Melvin Edwards Lines for the Poet reviewed in Artforum.

Melvin Edwards's group exhibition, Revisiting 5+1, at Stony Brook University reviewed in Artforum.

Alexander Gray Associates's relocation to Tribeca and collaboration with studioMDA featured in The New York Times.

Melvin Edwards's one-person exhibition Lines for the Poet at Alexander Gray Associates reviewed in The New York Times.

Alexander Gray Associates announces the Gallery's relocation to Tribeca in The Art Newspaper.

Alexander Gray Associates announces the Gallery's relocation to Tribeca in Artnews.

Steve Locke's group exhibition Hot Off the Press at Anderson Ranch featured in The Aspen Times.

Regina Silveira's upcoming installation at George Bush Intercontinental Airport mentioned in Texas Monthly.

Luis Camnitzer's one-person exhibition Arbitrary Order at Alexander Gray Associates reviewed in e-flux.

Luis Camnitzer's one-person exhibition, Arbitrary Order, featured in Hyperallergic.

Melvin Edwards's group exhibition Revisiting 5+1 featured in Art in America.

Coco Fusco's Your Eyes Will Be an Empty Word (2021) named a "Defining Artwork of 2022" in ARTnews.

Steve Locke: your blues ain't like mine on view through December 17, 2022 at Alexander Gray Associates, New York featured in The New Yorker.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in Hyperallergic's guide to Miami Art Week.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, NY discussed in a profile of Linda Goode Bryant in Frieze.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in ArtNet News's guide to Miami Art Week.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL named a "must see during Miami Art Week" in Artsy.

Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in WMagazine's guide to Miami Art Week.

Ronny Quevedo featured in Art in America's piece Latinx Artists in the Borderlands.

Alexander Gray Associates featured among prominent art institutions located in the Hudson Valley in Art Basel.

Ricardo Brey's one-person presentation at ADAA featured in Hyperallergic.

Steve Locke in conversation with curator Helen Molesworth for The David Zwirner Podcast.

Valeska Soares's group exhibition Movement: The Legacy of Kineticism at the Dallas Museum of Art covered in NBC Dallas-Fort Worth.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in Forbes.

Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in ARTFIXdaily.

Ronny Quevedo profiled in "5 Latinx Artists Using Abstraction to Address Precolonial Histories" in Artsy.

Joan Semmel’s Red Hand (2019) featured in Artnews piece about work acquired by top Collectors.

Steve Locke's one-person exhibition the daily practice of painting at the Moss Arts Center at Virginia Tech, Blacksburg, VA covered in VTX.

Lorraine O’Grady interviewed by Doreen St. Félix for the New Yorker.

Harmony Hammond and writer and art critic Lucy Lippard in conversation reflecting upon the artists and artwork of the group exhibition Women's Work at Lyndhurst in Tarrytown, NY. 

Melvin Edwards’s site-specific installation at Dia: Beacon highlighted in Art in America’s September Sculpture issue.

Ronny Quevedo in conversation with Editor-At-Large Jason Rosenfeld about his current exhibition entre aquí y allá at Alexander Gray Associates, New York for the Brooklyn Rail's New Social Environment Conversation series.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art covered in the New York Times for championing Black Avant-garde art of the 1970s and 80s.

Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art discussed by Gallerist Linda Goode Bryant in Artnet News.

Coco Fusco's book Dangerous Moves: Performance and Politics in Cuba featured in Art Newspaper's new column, "Trigger Warning" that discusses censorship in art.

Melvin Edwards's More Than You See selected as one of several works at the fair that explore heritage and identity at Seoul in Frieze.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art recognized by Holland Cotter as a  "don't miss important show" in the New York Times.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the Fall 2022 New York Art Guide in Hyperallergic.

Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".

Steve Locke awarded the Rappaport Prize by the deCordova Sculpture Park and Museum in Lincoln, MA announced in The Boston Globe.

Joan Semmel’s retrospective, Skin in the Game that traveled to the Herbert F. Johnson Museum of Art reviewed by Nancy Princenthal in Hyperallergic.

Hugh Steers's work in collections by gay art collectors highlighted in T: The New York Times Style Magazine.

Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the "Fall Art Preview" in The New Yorker.

Lorraine O'Grady's Art Is foregrounded in The Guardian's series on female artists.

Coco Fusco in conversation with editor-in-chief, David Velasco, about Whitney Biennial piece Your Eyes Will Be an Empty Word in Artforum.

Hugh Steers profiled in Artsy.

Jennie C. Jones: Nocturnes at PATRON Gallery highlighted in the Chicago Reader.

Betty Parsons's catalogue raisonné launch highlighted in Artnews.

Alexander Gray Associates's participation in ADAA 2022 announced in Artnews.

Coco Fusco's video art practice featured in Artnet News.

