Melvin Edwards: Brighter Days included in the Juneteenth African American Read-In program at deCordova Sculpture Park and Museum in Lincoln, Massachusetts.

Joan Semmel's group exhibition Hanging / Leaning: Women Artists on Long Island, 1960s–80s will have a panel discussion led by Director and Chief Curator of Guild Hall, Christina Mossaides, at Eric Firestone Gallery in East Hampton, NY.

Coco Fusco in conversation with artists Tamy Ben-Tor and Miki Carmi about book-making and their monographs Text Book and Archive at the Amant in Brooklyn, New York.

Harmony Hammond and Steve Locke included in the group exhibition Under My Skin at Campeche Gallery in Mexico City.

A survey of recent paintings for the artist’s first one-person exhibition in Mexico at Morán Morán, Mexico City.

Tour of Jennie C. Jones's one-person exhibition Jennie C. Jones: Dynamics at the Solomon R. Guggenheim Museum for visitors who are blind or have low vision.

Harmony Hammond included in a panel discussion of her group exhibition The Printer's Proof: Artist and Printer Collaborations held at Albuquerque Museum, NM. 

Tour of Joan Semmel's one-person exhibition Skin in the Game at the Pennsylvania Academy of the Fine Arts led by Curatorial Fellow, Juan Omar Rodriguez.

Melvin Edwards included in Epistrophy, a group exhibiton with Sam Gilliam and William T. Williams at Pace Gallery, New York. 

Alexander Gray Associates presents the 7th Annual l.a.Eyeworks Eyewear Shopping Event to benefit Art Matters.

Jennie C. Jones and poet Fred Moten will discuss "Jennie C. Jones: Dynamics," followed by Moten's reading of his experimental text "The Red Sheaves" and a musical performance by musicians Brandon Lopez and Cecilia Lopez.

Lorraine O'Grady's retrospective Both/And at the Weatherspoon will have a virtual interactive engagement led by poet, independent scholar, and activist Alexis Pauline.

Tour of Joan Semmel's one-person exhibition Skin in the Game at the Pennsylvania Academy of the Fine Arts led by Museum Coordinator Christiana Cruz-Council.

The Worcester Art Museum's group exhibition, Us Them We | Race, Ethnicity, Identity, featuring works by Melvin Edwards, Jennie C. Jones, and Lorraine O’Grady will have a discussion led by Associate Professor of English and Creative Writing at Dartmouth College and specialist in visual culture studies, Kimberly Juanita Brown, Ph.D. as a part of Master Series Third Thursday programs.

Luis Camnitzer will deliver a talk in relation to A Museum is a School, his site-specific installation at the Institute for Contemporary Art at Virgina Commonwealth University, on view from March 12, 2022 through January 1, 2023.

Ricardo Brey included in the group exhibition Elsewhere(s): Other worlds, other times, other territories at ANOTHER SPACE, New York.

Coco Fusco and Paula Heredia’s The Couple in the Cage: Guatinaui Odyssey on view online from March 9 through March 23, 2022 as part of the Museum of Modern Art's Hyundai Card Video Views series.

Ronny Quevedo in conversation with Rodrigo Valenzuela, another exhibiting artist at the University Art Museum at the University of Albany, NY.

Jennie C. Jones delivers the Jack Wolgin Visiting Artist Lecture at Temple University's Tyler School of Art and Architecture

Harmony Hammond included in the group exhibition The Printer’s Proof: Artist and Printer Collaborations at the Albuquerque Museum, NM. 

Melvin Edwards, Jennie C. Jones, and Lorraine O'Grady included in Us Them We | Race Ethnicity Identity, a group exhibition co-curated by Nancy Kathryn Burns and Toby Sisson at the Worcester Art Museum, MA.

Lorraine O'Grady is among the honorees for the 2022 Lifetime Achievement Honorees.

