Melvin Edwards in conversation with LA Blacksmith curator Jill Moniz at California African American Museum, Los Angeles, CA. 

Luis Camnitzer included in a panel discussion on Art, Ethics and New Identities at the International Studio & Curatorial Program 25th Anniversary Symposium, held at State University of New York Global Center, New York, NY. 

Coco Fusco presents the United Kingdom premiere of her films La Confesión and To Live in June with Your Tongue Hanging Out at Tate Modern, London, United Kingdom.

Melvin Edwards at Museu de Arte Moderna da Bahia, Salvador, Brazil. 

Regina Silveira included in Recovering Stories, Recovering Fantasies at The National Museum of Saudi Arabia, Riyadh, Saudi Arabia.

Betty Parsons included in Abstract Expressionism Revisited at Guild Hall Museum, East Hampton, NY. 

Harmony Hammond and Lorraine O'Grady included in Direct Message at the Museum of Contemporary Art Chicago, IL.

Luis Camnitzer included in the exhibition Mental Border Control at Museo de la Memoria, Cúcuta, Colombia.

Betty Parsons' solo exhibition, The Queen of the Circus, at Alison Jacques Gallery, London, United Kingdom. 

Ricardo Brey included in Les Abeilles de l'Invisible at Musée des Arts Contemporains, MAC's, Le Grand-Hornu, Boussu, Belgium.

Melvin Edwards' solo exhibition Melvin Edwards: Crossroads, curated by Christopher Bedford and Katy Siegel, at the Baltimore Museum of Art, MD.

Betty Parsons included in Garden at Sargent’s Daughters, New York, NY. 

Artist talk on Saturday, September 14, 2019, from 6:30–8 PM. 

Harmony Hammond included in Art after Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Patricia and Phillip Frost Art Museum, Miami, FL.

Luis Camnitzer's exhibition Cuaderno de Ejercicios at HANGAR - Centro de Investigação Artística, Lisbon, Portugal. 
 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, curated by Connie H. Choi, at Kalamazoo Institute of Arts, MI. 

Harmony Hammond's solo exhibition at White Cube Bermondsey, London, United Kingdom.

Melvin Edwards and Regina Silveira included in Walking Through Walls, curated by Sam Bardaouil and Till Fellrath, at Martin-Gropius-Bau, Berlin, Germany.  

Harmony Hammond included in Queer Forms, curated by Howard Oransky, at the Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN.

The book release for Harmony Hammond: Material Witness, Five Decades of Art will feature a series of short talks on Hammond’s exhibition inside the galleries.

Lorraine O'Grady included in Age of You, curated by Shumon Basar, Douglas Coupland and Hans Ulrich Obrist, at the Museum of Contemporary Art Toronto, Canada.

Coco Fusco's solo exhibition Coco Fusco: Swimming on Dry Land/Nadar en Seco​, organized by Jane Becker Nelson with Christina Wiles and Christopher Tradowsky, at the Flaten Art Museum at St. Olaf College, Northfield, MN. 

Joan Semmel included in Women Artists on the Leading Edge: Celebrating Douglass College at 100 at the Zimmerli Art Museum, Rutgers University, New Brunswick, NJ. 

Lorraine O'Grady included in It's Urgent!, curated by Hans Ulrich Obrist, at Luma Westbau, Zurich, Switzerland. 

Harmony Hammond in conversation with art critic and Pulitzer Prize winner Holland Cotter at the Marlene Marlene Nathan Meyerson Auditorium, SITE Santa Fe, NM.

Hassan Sharif included in Arte Contemporáneo. Asia, Australia y el Pacífico: Selección de la Trienal Asia Pacífico de la Queensland Art Gallery | Gallery of Modern Art​, curated by Zara Stanhope, at Centro Cultural La Moneda, Santiago, Chile.

Melvin Edwards at Museu da Republica, Rio de Janeiro, Brazil.