Coco Fusco named one of the "10 Cuban Artists Who Are Shaping Contemporary Art" in Artsy.

Alexander Gray Associates announces the Gallery's participation in the inaugural edition of Frieze Seoul.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in Ocula Magazine.

Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in The Art Newspaper.

Artists Melvin Edwards and Rashid Johnson reflect on the legacy of their friend Sam Gilliam in The New York Times.

Lorraine O'Grady: Body Is the Ground of My Experience at Alexander Gray Associates, New York, reviewed in Hyperallergic.

Ricardo Brey's one-person exhibition Gap in the Clouds covered in De Tijd.

Ronny Quevedo's site-specific commission for LaGuardia Airport highlighted in Hype Beast.

Coco Fusco's Your Eyes Will Be an Empty Word for the cover of Artforum highlighted in Culture Type.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in Artnet News.

Ronny Quevedo mentioned in Surface Magazine.

Coco Fusco's Your Eyes Will Be an Empty Word featured in Jace Clayton's review of the Whitney Biennial in Artforum International.

Coco Fusco's Your Eyes Will Be an Empty Word featured in Hilton Als's review of the Whitney Biennial in Artforum International. 

Coco Fusco's, Your Eyes Will Be an Empty Word for the cover of Artforum's 2022 Summer Issue announced on e-flux.

Ronny Quevedo's site-specific commission for LaGuardia Airport featured in The New York Times.

Coco Fusco's Your Eyes Will Be an Empty Word featured in Daily Art Magazine.

Joan Semmel's commencement speech at the New York Academy of Art featured in Artnet News.

Harmony Hammond's group exhibition Women's Work covered in Artfix Daily.

Coco Fusco interviewed in Curbed.

Melvin Edwards's one-person exhibition at Dia Beacon covered in Stir World.

Lorraine O'Grady: Body Is the Ground of My Experience named one of the best shows to see during Frieze New York in Frieze.

Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Gazet van Antwerpen.

Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Het Laatse Nieuws.

Ronny Quevedo's errant globe named one of Marcela Guerrero's favorite works at Frieze New York in the Art Newspaper.

Melvin Edwards one-person exhibition Brighter Days at deCordova Sculture Park and Museum highlighted in Artfix Daily.

Melvin Edwards's Mozambique named one of Nora Lawrence's Top 5 Works at Frieze New York in Frieze.

Ricardo Brey featured in Harper's Bazaar Netherlands.

Coco Fusco mentioned in The Art Newspaper.

Melvin Edwards's group exhibition A Site of Struggle at the Block Museum of Art featured in Hyperallergic.

Ronny Quevedo's work in Alexander Gray Associates's Frieze New York presentation featured in the Financial Times.

Lorraine O'Grady: Body Is the Ground of My Experience named a must-see exhibition by Artforum.

Coco Fusco highlighted in Barry Schwabsky's review of the Whitney Biennial in the Nation.

Hassan Sharif mentioned in Gulf Today's review of Louvre Abu Dhabi's Stories of Paper exhibition.

Ronny Quevedo interviewed by Art in America.

Coco Fusco highlighted in Ben Davis's review of the Whitney Biennial in Artnet News.

Coco Fusco featured in the New York Times for Your Eyes Will Be an Empty Word.

 Steve Locke's one person exhibition Homage to the Auction Block at Alexander Gray Asociates Germantown, NY featured in Interior Design.

Lorraine O'Grady: Body Is the Ground of My Experience named a gallery show not to miss in Artnet News.

Joan Semmel: Skin in the Game reviewed in Artforum.

Hassan Sharif mentioned in e-flux.

Jennie C. Jones: Dynamics highlighted in the New York Times.

Melvin Edwards's exhibition Brighter Days at the deCordova mentioned in Artfix Daily.

Coco Fusco highlighted in Ariella Budick's review of the Whitney Biennial in the Financial Times.

Jennie C. Jones mentioned in Artnews.

Coco Fusco highlighted in Culture Type's coverage of 2023 Sharjah Biennial participating artists.

Coco Fusco highlighted in Wallpaper's Whitney Biennial review.

Coco Fusco highlighted in Live Mints's coverage of 2023 Sharjah Biennial participating artists.

Coco Fusco highlighted in Ocula's coverage of 2023 Sharjah Biennial participating artists.

Jennie C. Jones's group exhibition Walk the Line at the Center for Maine Contemporary Art mentioned in the Courier Gazette.

Hassan Sharif's group exhibition Stories on Paper at the Louvre Abu Dhabi highlighted in Emirates News Agency WAM.

Coco Fusco highlighted in Artreview's coverage of 2023 Sharjah Biennial participating artists.

Coco Fusco in conversation with Marco Baravalle for the Institute of Radical Imagination's podcast series, No Land Ahoy!