Hugh Steers included in Every Moment Counts – AIDS and its Feelings, a group exhibition at the Henie Onstad Kunstsenter in Høvikodden, Norway.

Joan Semmel's PAFA exhibition, Skin in the Game, is accompanied by a series of four evening lectures that explore issues suggested by her work, particularly "erotic art." The third lecture of the series, discusses the "ingenious ways artists emphasize, or obscure, the member in question" in relation to artists Joan Semmel, Ming-Yi Sung, Michelangelo Buonarroti, Thomas Eakins and Sylvia Sleigh.

Regina Silveira's one-person exhibition, Regina Silveira: Em Escala at Bolsa de Arte in São Paulo, Brazil.

Regina Silveira's one-person exhibition, Regina Silveira: Fauna Mix at Luciana Brito Galeria, São Paulo, Brazil.

Luis Camnitzer and poet Tan Lin discuss the binds between form, content and context that shape the impact of public language.

Melvin Edwards included in the group exhibition The Profound Responsibility of Individuality: A Selection of Works by Prominent African American Artists (1957-2013) at The Creative Arts Guild in Dalton, GA.

Jennie C. Jones: Dynamics, a one-person exhibition of new and recent work by the interdisciplinary artist, at the Solomon R. Guggenheim Museum in New York.

Alexander Gray Associates announces representation of Ronny Quevedo (b.1981). Quevedo’s practice spans installation, drawings, and prints, incorporating and subverting aspects of abstraction, painting, collage, cartography, and sports imagery.

Jennie C. Jones included in Walk the Line a group exhibition curated by Timothy Peterson at the Center for Maine Contemporary Art, Rockland, ME.

Hugh Steers included in We Are Family, a group exhibition at the New York Academy of Art, NY.

Jennie C. Jones's group exhibition Soundwaves: Experimental Strategies in Art + Music at the Moody Center of Arts at Rice University in Houston, TX.

Ronny Quevedo's one-person exhibition Ronny Quevedo: offside at the University Art Museum at University of Albany, NY.

Jennie C. Jones included in Beneath Tongues, a group exhibition curated by Sable Elyse Smith at the Swiss Institute / Contemporary Art New York, NY. 

Jennie C. Jones's work is highlighted in a review of the Prospect 5 triennial by Ben Davis for Artnet News.

Joan Semmel featured as a special guest on the Brooklyn Rail's "The New Social Environment" series to discuss her exhibition at the Pennyslvania Academy of Fine Arts.

Melvin Edwards and Coco Fusco included in the group exhibiton This Tender, Fragile Thing at The School, Jack Shainman Gallery, Kinderhook, NY. 

Hassan Sharif's one-person exhibition, 184 Nails, at Gallery Isabelle van den Eynde, Dubai, UAE.

Alexander Gray Associates announces representation of Steve Locke (b.1963).

Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina Greensboro, SC, following its premiere at the Brooklyn Museum, NY. 

Hugh Steers's one person exhibition More Life: Hugh Steers: Blue Towel, Red Tank, curated by Russell Tovey as part of the More Life series, presented at David Zwirner Paris.

Lorraine O'Grady included in Black American Portraits, a group exhibition at the Los Angeles County Museum of Art, CA.

Joan Semmel: Skin in the Game, the first retrospective of Joan Semmel’s work curated by Jodi Throckmorton, Curator of Contemporary Art, at the Pennsylvania Academy of the Fine Arts, Philadelphia, PA.

Melvin Edwards included in Afro-Atlantic Histories, a group exhibition at the Museum of Fine Arts, Houston, TX.

Valeska Soares included in Understudies: I, Myself Will Exhibit Nothing, curated by Iman Issa, a group exhibition at the KW Institute for Contemporary Art, Berlin

Jennie C. Jones participating in Prospect 5: Yesterday we said tomorrow contemporary art triennial in New Orleans, LA.

Harmony Hammond included in Women in Abstraction: Another History of Abstraction in the 20th Century, a group exhibition at the Guggenheim Bilbao, Spain.