Hassan Sharif included in Popular Culture & the City at Manarat Al Saadiyat, Abu Dhabi, United Arab Emirates. 

Harmony Hammond included in A Look Back: 50 Years After Stonewall, organized by Lucy Beni and Adam Shopkorn, at Fort Ganesvoort, New York, NY. 

Betty Parsons included in Painters of the East End at Kasmin Galllery, New York, NY.

Melvin Edwards included in Cutting the Stone, organized by Alex Fleming and Anya Komarat, at Miguel Abreu Gallery, New York, NY.

Frank Bowling included in The Warmth of Other Suns: Stories of Global Displacement, curated by Massimiliano Gioni and Natalie Bell, at The Phillips Collection, Washington, DC. 

Lorraine O'Grady included in Acting Out: Works from the Marieluise Hessel Collection, curated by Tom Eccles and Leigh Ledare, at Bard College's Hessel Museum of Art, Annandale-on-Hudson, NY.

Harmony Hammond included in Queer Abstraction, curated by Jared Ledesma, at the Des Moines Art Center, IA.

Frank Bowling's first major retrospective, curated by Elena Crippa, at Tate Britain, London, United Kingdom. 

Alexander Gray Associates announces the inauguration of its offsite exhibition program in the Hudson Valley village of Germantown, New York.

Melvin Edwards included in Where the Oceans Meet, curated by Hans Ulrich Obrist, Asad Raza, Gabriela Rangel, and Rina Carvajal, at the Museum of Art and Design at Miami Dade College, FL.

Regina Silveira included in Realismo 50 Anos at Centro Cultural Banco do Brasil, Rio de Janeira, Brazil. 

Harmony Hammond included in About Face: Stonewall, Revolt and New Queer Art, curated by Jonathan David Katz, at Wrightwood 659, Chicago, IL. 

Luis Camnitzer will be a keynote speaker at the 2019 UCAE Conference: Global Perspectives on Art and Education.   

Alexander Gray Associates presents the 7th Annual l.a.Eyeworks Eyewear Shopping Event to benefit Art Matters. 

Harmony Hammond included in Multiple Impressions at the Tamarind Institute, Albuquerque, NM. 

Valeska Soares included in Glasstress, curated by Vik Muniz and Koen Vanmechelen, at Fondazione Berengo in Murano, Venice, Italy.

Regina Silveira included in Os anos em que vivemos em perigo, curated by Marcos Moraes, at Museu de Arte Moderna, São Paulo, Brazil. 

Harmony Hammond featured as a panelist at The Aldrich Contemporary Art Museum.  

A pioneering figure in Latin American Conceptualism, since the 1960s Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies.

Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Leslie Lohman Museum of Gay and Lesbian Art, New York, NY.

Luis Camnitzer's Insults (2012/2019) is included in the exhibition Idioglossia curated by Xinyi Ren at the School of Visual Arts, CP Projects Space, Brooklyn, NY.

Teresa Burga's included in Straying from the Line at the Schinkel Pavilion, Berlin, Germany. 

Luis Camnitzer and Coco Fusco included in Culture and The People: El Museo del Barrio, 1969–2019, curated by Susanna V. Temkin and Noel Valentin, at El Museo del Barrio, New York, NY. 

Ricardo Brey included in Feast of Fools. Bruegel Rediscovered, curated by Luk Lambrecht and Lieze Eeneman, at Kasteel van Gaasbeek, Lennik, Belgium.  

Lorraine O'Grady included in Harlem in Situ at the Addison Gallery of American Art, Phillips Academy, Andover, MA.

Frank Bowling included in Spilling Over: Painting Color in the 1960s, curated by David Breslin and Margaret Corss, at the Whitney Museum of American Art, New York, NY. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized by Sarah Loyer at The Broad, Los Angeles, CA. 

Ricardo Brey included in The Collection (I): Highlights for a Future at Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.  