Coco Fusco highlighted in Artnews's coverage of 2023 Sharjah Biennial participating artists.

Coco Fusco highlighted in Artforum's coverage of 2023 Sharjah Biennial participating artists.

Hassan Sharif mentioned in The National News.

Coco Fusco highlighted in 4Columns's Whitney Biennial review.

Hassan Sharif mentioned in Emirates News Agency WAM.

Lorraine O'Grady mentioned in The New York Times's coverage of Simone Leigh's U.S pavilion in the Venice Biennale.

Lorraine O'Grady mentioned in CultureType for her inclusion in Los Angeles County Museum of Art's Black American Portraits.

The Worcester Art Museum's group exhibition, Us Them We | Race Ethnicity Identity, featuring works by Melvin Edwards, Jennie C. Jones, and Lorraine O’Grady will have an artist's panel discussion moderated by co-curator Toby Sisson.

Jennie C. Jones: Dynamics at the Solomon R. Guggenheim reviewed in Theguide.art.

Regina Silveria’s exhibition at Museu de Arte Contemporânea da Universidade de São Paulo featured in Frieze.

Valeska Soares mentioned in ARTnews. 

Coco Fusco's work in the Whitney Biennial highlighted in Observer.

Coco Fusco's work in the Whitney Biennial highlighted in the Art Newspaper.

Jennie C. Jones participation in group exhibition Ground/work curated by Molly Epstein and Abigail Ross Goodman located at Clark Institute mentioned in Wallpaper*. 

Jennie C. Jones interviewed by the Brooklyn Rail for Jennie C. Jones: Dymanics exhibition at the Solomon R. Guggenheim Museum, New York.

Coco Fusco's participation in the Whitney Biennial mentioned in The Art Newspaper.

Coco Fusco highlighted in Wall Street Journal's review of the Whitney Biennial.

Luis Camnitzer mentioned in Hyperallergic.

Lorraine O'Grady mentioned in Vogue's review of the Whitney Biennial.

Harmony Hammond's group exhibition The Printer's Proof reviewed in Hyperallergic.

Coco Fusco highlighted in Peter Schjeldahl's review of the Whitney Biennial for The New Yorker.

Luis Camnitzer mentioned in El Marplatense.

Ronny Quevedo's group exhibition Lux et Veritas featured in Art Miami Magazine.

Regina Silveira mentioned in Newcity Brazil.

Coco Fusco interviewed about her work in the Whitney Biennial in the Art Newspaper.

Melvin Edwards's group exhibition Epistrophy mentioned in Artnews.

Luis Camnitzer mentioned in The City Paper, Bogotá.

Coco Fusco's Your Eyes Will be an Empty Word in the 2022 Whitney Biennial featured in the Boston Globe.

Coco Fusco highlighted in Holland Cotter's review of the Whitney Biennial for The New York Times.

Melvin Edwards interviewed with Sam Gilliam and William T. Williams for their group exhibition Epistrophy at Pace Gallery in T: The New York Times Style Magazine.

Hassan Sharif: Political Paintings (2008–2009) named a "must see" by Artforum.

Joan Semmel mentioned in Smithsonian Magazine.

Coco Fusco's Your Eyes Will be an Empty Word in the 2022 Whitney Biennial featured in Artnet.

Coco Fusco's participation in South South Veza mentioned in the Financial Times.

Coco Fusco's Your Eyes Will be an Empty Word featured in an interview with the curators of the Whitney Biennial for Artnet News.

Coco Fusco's Your Eyes Will Be an Empty Word named one of the standout works in the 2022 Whitney Biennial in Artnews.

Coco Fusco's group exhibition This Tender, Fragile Thing organized by Jack Shainman Gallery mentioned in the Times Union. 

Coco Fusco included in The Abyss of the Ocean, a virtual group exhibition curated by Aldeide Delgado at the Caribbean Cultural Center African Diaspora Institute, mentioned in Harlem World Magazine.

Hassan Sharif mentioned in The National News. 

Luis Camnitzer's site-specific installation A Museum is a School at the Institute for Contemporary Art at Virginia Commonwealth University mentioned in Virginia Living.

Melvin Edwards's Asafokra at the Aldrich Contemporary Art Museum covered in Hamlet Hub.

Melvin Edwards mentioned in The Brooklyn Rail.

Melvin Edwards mentioned in Artnews.

Luis Camnitzer’s site-specific installation A Museum is a School at Virginia Commonwealth University's Institute for Contemporary Art covered in Style Weekly.

Lorraine O'Grady's retrospective Both/And at the Weatherspoon Art Museum featured in the Winston-Salem Journal.

Coco Fusco's inclusion in the 2022 Whitney Biennial Quiet As It's Kept mentioned in Hypebeast.