Luis Camnitzers's group exhibition This Must Be the Place: Latin American Artists in New York, 1965–1975 curated by Aimé Iglesias Lukin at Americas Society (AS) / Council of the Americas (COA) New York, NY.

Lorraine O'Grady included in There is a Woman in Every Color: Black Women in Art, a group exhibition at the Bowdoin College Museum of Art, Brunswick, ME.

Coco Fusco included in Gómez-Peña’s Mex Files: Audio Art & Strange Poetry from the US/Mexico Border at the Jane Addams Hull House Museum, Chicago, IL.

Coco Fusco's group exhibition Angela Davis—Seize the Time curated by Donna Gustafson and Gerry Beegan at the Zimmerli Art Museum at Rutgers University.

Ricardo Brey included in PASS 2021, an open-air group exhibition taking place in four villages in the Flemish Ardennes.

Harmony Hammond included in Women in Abstraction: Another History of Abstraction in the 20th Century, a group exhibition at the Centre Pompidou, Paris, France.

Melvin Edwards: Brighter Days is curated by Public Art Fund Curator Daniel S. Palmer at City Hall Park, New York, NY.

Joan Semmel included in and I will wear you in my heart of heart at The FLAG Art Foundation, New York, NY.

Luis Camnitzer included in Intermingling Flux: Guangzhou Image Triennial 2021, curated by Wang Shaoqiang and co-curated by Gerardo Mosquera, Hyperimage Group (Dong Bingfeng, Xiang Zairong, Teng Yuning), and Yang Beichen, a group exhibition at the Guangdong Museum of Art, Guangzhou, China. 

Luis Camnitizer included in the virtual seminar Art: a Tool for the Transformation of Education and Citizenship 4:00 PM GMT-3

Jennie C. Jones included in Ways of Seeing Abstraction - Works from the Deutsche Bank Collection, a group exhibition at the PalaisPopulaire, Berlin, Germany.

Hassan Sharif: I Am The Single Work Artist, a traveling exhibition curated by Hoor Al Qasimi and Mats Stjernstedt, at MAMC+ Saint-Étienne Métropole, Auvergne-Rhône-Alpes, France

Lorraine O’Grady: Both/And, the first retrospective of Lorraine O’Grady's work organized by Catherine Morris, Sackler Senior Curator, and writer Aruna D’Souza with Jenée-Daria Strand, Curatorial Assistant, at Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.

Melvin Edwards and Jennie C. Jones included in Grief and Grievance: Art and Mourning in America, a group exhibition at the New Museum, New York, NY.

Valeska Soares included in Glasstress Boca Raton 2021, a group exhibition at the Boca Raton Museum of Art, Boca Raton, FL.

Luis Camnitzer's The Museum is a School; The Artist Learns to Communicate; The Public Learns to Make Connections., 2009/2013 installed as part of the # MuseoMAR24H program at the Museo de Arte contemporáneo de la Provincia de Buenos Aires (MAR), Argentina. 

Coco Fusco, Paula Heredia: The Couple in the Cage: Guatinaui Odyssey at The Cleveland Museum of Art, Cleveland, OH.

Melvin Edwards: The Sculptor of Resistance revisits years of career and research by one of the main names in contemporary art at the Museu Afro Brasil, São Paulo, Brazil.

Joan Semmel included in i’m yours: Encounters with Art in Our Times, a group exhibition at the Institute of Contemporary Art Boston.

Luis Camnitzer included in Tools for Utopia, a group exhibition at the Kunstmuseum Bern, Germany.

Harmony Hammond: Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at the Sarasota Art Museum, FL.

Lorraine O'Grady included in Lessons of the Hour, a group exhibition at the McEvoy Foundation for the Arts, San Francisco, CA.

Lorraine O'Grady included in Art on the Stoop: Sunset Screenings, at Brooklyn Museum. 