Harmony Hammond's survey exhibition, Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at The Aldrich Contemporary Art Museum, Ridgefield, CT.

Luis Camnitzer solo exhibition Luis Camnitzer 1968–2018 at Parra & Romero, Madrid, Spain.

Luis Camnitzer and Valeska Soares included in the group exhibition Words/Matter: Latin American Art and Language at the Blanton curated by Beverly Adams and Florencia Bazzano at the Blanton Museum of Art, The University of Texas at Austin.

Polly Apfelbaum included in The Quebec City Biennial Small Between the Stars, Large Against the Sky curated by Jonathan Watkins at Centre Maria, Quebec City, Canada.

Ricardo Brey solo exhibition Adrift at De Domijnen Museum, Sittard, Netherlands. 

Luis Camnitzer included in the exhibition Affective Utopia: Art as a Critical Tool curated by Bruno Leitão and Mónica de Miranda at Kadist, Paris.

Valeska Soares included in the group exhibition Perdona que no te crea curated by Victor Gorgulho at Fortes D'Aloia & Gabriel, Carpintaria, Rio de Janeiro, Brazil.

Melvin Edwards solo exhibition Melvin Edwards curated by Ricardo Ortiz Kugelmas at Auroras, São Paulo, Brazil.

Polly Apfelbaum solo exhibition Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) curated by Erin Dziedzic at the Kemper Museum of Contemporary Art, Kansas City, MO.

Regina Silveira included in Passado/Futuro/Presente: Arte contemporânea no acervo do Museu de Arte Moderna de São Paulo, curated by Vanessa K. Davidson and Cauê Alves, at Museu de Arte Moderna, São Paulo, Brazil.

Regina Silveira's solo presentation, UP THERE, included in Além do infinito at the Farol Santander, São Paulo, Brazil.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem. Curated by Connie H. Choi, the exhibition is organized by Emily Kuhlmann at the Museum of the African Diaspora, San Francisco, CA.

Joan Semmel included in A Woman Looking at Men Looking at Women curated by Kasia Redzisz at Museum Susch, Zernez, Switzerland.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Cutting Out CONYT at the Städtische Galerie Wolfsburg, Germany.

Polly Apfelbaum included in the group exhibition PRISM: The Art and Science of Light curated by Chris Clarke and Fiona Kearney at The Glucksman Gallery, Cork, Ireland.

Harmony Hammond included in the group exhibition Under/erasure curated by Heather and Raphael Rubinstein at Pierogi Gallery, New York, NY.

Poly Apfelbaum included in the group exhibition Recognize you when she sees you, Give you the thing she has for you at September, Hudson, NY.

Lorraine O'Grady and Joan Semmel included in the group exhibition My Silences Had Not Protected Me organized by Luci Benni and Emma Nuzzo at Fort Gansevoort, New York, NY.

Sergei Eisenstein included in the group exhibition Le Violin d'Ingres curated by Christian Boltanski at the Villa Médicis, Académie de France à Rome, Rome, Italy.

Betty Parsons solo exhibition Betty Parsons: Blue sky very high at Art Omi, Ghent, NY.

Melvin Edwards included in the group exhibition of Lydia Cabrera and Édouard Glissant: Trembling Thinking co-curated by Hans Ulrich Obrist, Gabriela Rangel, and Asad Raza, at Americas Society, New York, NY.

Polly Apfelbaum included in the group exhibition Some of Our Favorite Things at the Otis College of Art and Design, Los Angeles, CA

Sharjah Art Foundation presents the international symposium 5-plus-1: Rethinking Abstraction to celebrate the opening of Frank Bowling: Mappa Mundi at Sharjah Art Foundation.

Frank Bowling solo exhibition Frank Bowling: Mappa Mundi curated by Okuwi Enwezor and Anna Schneider at the Sharjah Foundation, UAE.

Joan Semmel included in the group exhibition Super Bodies at the Anita Shapolsky Gallery, New York, NY.

