Jennie C. Jones' interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’ conceptual works reflect on the legacy of modernism and minimalism.

Jennie C. Jones’ solo exhibition, Jennie C. Jones: Constant Structure, at The Art Club of Chicago, IL.

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Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Columbus Museum of Art, OH. 

Lorraine O'Grady included in Duro Olowu: Seeing Chicago, curated by Duro Olowu, Naomi Beckwith, and Jack Schneider, at the Museum of Contemporary Art Chicago, IL.

Hassan Sharif's solo exhibition Hassan Sharif: I Am The Single Work Artist, curated by Hoor Al Qasimi and Krist Gruijthuijsen, at KW Institute for Contemporary Art, Berlin, Germany. 

Lorraine O'Grady included in Catalyst: Art and Social Justice at Gracie Mansion Conservancy, New York, NY.

Ricardo Brey included in Other.Wordly, curated by Hanne Hagenaars, at Fries Museum, Leeuwarden, Netherlands.

Melvin Edwards included in African American Art in the 20th Century at The Westmoreland Museum of American Art, Greensburg, PA.

Lorraine O'Grady included in A Collective Constellation: Selections From The Eileen Harris Norton Collection at Art + Practice, Los Angeles, CA. 

Melvin Edwards' solo exhibition Melvin Edwards: Crossroads, curated by Christopher Bedford and Katy Siegel at Baltimore Museum of Art, MD, and organized by Bradley Sumrall and Richard McCabe at Ogden Museum of Southern Art, New Orleans, LA.

Melvin Edwards, Harmony Hammond, and Joan Semmel included in Making Community: Prints from Brandywine Workshop and Archives, Brodsky Center at PAFA, and Paulson Fontaine Press at Pennsylvania Academy of the Fine Arts, Philadelphia, PA. 

Regina Silveira's Limiares, curated by Priscilla Arantes, inaugurates the newly reopened Paço das Artes, São Paulo, Brazil. 

Frank Bowling, Melvin Edwards, and Lorraine O’Grady included in Black Refractions: Highlights from The Studio Museum in Harlem at Smith College Museum of Art, Northampton, MA. The exhibition is curated by Connie H. Choi and organized at Smith College Museum of Art by Emma Chub. 

Hassan Sharif included in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery, New York, NY. 

Lorraine O'Grady's The Strange Taxi, Stretched on the Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston, MA.

Lorraine O'Grady included in Visibilities: Intrepid Women of Artpace, curated by Erin K. Murphy, at Artpace, San Antonio, TX.

Harmony Hammond included in Making Knowing: Craft in Art, 1950–2019, curated by Jennie Goldstein, Elisabeth Sherman, and Ambika Trasi, at the Whitney Museum of American Art, New York, NY. 

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Joan Semmel included in Crossroads: Carnegie Museum of Art, 1945 to Now at Carnegie Museum of Art, Pittsburgh, PA.