Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in Hyperallergic's guide to Miami Art Week.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, NY discussed in a profile of Linda Goode Bryant in Frieze.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in ArtNet News's guide to Miami Art Week.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL named a "must see during Miami Art Week" in Artsy.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in WMagazine's guide to Miami Art Week.

Ronny Quevedo featured in Art in America's piece Latinx Artists in the Borderlands.

Alexander Gray Associates featured among prominent art institutions located in the Hudson Valley in Art Basel.

Ricardo Brey's one-person presentation at ADAA featured in Hyperallergic.

Steve Locke in conversation with curator Helen Molesworth for The David Zwirner Podcast.

Valeska Soares's group exhibition Movement: The Legacy of Kineticism at the Dallas Museum of Art covered in NBC Dallas-Fort Worth.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in Forbes.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in ARTFIXdaily.

Ronny Quevedo profiled in "5 Latinx Artists Using Abstraction to Address Precolonial Histories" in Artsy.

Joan Semmel’s Red Hand (2019) featured in Artnews piece about work acquired by top Collectors.

Steve Locke's one-person exhibition the daily practice of painting at the Moss Arts Center at Virginia Tech, Blacksburg, VA covered in VTX.

Lorraine O’Grady interviewed by Doreen St. Félix for the New Yorker.

Harmony Hammond and writer and art critic Lucy Lippard in conversation reflecting upon the artists and artwork of the group exhibition Women's Work at Lyndhurst in Tarrytown, NY. 

Melvin Edwards’s site-specific installation at Dia: Beacon highlighted in Art in America’s September Sculpture issue.

Ronny Quevedo in conversation with Editor-At-Large Jason Rosenfeld about his current exhibition entre aquí y allá at Alexander Gray Associates, New York for the Brooklyn Rail's New Social Environment Conversation series.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art covered in the New York Times for championing Black Avant-garde art of the 1970s and 80s.

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art discussed by Gallerist Linda Goode Bryant in Artnet News.

Coco Fusco's book Dangerous Moves: Performance and Politics in Cuba featured in Art Newspaper's new column, "Trigger Warning" that discusses censorship in art.

Melvin Edwards's More Than You See selected as one of several works at the fair that explore heritage and identity at Seoul in Frieze.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art recognized by Holland Cotter as a  "don't miss important show" in the New York Times.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the Fall 2022 New York Art Guide in Hyperallergic.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Steve Locke awarded the Rappaport Prize by the deCordova Sculpture Park and Museum in Lincoln, MA announced in The Boston Globe.

Joan Semmel’s retrospective, Skin in the Game that traveled to the Herbert F. Johnson Museum of Art reviewed by Nancy Princenthal in Hyperallergic.

Hugh Steers's work in collections by gay art collectors highlighted in T: The New York Times Style Magazine.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the "Fall Art Preview" in The New Yorker.

Lorraine O'Grady's Art Is foregrounded in The Guardian's series on female artists.

Coco Fusco in conversation with editor-in-chief, David Velasco, about Whitney Biennial piece Your Eyes Will Be an Empty Word in Artforum.

Hugh Steers profiled in Artsy.

Jennie C. Jones: Nocturnes at PATRON Gallery highlighted in the Chicago Reader.

Betty Parsons's catalogue raisonné launch highlighted in Artnews.

Alexander Gray Associates's participation in ADAA 2022 announced in Artnews.

Coco Fusco's video art practice featured in Artnet News.

Coco Fusco named one of the "10 Cuban Artists Who Are Shaping Contemporary Art" in Artsy.

Alexander Gray Associates announces the Gallery's participation in the inaugural edition of Frieze Seoul.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in Ocula Magazine.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in The Art Newspaper.

Artists Melvin Edwards and Rashid Johnson reflect on the legacy of their friend Sam Gilliam in The New York Times.

Lorraine O'Grady: Body Is the Ground of My Experience at Alexander Gray Associates, New York, reviewed in Hyperallergic.

Ricardo Brey's one-person exhibition Gap in the Clouds covered in De Tijd.

Ronny Quevedo's site-specific commission for LaGuardia Airport highlighted in Hype Beast.

Coco Fusco's Your Eyes Will Be an Empty Word for the cover of Artforum highlighted in Culture Type.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in Artnet News.

Coco Fusco's Your Eyes Will Be an Empty Word featured in Jace Clayton's review of the Whitney Biennial in Artforum International.

Coco Fusco's Your Eyes Will Be an Empty Word featured in Hilton Als's review of the Whitney Biennial in Artforum International. 

Coco Fusco's, Your Eyes Will Be an Empty Word for the cover of Artforum's 2022 Summer Issue announced on e-flux.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in The New York Times.