Harmony Hammond

Harmony Hammond included in Making Knowing: Craft in Art, 1950–2019, a group exhibition curated by Jennie Goldstein, Elisabeth Sherman, and Ambika Trasi, at the Whitney Museum of American Art, New York, NY. 

The institution's press release follows:

On November 22, the Whitney opens Making Knowing: Craft in Art, 1950–2019, an exhibition that foregrounds how visual artists have explored the materials, methods, and strategies of craft. Beginning in the 1950s—at a time when many artists embraced fiber arts and ceramics to challenge the dominance of traditional painting and sculpture—Making Knowing moves through the next seven decades, presenting works that speak to artists’ interests in domesticity, hobbyist materials, the decorative, vernacular American traditions, “women’s work,” and feminist and queer aesthetics.

Drawn primarily from the Whitney’s collection, the exhibition features over eighty artworks in a variety of media, including textiles, ceramics, painting, drawing, photography, video, and large-scale sculptural installation. The more than sixty artists represented include Anni Albers, Richard Artschwager, Ruth Asawa, Njideka Akunyili Crosby, Robert Gober, Shan Goshorn, Harmony Hammond, Eva Hesse, Sheila Hicks, Mike Kelley, Yayoi Kusama, Thomas Lanigan-Schmidt, Simone Leigh, Robert Morris, Claes Oldenburg, Pepón Osorio, Howardena Pindell, Ken Price, Robert Rauschenberg, Faith Ringgold, Miriam Schapiro, Arlene Shechet, Kiki Smith, Lenore Tawney, Peter Voulkos, Marie Watt, and Betty Woodman.

“One of the greatest pleasures and responsibilities that comes with digging into the Whitney’s collection is the way it continually compels us to reevaluate our received ideas about taste, style, and even what counts as art at any moment,” remarks Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator. “By focusing on materials and techniques associated with craft, Making Knowing will offer jolts of surprise, emotion, provocation, and discovery through an incredible range of works, more than half of which have never been on display in our galleries.”

Making Knowing is organized chronologically and thematically, beginning with a gallery of works from the 1950s. Throughout this decade, artists such as Ruth Asawa, Robert Rauschenberg, and Peter Voulkos experimented with wire, scavenged fabric, and clay. Others, including Sheila Hicks, Lenore Tawney, and Ann Wilson, explored weaving, both on and off the loom, and painting on found quilts. By employing marginalized craft media, they challenged the power structures that determined artistic value. Presenting these artists together reveals the profound influence that craft had on abstraction during this period.

Making Knowing: Craft in Art, 1950–2019
November 22, 2019 – February 2022
Whitney Museum of American Art
New York, NY