Polly Apfelbaum included in the group exhibition Archival Exhibition curated by Jennifer Farrell at Dieu Donné, Brooklyn, NY.

Polly Apfelbaum included in the group exhibition Patterns and Decoration, Ornaments as Promise curated by Esther Boehle, at The Ludwig Forum Aachen, Germany.

Frank Bowling included in the group exhibition Selections from the Permanent Collection as part of The Menil Collection's Fall 2018 reopening exhibition, Houston, TX.

Lorraine O'Grady solo exhibition From Me to Them to Me Again curated by Storm Janse Van Rensburg at the SCAD Museum of Art, Savannah, GA.

Polly Apfelbaum solo exhibition Polly Apfelbaum: Waiting for the UFOs (a space between a landscape and a bunch of flowers) curated by Jonathan Watkins, at Ikon Gallery, Birmingham, United Kingdom.

Ricardo Brey included in the group exhibition TRUST at Les Brasseurs, Liège, Belgium.

Lorraine O'Grady included in the group exhibition Family Pictures curated by Drew Sawyer at the Milwaukee Art Museum, WI.

Regina Silveira included in the group exhibition O poder da reprodutibilidade at Museu de Arte do Rio Grande do Sul (Goethe Institute), Porto Alegre, Brasil.

Luis Camnitzer, solo exhibition Luis Camnitzer. 5 obras 2011-2018, curated by Florencia Battiti, at Parque de La Memoria, Buenos Aires, Argentina. 

Polly Apfelbaum solo exhibition Happiness Runs curated by Stella Rollig at Belvedere 21, Vienna, Austria.

Regina Silveira included in the 70th year anniversary exhibition of The São Paulo Museum of Modern Art curated by Ana Magalhães, Felipe Chaimovich, and Helouise Costa, São Paulo, Brazil.

Frank Bowling included in the group exhibition From Color & Form to Expression & Response: Abstract Art at the Mechanical Hall Gallery, University of Delaware, Newark, DE. 

Hugh Steers, included in the group exhibition You Tell Me, at Foley Gallery, New York, NY.

Regina Silveria included in the group exhibition AI-5 50 ANOS – Ainda não terminou de acabar curated by Paulo Miyada at the Instituto Tomie Ohtake, São Paulo, Brazil. 

Hassan Sharif included in the exhibition Ways of Seeing curated by Sam Bardaouil and Till Fellrath, at New York University Abu Dhabi, United Arab Emirates.

Luis Camnitzer included in the group exhibition Perspectivas Latinas #18 at Städtische Galerie Wolfsburg, Germany.

Luis Camnitzer, included in the group exhibition Conceptual Strategies: 1960-1970, curated by Ricardo Sardenberg, at Bergamin & Gomide, São Paulo, Brazil.

Regina Silveira, solo exhibition Todas as escadas, at the Instituto Figueiredo Ferraz, Riberão Preto, São Paulo.

Luis Camnitzer and Coco Fusco included in the group exhibition Walls Turned Sideways: Artists Confront the Justice System curated by Risa Puleo at the Contemporary Arts Museum Houston, Houston, Texas.  

Harmony Hammond and Joan Semmel included in the exhibition Half the Picture: A Feminist Look at the Collection curated by Catherine Morris and Carmen Hermo at the Brooklyn Museum, NY.

Melvin Edwards solo exhibition titled Melvin Edwards curated by Rodrigo Moura at the Museu de Arte de São Paulo (MASP), Brazil.

Regina Silveira included in the group exhibition Radical Women: Latin American Art, 1960-1985 curated by Cecilia Fajardo-Hill, Andrea Giunta, and Marcela Guerrero at Pinacoteca de São Paulo, Brazil.

Polly Apfelbaum included in the group exhibition SPECTRUM curated by Kate Menconeri and Kiki Smith at the Thomas Cole National Historic Site, Catskill, NY.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Family Gained at the Museum of Fine Arts, Boston, MA.

