Polly Abfelbaum included in What Beauty is, I Know Not, curated by Kasper König, at König Galerie, Berlin, Germany. 

Melvin Edwards at Museu da Republica, Rio de Janeiro, Brazil.

Polly Apfelbaum's solo exhibition Haystack Hands: An Exhibition of New Work by Polly Apfelbaum at Haystack Mountain School of Crafts, Deer Island, ME.

Hassan Sharif included in Popular Culture & the City at Manarat Al Saadiyat, Abu Dhabi, United Arab Emirates. 

Polly Apfelbaum included in Less Is a Bore: Maximalist Art & Design, curated by Jenelle Porter and Jeffrey De Blois, at Institute of Contemporary Art / Boston, MA. 

Jack Tworkov included in Epic Abstraction at The Metropolitan Museum of Art, New York, NY
 

Frank Bowling included in The Warmth of Other Suns: Stories of Global Displacement, curated by Massimiliano Gioni and Natalie Bell, at The Phillips Collection, Washington, DC. 

Lorraine O'Grady included in Acting Out: Works from the Marieluise Hessel Collection, curated by Tom Eccles and Leigh Ledare, at Bard College's Hessel Museum of Art, Annandale-on-Hudson, NY.

Polly Apfelbaum included in The Aerodrome – An exhibition dedicated to the memory of Michael Stanley, curated by David Austen and George Shaw, at Ikon Gallery, Birmingham, United Kingdom.

Harmony Hammond included in Queer Abstraction, curated by Jared Ledesma, at the Des Moines Art Center, IA.

Frank Bowling's first major retrospective, curated by Elena Crippa, at Tate Britain, London, United Kingdom. 

Harmony Hammond included in Bringing Together: Recent Acquisitions at New Mexico Museum of Art, Santa Fe, NM. 

Melvin Edwards included in Where the Oceans Meet, curated by Hans Ulrich Obrist, Asad Raza, Gabriela Rangel, and Rina Carvajal, at the Museum of Art and Design at Miami Dade College, FL.

Jack Tworkov included in Artistic License: Six Takes on the Guggenheim Collection, curated by Cai Guo-Qiang, Paul Chan, Jenny Holzer, Julie Mehretu, Richard Prince, and Carrie Mae Weems, at the Guggenheim Museum, New York, NY. 

Regina Silveira's Octopus Wrap featured at the Seattle Art Museum's Olympic Sculpture Park, WA. 

Valeska Soares included in Glasstress, curated by Vik Muniz and Koen Vanmechelen, at Fondazione Berengo in Murano, Venice, Italy.

Luis Camnitzer and Coco Fusco included in Culture and The People: El Museo del Barrio, 1969–2019, curated by Susanna V. Temkin and Noel Valentin, at El Museo del Barrio, New York, NY. 

Polly Abfelbaum included in Closer Look: Intimate-Scale Sculpture from the Permanent Collection at the Orange Country Museum of Art, Santa Ana, CA. 
 

Frank Bowling included in Spilling Over: Painting Color in the 1960s, curated by David Breslin and Margaret Corss, at the Whitney Museum of American Art, New York, NY. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized by Sarah Loyer at The Broad, Los Angeles, CA. 

Ricardo Brey included in The Collection (I): Highlights for a Future at Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.  

Harmony Hammond's survey exhibition, Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at The Aldrich Contemporary Art Museum, Ridgefield, CT.

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Jack Tworkov's Barrier Series #4 on view in Chazen East Mezzanine at Chazen Museum of Art, Madison, WI. 

Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York, NY.

Joan Semmel included in Crossroads: Carnegie Museum of Art, 1945 to Now at Carnegie Museum of Art, Pittsburgh, PA. 

Joan Semmel included in Scenes from the Collection at the Jewish Museum, New York, NY.

Luis Camnitzer and Lorraine O'Grady included in I am you, you are too, curated by Vincenzo de Bellis, Adrienne Edwards, and Pavel Pyś, at the Walker Art Center, Minneapolis, MN.