Jennie C. Jones included in Ground/work, curated by Molly Epstein and Abigail Ross Goodman, a group exhibition at The Clark Art Institute, Williamstown, MA. 

Hassan Sharif: I Am The Single Work Artist, a traveling exhibition curated by Hoor Al Qasimi and Mats Stjernstedt, at the Malmö Konsthall, Sweden.

Joan Semmel included in Never Done: 100 Years of Women in Politics and Beyond, a group exhibition at The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY. 

Joan Semmel included in ID: Formations of the Self, a group exhibition at Shirley Fiterman Art Center, New York, NY.

The Gallery participates in Upstate Art Weekend in the Hudson Valley, NY. On view: Jennie C. Jones, “Passing Tones and Broken Chords," Hours: Friday–Sunday, 12–6 PM. Masks required.

Ricardo Brey included in Scripted Truths, a group exhibition at The Agprognostic Temple, Brussels, Belgium.

Luis Camnitzer's exhibition A Museum is a School at Gund Gallery of Kenyon College, Gambier, OH.

The space will be inaugurated on August 14, 2020 with a new body of paintings by Hudson-based Jennie C. Jones. 

Melvin Edwards included in Museum for Preventive Imagination, a group exhibition curated by Luca Lo Pinto at Museum of Contemporary Art of Rome, Italy. 

Betty Parsons included in Cross Atlantic, a virtual group exhibition presented by Gazelli Art House, London, United Kingdom. 

Frank Bowling included in Relations (Diaspora and Painting), a group exhibition at Fondation Phi pour l’art contemporain, Montréal, Québec, Canada. 

Joan Semmel included in Transitional Positions, a virtual group exhibition presented by Galerie St. Etienne, New York, NY.

Betty Parsons and Hugh Steers included in Intimate Companions, a group exhibition curated by Joe Sheftel, at the Mary Heaton Vorse home, Provincetown, MA. 

Coco Fusco included in Global(e) Resistance, a group exhibition at Centre Pompidou, Paris, France. 

Frank Bowling, Melvin Edwards, Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power, a group exhibition at the Museum of Fine Arts, Houston, TX.

Valeska Soares included in One strike, everything is scattered, a group exhibition at Galería de arte Nogueras Blanchard, Barcelona, Spain. 

Alexander Gray Associates affirms commitment to anti-racism.

Melvin Edwards included in Future Food. Essen für die Welt von morgen, a group exhibition curated by Viktoria Krason, at the Deutsches Hygiene-Museum, Dresden, Germany. 

Jennie C. Jones' interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’ conceptual works reflect on the legacy of modernism and minimalism.

Valeska Soares included in AAA – Antologia de Arte e Arquitetura, a group exhibition at Galpão Fortes D'Aloia & Gabriel, São Paulo, Brazil.

Jennie C. Jones: Constant Structure at The Arts Club of Chicago, IL.

The Gallery is temporarily closed to help reduce the spread of COVID-19. 

Here is a message to our Gallery community.

Valeska Soares included in Enchanted Interior at Guildhall Art Gallery, London, United Kingdom. 

Hassan Sharif's solo presentation From Daily Experiences To Collective Stories at gb agency, Paris, France. 

Hassan Sharif included in To Speak with Many Tongues: Selections from the Sharjah Art Foundation Collection, curated by Omar Kholeif, at Royal College of Art, London, United Kingdom.

Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Columbus Museum of Art, OH. 

Lorraine O'Grady included in Duro Olowu: Seeing Chicago, a group exhibition curated by Duro Olowu, Naomi Beckwith, and Jack Schneider, at the Museum of Contemporary Art Chicago, IL.

Hassan Sharif: I Am The Single Work Artist, curated by Hoor Al Qasimi and Krist Gruijthuijsen, at KW Institute for Contemporary Art, Berlin, Germany. 

Lorraine O'Grady included in Catalyst: Art and Social Justice, a group exhibition at Gracie Mansion Conservancy, New York, NY.

