Harmony Hammond included in A Look Back: 50 Years After Stonewall, organized by Lucy Beni and Adam Shopkorn, at Fort Ganesvoort, New York.
Betty Parsons included in Painters of the East End at Kasmin Galllery, New York.
Melvin Edwards included in Cutting the Stone, organized by Alex Fleming and Anya Komarat, at Miguel Abreu Gallery, New York.
Polly Apfelbaum included in Painters Reply: Experimental Painting in the 1970s and now curated by Alex Glauber and Alex Logsdail at Lisson Gallery, New York.
Polly Apfelbaum included in Less Is a Bore: Maximalist Art & Design, curated by Jenelle Porter and Jeffrey De Blois, at Institute of Contemporary Art / Boston, MA.
Frank Bowling included in The Warmth of Other Suns: Stories of Global Displacement, curated by Massimiliano Gioni and Natalie Bell, at The Phillips Collection, Washington, DC.
Lorraine O'Grady included in Acting Out: Works from the Marieluise Hessel Collection, curated by Tom Eccles and Leigh Ledare, at Bard College's Hessel Museum of Art, Annandale-on-Hudson, NY.
Polly Apfelbaum included in Through Thick and Thin at Kerry Schuss, New York.
Polly Apfelbaum included in The Aerodrome – An exhibition dedicated to the memory of Michael Stanley, curated by David Austen and George Shaw, at Ikon Gallery, Birmingham, United Kingdom.
Harmony Hammond included in Queer Abstraction, curated by Jared Ledesma, at the Des Moines Art Center, IA.
Frank Bowling's first major retrospective, curated by Elena Crippa, at Tate Britain, London.
Melvin Edwards included in Where the Oceans Meet, curated by Hans Ulrich Obrist, Asad Raza, Gabriela Rangel, and Rina Carvajal, at the Museum of Art and Design at Miami Dade College, FL.
Harmony Hammond included in About Face: Stonewall, Revolt and New Queer Art, curated by Jonathan David Katz, at Wrightwood 659, Chicago, IL.
Regina Silveira's Octopus Wrap featured at the Seattle Art Museum's Olympic Sculpture Park, WA.
Valeska Soares included in Glasstress, curated by Vik Muniz and Koen Vanmechelen, at Fondazione Berengo in Murano, Venice, Italy.
Harmony Hammond included in Art After Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Leslie Lohman Museum of Gay and Lesbian Art, New York.
Teresa Burga's included in Straying from the Line at the Schinkel Pavilion, Berlin.
Polly Abfelbaum included in Closer Look: Intimate-Scale Sculpture from the Permanent Collection at the Orange Country Museum of Art, Santa Ana, CA.
Ricardo Brey included in Feast of Fools. Bruegel Rediscovered, curated by Luk Lambrecht and Lieze Eeneman, at Kasteel van Gaasbeek, Lennik, Belgium.
Lorraine O'Grady included in Harlem in Situ at the Addison Gallery of American Art, Phillips Academy, Andover, MA.
Frank Bowling included in Spilling Over: Painting Color in the 1960s, curated by David Breslin and Margaret Corss, at the Whitney Museum of American Art, New York.
Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized by Sarah Loyer at The Broad, Los Angeles.
Ricardo Brey included in The Collection (I): Highlights for a Future at Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.
Harmony Hammond's survey exhibition, Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at The Aldrich Contemporary Art Museum, Ridgefield, CT.
Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.
Jack Tworkov's Barrier Series #4 on view in Chazen East Mezzanine at Chazen Museum of Art, Madison, WI.
Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York.
Joan Semmel included in Scenes from the Collection at the Jewish Museum, New York.
Luis Camnitzer and Lorraine O'Grady included in I am you, you are too, curated by Vincenzo de Bellis, Adrienne Edwards, and Pavel Pyś, at the Walker Art Center, Minneapolis, MN.