Valeska Soares included in Samba in the Dark at Anton Kern Gallery, New York, NY. 

Hassan Sharif included in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery, New York, NY. 

Lorraine O'Grady's The Strange Taxi, Stretched on the Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston, MA.

Ricardo Brey's solo exhibition, Adrift, curated by Arie Hartog, at Gerhard-Marcks-Haus, Bremen, Germany. 

Harmony Hammond included in Making Knowing: Craft in Art, 1950–2019, curated by Jennie Goldstein, Elisabeth Sherman, and Ambika Trasi, at the Whitney Museum of American Art, New York, NY. 

Harmony Hammond included in Queer Abstraction at the Nerman Museum of Contemporary Art, Overland Park, KS.

Lorraine O'Grady included in Photo Revolution: Andy Warhol to Cindy Sherman at the Worcester Art Museum, MA.

Lorraine O'Grady included in Elements of Vogue: A Case Study on Radical Performance, curated by Sabel Gavaldón and Manuel Segade, at Museo Universitario del Chopo, Mexico City, Mexico.  

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation, organized by Timothy Anglin Burgard at the de Young Museum, San Francisco, CA. 

Melvin Edwards included in Theater of Operations: The Gulf Wars 1991–2011 at MoMA PS1, Long Island City, NY.

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Melvin Edwards and Lorraine O'Grady included in Afrocosmologies: African Reflections at the Wadsworth Atheneum Museum of Art, Hartford, CT.  

Coco Fusco's included in the second Anren Biennale, A Confrontation of Ideals, curated by Lyu Peng, He Guiyan, and Siebe Tettero, in Anren, Chengdu, Sichuan Province, China.

Lorraine O'Grady included in Truthiness and the News, organized by Sam Adams, at deCordova Sculpture Park and Museum, Lincoln, MA. 

Melvin Edwards included in Generations: A History of Black Abstract Art, curated by Christopher Bedford and Katy Siegel, at Baltimore Museum of Art, MD.

Harmony Hammond included in Otherwise Obscured: Erasure in Body and Text, curated by Danilo Machado, at Franklin Street Works, Stamford, CT.

Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Art Museum, MO. 

Melvin Edwards included in LA Blacksmith, curated by Jill Moniz, at California African American Museum, Los Angeles, CA. 

Harmony Hammond included in Bringing Together: Recent Acquisitions at New Mexico Museum of Art, Santa Fe, NM. 

Regina Silveira's Octopus Wrap featured at the Seattle Art Museum's Olympic Sculpture Park, WA. 

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York, NY.

Joan Semmel included in Crossroads: Carnegie Museum of Art, 1945 to Now at Carnegie Museum of Art, Pittsburgh, PA. 

Luis Camnitzer and Lorraine O'Grady included in I am you, you are too, curated by Vincenzo de Bellis, Adrienne Edwards, and Pavel Pyś, at the Walker Art Center, Minneapolis, MN.