Ricardo Brey included in Other.Worldly, curated by Hanne Hagenaars, a group exhibition at Fries Museum, Leeuwarden, Netherlands.

Melvin Edwards included in African American Art in the 20th Century, a group exhibition at The Westmoreland Museum of American Art, Greensburg, PA.

Lorraine O'Grady included in the discussion, The Larger Conversation, Redefined: The Black Model in 21st Century Portraiture, at The Isabella Stewart Garner Museum, Boston, MA. 
 

Lorraine O'Grady included in A Collective Constellation: Selections From The Eileen Harris Norton Collection, a group exhibition at Art + Practice, Los Angeles, CA. 

Melvin Edwards: Crossroads, curated by Christopher Bedford and Katy Siegel at Baltimore Museum of Art, MD, and organized by Bradley Sumrall and Richard McCabe at Ogden Museum of Southern Art, New Orleans, LA.

Melvin Edwards' solo exhibition at Museu Nacional da República, Rio de Janeiro, Brazil.

Melvin Edwards solo exhibition at Stephen Friedman Gallery, London, United Kingdom. 

Coco Fusco included in Construção, curated by Renato Silva, at Mendes Wood DM, São Paulo, Brazil.

Melvin Edwards, Harmony Hammond, and Joan Semmel included in Making Community: Prints from Brandywine Workshop and Archives, Brodsky Center at PAFA, and Paulson Fontaine Press at Pennsylvania Academy of the Fine Arts, Philadelphia, PA. 

Regina Silveira's Limiares, curated by Priscilla Arantes, inaugurates the newly reopened Paço das Artes, São Paulo, Brazil. 

Frank Bowling, Melvin Edwards, and Lorraine O’Grady included in Black Refractions: Highlights from The Studio Museum in Harlem at Smith College Museum of Art, Northampton, MA. The exhibition is curated by Connie H. Choi and organized at Smith College Museum of Art by Emma Chub. 

Valeska Soares included in Samba in the Dark at Anton Kern Gallery, New York, NY. 

Hassan Sharif included in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery, New York, NY. 

Lorraine O'Grady's The Strange Taxi, Stretched on the Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston, MA.

Lorraine O'Grady included in Visibilities: Intrepid Women of Artpace, curated by Erin K. Murphy, at Artpace, San Antonio, TX.

Melvin Edwards in conversation with LA Blacksmith curator Jill Moniz at California African American Museum, Los Angeles, CA. 

Coco Fusco will visit with students across a range of disciplines, share new video work, and give a public presentation for a general audience at Indiana University, Bloomington, IN.

Luis Camnitzer included in a panel discussion on Art, Ethics and New Identities at the International Studio & Curatorial Program 25th Anniversary Symposium, held at State University of New York Global Center, New York, NY. 

Coco Fusco presents the United Kingdom premiere of her films La Confesión and To Live in June with Your Tongue Hanging Out at Tate Modern, London, United Kingdom.

Ricardo Brey's solo exhibition, Adrift, curated by Arie Hartog, at Gerhard-Marcks-Haus, Bremen, Germany. 

Harmony Hammond included in Making Knowing: Craft in Art, 1950–2019, a group exhibition curated by Jennie Goldstein, Elisabeth Sherman, and Ambika Trasi, at the Whitney Museum of American Art, New York, NY. 

Harmony Hammond included in Queer Abstraction at the Nerman Museum of Contemporary Art, Overland Park, KS.

Lorraine O'Grady included in Photo Revolution: Andy Warhol to Cindy Sherman at the Worcester Art Museum, MA.

Lorraine O'Grady included in Elements of Vogue: A Case Study on Radical Performance, curated by Sabel Gavaldón and Manuel Segade, at Museo Universitario del Chopo, Mexico City, Mexico.  

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation, organized by Timothy Anglin Burgard at the de Young Museum, San Francisco, CA. 

