Ricardo Brey included in Other.Wordly, curated by Hanne Hagenaars, at Fries Museum, Leeuwarden, Netherlands.

Melvin Edwards included in African American Art in the 20th Century at The Westmoreland Museum of American Art, Greensburg, PA.

Lorraine O'Grady included in A Collective Constellation: Selections From The Eileen Harris Norton Collection at Art + Practice, Los Angeles, CA. 

Melvin Edwards' solo exhibition Melvin Edwards: Crossroads, curated by Christopher Bedford and Katy Siegel at Baltimore Museum of Art, MD, and organized by Bradley Sumrall and Richard McCabe at Ogden Museum of Southern Art, New Orleans, LA.

Melvin Edwards' solo exhibition at Museu Nacional da República, Rio de Janeiro, Brazil.

Melvin Edwards solo exhibition at Stephen Friedman Gallery, London, United Kingdom. 

Coco Fusco included in Construção, curated by Renato Silva, at Mendes Wood DM, São Paulo, Brazil.

Melvin Edwards, Harmony Hammond, and Joan Semmel included in Making Community: Prints from Brandywine Workshop and Archives, Brodsky Center at PAFA, and Paulson Fontaine Press at Pennsylvania Academy of the Fine Arts, Philadelphia, PA. 

Regina Silveira's Limiares, curated by Priscilla Arantes, inaugurates the newly reopened Paço das Artes, São Paulo, Brazil. 

Frank Bowling, Melvin Edwards, and Lorraine O’Grady included in Black Refractions: Highlights from The Studio Museum in Harlem at Smith College Museum of Art, Northampton, MA. The exhibition is curated by Connie H. Choi and organized at Smith College Museum of Art by Emma Chub. 

Hassan Sharif included in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery, New York, NY. 

Lorraine O'Grady's The Strange Taxi, Stretched on the Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston, MA.

Lorraine O'Grady included in Visibilities: Intrepid Women of Artpace, curated by Erin K. Murphy, at Artpace, San Antonio, TX.

Ricardo Brey's solo exhibition, Adrift, curated by Arie Hartog, at Gerhard-Marcks-Haus, Bremen, Germany. 

Harmony Hammond included in Making Knowing: Craft in Art, 1950–2019, curated by Jennie Goldstein, Elisabeth Sherman, and Ambika Trasi, at the Whitney Museum of American Art, New York, NY. 

Harmony Hammond included in Queer Abstraction at the Nerman Museum of Contemporary Art, Overland Park, KS.

Lorraine O'Grady included in Elements of Vogue: A Case Study on Radical Performance, curated by Sabel Gavaldón and Manuel Segade, at Museo Universitario del Chopo, Mexico City, Mexico.  

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation, organized by Timothy Anglin Burgard at the de Young Museum, San Francisco, CA. 

Melvin Edwards included in Theater of Operations: The Gulf Wars 1991–2011 at MoMA PS1, Long Island City, NY.

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Valeska Soares included in The Enchanted Interior, curated by Madeleine Kennedy, at Laing Art Gallery, Newcastle upon Tyne, United Kingdom.

Lorraine O'Grady included in Truthiness and the News, organized by Sam Adams, at deCordova Sculpture Park and Museum, Lincoln, MA. 

Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Art Museum, MO. 

Regina Silveira's Octopus Wrap featured at the Seattle Art Museum's Olympic Sculpture Park, WA. 

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Joan Semmel included in Crossroads: Carnegie Museum of Art, 1945 to Now at Carnegie Museum of Art, Pittsburgh, PA. 

Luis Camnitzer and Lorraine O'Grady included in I am you, you are too, curated by Vincenzo de Bellis, Adrienne Edwards, and Pavel Pyś, at the Walker Art Center, Minneapolis, MN.