Regina Silveira, solo exhibition Regina Silveira: Exit, curated by Cauê Alves, at the Museu Brasileiro da Escultura,  São Paulo, Brazil.

Valeska Soares, retrospective Valeska Soares: Entrementes, curated by Júlia Rebouças, at the Pinacoteca do Estado de São Paulo, Brazil. 

Frank Bowling Two Blues, The Terminal Illness, 1973 is on view at Rhode Island School of Design Museum of Art, RI.

Valeska Soares, included in the group exhibition Gaze, at Van Doren Waxter, New York, NY. 

Lorraine O'Grady is included in the group exhibition Michael Jackson: On The Wall, curated by Dr Nicholas Cullinan at the National Portrait Gallery, London.

Lorraine O'Grady, included in the exhibition We Wanted a Revolution: Black Radical Women, 1965–85, curated by Catherine Morris, and Rujeko Hockley, at the Institute of Contemporary Art, Boston, MA. 

Polly Apfelbaum included in the festival PLAY Kortrijk 2018 in Kortrijk, Belgium 

Hugh Steers is included in the group exhibition Intimacy curated by Stephen Truax at Yossi Millo Gallery, New York.

Luis Camnitzer, included in the group exhibition El Arte de la Desobediencia [The Art of Disobedience], curated by María Wills, Carmen María Jaramillo, and Sylvia Suárez, at the Museo de Arte Moderno de Bogotá, Colombia.

Frank Bowling, included in the 250th Summer Exhibition, curated by Greyson Perry, at the Royal Academy of Arts, London, UK.

Luis Camnitzer, solo exhibition 38º58’29.65’’N 1º26’34.24’’E, curated by Eloy Molanes, and Guillermo Parra, at Parra & Romero, Ibiza.

Luis Camnitzer included in the traveling exhibition Take Me (I’m Yours) curated by Christian Boltanski, Hans Ulrich Obrist, and Chiara Parisi at Villa Médicis Académie de France a Rome.

Hassam Sharif, included in the group exhibition 40 Years of Passion: Collection David H. Brolliet, Geneva, curated by Véronique Hillereau and Yann Rudler, at the Foundation Fernet Branca, Saint-Louis, France.

Melvin Edwards included in the group exhibition On Edge (The Domestic Plane) organized by Richard Klein at The Aldrich Contemporary Art Museum, Ridgefield, CT. 

Joan Semmel included in the group exhibition In the Cut – Sexuality in Feminist Art at Stadtgalerie Saarbrücken, Germany.

Group exhibition Effects that Aren't Special: The 40th Annual Photography Regional curated by Tim Davis at the Opalka Gallery, New York.  

Lorraine O'Grady included in the group exhibition Reclaimed at the Linda Pace Foundation, San Antonio, TX.

Polly Apfelbaum included in the exhibition Carry the Bend at Brennan & Griffin, New York, NY.

Coco Fusco will present her performance Words May Not Be Found (2017/2018) at Württembergischer Kunstverein Stuttgart, Germany.

Melvin Edwards participates in the Group exhibition Solidary & solitary: The Joyner/Giuffrida Collection, curated by Christopher Bedford and Katy Siegel at the Nasher Museum of Art at Duke University, Durham, NC. 

Artists Curated Projects is pleased to announce Erasing Censorship, an exhibition of works by Harmony Hammond, a pioneer of feminist and queer discourse.  

Betty Parsons, House Store (1977) is currently on view at the Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY.

Joan Semmel included in Scenes from the Collection at the Jewish Museum, New York, NY.

Frank Bowling, included in the exhibition Looking Anew: Art and Estrangement, 1900–2000, at Bodowin College Museum of Art, ME.

Melvin Edwards included in the group exhibition The Long Run organized by Paulina Pobocha and Cara Manes at The Museum of Modern Art, New York.