Melvin Edwards at Museu de Arte Moderna da Bahia, Salvador, Brazil. 

Regina Silveira included in Recovering Stories, Recovering Fantasies at The National Museum of Saudi Arabia, Riyadh, Saudi Arabia.

Melvin Edwards included in Theater of Operations: The Gulf Wars 1991–2011 at MoMA PS1, Long Island City, NY.

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Betty Parsons included in Abstract Expressionism Revisited at Guild Hall Museum, East Hampton, NY. 

Harmony Hammond and Lorraine O'Grady included in Direct Message at the Museum of Contemporary Art Chicago, IL.

Melvin Edwards and Lorraine O'Grady included in Afrocosmologies: African Reflections at the Wadsworth Atheneum Museum of Art, Hartford, CT.  

Valeska Soares included in The Enchanted Interior, curated by Madeleine Kennedy, at Laing Art Gallery, Newcastle upon Tyne, United Kingdom.

Coco Fusco's included in the second Anren Biennale, A Confrontation of Ideals, curated by Lyu Peng, He Guiyan, and Siebe Tettero, in Anren, Chengdu, Sichuan Province, China.

Lorraine O'Grady included in Truthiness and the News, organized by Sam Adams, at deCordova Sculpture Park and Museum, Lincoln, MA. 

Luis Camnitzer included in the exhibition Mental Border Control at Museo de la Memoria, Cúcuta, Colombia.

Betty Parsons' solo exhibition, The Queen of the Circus, at Alison Jacques Gallery, London, United Kingdom. 

Melvin Edwards included in Generations: A History of Black Abstract Art, curated by Christopher Bedford and Katy Siegel, at Baltimore Museum of Art, MD.

Ricardo Brey included in Les Abeilles de l'Invisible at Musée des Arts Contemporains, MAC's, Le Grand-Hornu, Boussu, Belgium.

Melvin Edwards' solo exhibition Melvin Edwards: Crossroads, curated by Christopher Bedford and Katy Siegel, at the Baltimore Museum of Art, MD.

Betty Parsons included in Garden at Sargent’s Daughters, New York, NY. 

Harmony Hammond included in Otherwise Obscured: Erasure in Body and Text, curated by Danilo Machado, at Franklin Street Works, Stamford, CT.

Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Art Museum, MO. 

Artist talk on Saturday, September 14, 2019, from 6:30–8 PM. 

Harmony Hammond included in Art after Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Patricia and Phillip Frost Art Museum, Miami, FL.

Luis Camnitzer's exhibition Cuaderno de Ejercicios at HANGAR - Centro de Investigação Artística, Lisbon, Portugal. 
 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, curated by Connie H. Choi, at Kalamazoo Institute of Arts, MI. 

Harmony Hammond's solo exhibition at White Cube Bermondsey, London, United Kingdom.

Melvin Edwards and Regina Silveira included in Walking Through Walls, curated by Sam Bardaouil and Till Fellrath, at Martin-Gropius-Bau, Berlin, Germany.  

Melvin Edwards included in LA Blacksmith, curated by Jill Moniz, at California African American Museum, Los Angeles, CA. 

Harmony Hammond included in Queer Forms, curated by Howard Oransky, at the Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN.

The book release for Harmony Hammond: Material Witness, Five Decades of Art will feature a series of short talks on Hammond’s exhibition inside the galleries.

Lorraine O'Grady included in Age of You, curated by Shumon Basar, Douglas Coupland and Hans Ulrich Obrist, at the Museum of Contemporary Art Toronto, Canada.

Coco Fusco's solo exhibition Coco Fusco: Swimming on Dry Land/Nadar en Seco​, organized by Jane Becker Nelson with Christina Wiles and Christopher Tradowsky, at the Flaten Art Museum at St. Olaf College, Northfield, MN. 

Joan Semmel included in Women Artists on the Leading Edge: Celebrating Douglass College at 100 at the Zimmerli Art Museum, Rutgers University, New Brunswick, NJ. 

