / Boston.
Lorraine O'Grady included in the group exhbition Acting Out: Works from the Marieluise Hessel Collection, curated by Tom Eccles and Leigh Ledare, at Bard College's Hessel Museum of Art.