Lorraine O'Grady included in It's Urgent!, curated by Hans Ulrich Obrist, at Luma Westbau, Zurich, Switzerland. 

Harmony Hammond in conversation with art critic and Pulitzer Prize winner Holland Cotter at the Marlene Marlene Nathan Meyerson Auditorium, SITE Santa Fe, NM.

Hassan Sharif included in Arte Contemporáneo. Asia, Australia y el Pacífico: Selección de la Trienal Asia Pacífico de la Queensland Art Gallery | Gallery of Modern Art​, curated by Zara Stanhope, at Centro Cultural La Moneda, Santiago, Chile.

Melvin Edwards at Museu da Republica, Rio de Janeiro, Brazil.

Hassan Sharif included in Popular Culture & the City at Manarat Al Saadiyat, Abu Dhabi, United Arab Emirates. 

Harmony Hammond included in A Look Back: 50 Years After Stonewall, organized by Lucy Beni and Adam Shopkorn, at Fort Ganesvoort, New York, NY. 

Betty Parsons included in Painters of the East End at Kasmin Galllery, New York, NY.

Melvin Edwards included in Cutting the Stone, organized by Alex Fleming and Anya Komarat, at Miguel Abreu Gallery, New York, NY.

Frank Bowling included in The Warmth of Other Suns: Stories of Global Displacement, curated by Massimiliano Gioni and Natalie Bell, at The Phillips Collection, Washington, DC. 

Lorraine O'Grady included in Acting Out: Works from the Marieluise Hessel Collection, curated by Tom Eccles and Leigh Ledare, at Bard College's Hessel Museum of Art, Annandale-on-Hudson, NY.

Harmony Hammond included in Queer Abstraction, curated by Jared Ledesma, at the Des Moines Art Center, IA.

Frank Bowling's first major retrospective, curated by Elena Crippa, at Tate Britain, London, United Kingdom. 

Harmony Hammond included in Bringing Together: Recent Acquisitions at New Mexico Museum of Art, Santa Fe, NM. 

Alexander Gray Associates announces the inauguration of its offsite exhibition program in the Hudson Valley village of Germantown, New York.

Melvin Edwards included in Where the Oceans Meet, curated by Hans Ulrich Obrist, Asad Raza, Gabriela Rangel, and Rina Carvajal, at the Museum of Art and Design at Miami Dade College, FL.

Regina Silveira included in Realismo 50 Anos at Centro Cultural Banco do Brasil, Rio de Janeira, Brazil. 

Harmony Hammond included in About Face: Stonewall, Revolt and New Queer Art, curated by Jonathan David Katz, at Wrightwood 659, Chicago, IL. 

Luis Camnitzer will be a keynote speaker at the 2019 UCAE Conference: Global Perspectives on Art and Education.   

Alexander Gray Associates presents the 7th Annual l.a.Eyeworks Eyewear Shopping Event to benefit Art Matters. 

Harmony Hammond included in Multiple Impressions at the Tamarind Institute, Albuquerque, NM. 

Regina Silveira's Octopus Wrap featured at the Seattle Art Museum's Olympic Sculpture Park, WA. 

Valeska Soares included in Glasstress, curated by Vik Muniz and Koen Vanmechelen, at Fondazione Berengo in Murano, Venice, Italy.

Regina Silveira included in Os anos em que vivemos em perigo, curated by Marcos Moraes, at Museu de Arte Moderna, São Paulo, Brazil. 

Harmony Hammond featured as a panelist at The Aldrich Contemporary Art Museum.  

A pioneering figure in Latin American Conceptualism, since the 1960s Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies.

Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Leslie Lohman Museum of Gay and Lesbian Art, New York, NY.

Luis Camnitzer's Insults (2012/2019) is included in the exhibition Idioglossia curated by Xinyi Ren at the School of Visual Arts, CP Projects Space, Brooklyn, NY.