Jennie C. Jones's group exhibition Soundwaves at the Moody Center for the Arts at Rice University mentioned in Houstonia Magazine. 

Steve Locke highlighted in the Boston Globe's coverage of group exhibiton On This Ground: Being and Belonging in America at the Peabody Essex Museum in Salem, Massachusets. 

Alexander Gray Associates inclusion in Frieze New York mentioned in Artnews.

Coco Fusco mentioned in Hyperallergic.

Coco Fusco's inclusion in the 2022 Whitney Biennial Quiet As It's Kept mentioned in Gotham.

Jennie C. Jones interviewed by Taylor Dafoe for Artnet News.

Teresa Burga's one-person exhibition The Equilibrist at Museo de Arte Contemporáneo de Castilla y León's mentioned on e-flux.

Harmony Hammond mentioned in Artnews.

Ronny Quevedo's site-specifc commission for LaGuardia Airport covered by Telemundo. 

Coco Fusco interviewed in Museum of Modern Art Magazine.

Joan Semmel interviewed by Amelia Jones for The Brooklyn Rail.

Harmony Hammond's exhibition A Lesbian Show referenced in i-D.

Harmony Hammond's group exhibiton The Printer’s Proof: Artist and Printer Collaborators mentioned in the Albuquerque Journal.

Valeska Soares interviewed by Katie White for Artnet News.

Lorraine O'Grady's retospective at the Brooklyn Mueseum mentioned in British Vogue.

Coco Fusco included in a group exhibition Angela Davis - Seize the Time at the Zimmerli Art Museum at Rutgers University covered by Artblog.

Joan Semmel mentioned in Artforum coverage of Frieze Los Angeles 2022.

Lorraine O'Grady mentioned in Artsy.

Jennie C Jones: Dynamics reviewed by Seph Rodney for Hyperallergic.

Ronny Quevedo's exhibition offside covered by the Times Union.

Hassan Sharif: Political Paintings (2008–2009) featured on Hyperallergic.

Hassan Sharif mentioned in Emirates News Agency.

Luis Camnitzer mentioned in Hyperallergic.

Jennie C. Jones interviewed by Alison Stewart on WNYC.

The Worcester Art Museum's group exhibition, Us Them We | Race Ethnicity Identity, featuring works by Lorraine O’Grady, Melvin Edwards, and Jennie C. Jones reviewed by The Boston Globe.

Jennie C. Jones interviewd by Taylor Dafoe for Artnet News's podcast, The Art Angle Podcast.

Joan Semmel mentioned in The Washington Post's 100 Great Works In Focus.

Ronny Quevedo's commision for La Guardia Airport mentioned in Artnet News.

Lorraine O'Grady mentioned in Rutgers University News for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.

Ronny Quevedo's commision for La Guardia Airport announced in The New York Times.

Melvin Edwards's installation of his Breaking of the Chains monument in San Diego mentioned in The Daily Aztec.

Joan Semmel featured in Galerie Magazine for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Coco Fusco mentioned in Artnet News.

Coco Fusco mentioned in Artforum.

Betty Parsons featured in National Museum of Women in the Arts.

Jennie C. Jones mentioned in ARTnews for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Regina Silveira mentioned in Architectural Digest.

Joan Semmel mentioned in Whitewall for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Luis Camnitzer mentioned in VCUnews for the upcoming installation of his "A Museum is a School" on February 24, 2022.

Ricardo Brey's "Saturno devorando a uno de sus hijos" (2012) will become part of the collection of S.M.A.K.

Lorraine O'Grady mentioned in The Cut for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.

Steve Locke mentioned in Frieze for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Joan Semmel mentioned in Artnet News for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.

Jennie C. Jones profiled by Siddhartha Mitter at The New York Times for her exhibit Jennie C. Jones: Dynamics at the Solomon R. Guggenheim Museum.

Jennie C. Jones's one person exhibition Jennie C. Jones: Dynamics at the Solomon R. Guggeneheim mentioned in Culture Type.

Jennie C. Jones is featured by Hyperallergic for being the upcoming sixth Jack Wolgin Visiting Artist and Lecturer at the Tyler School of Architecture at Temple University, February 23rd.

Steve Locke's group show, On This Ground: Being and Belonging in America, at the Peabody Essex Museum mentioned in Art Fix Daily.

Jennie C. Jones: Compilation publication highlighted by Artbook.

Jennie C. Jones's role on the board of the Foundation for Contemporary Arts mentioned by Hyperallergic.

Ronny Quevedo now represented by Alexander Gray Associates mentioned in Baer Faxts.

Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina Greensboro, SC, following its premiere at the Brooklyn Museum, NY covered by The University of North Carolina Greensboro News.

Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game is traveling to the Green Family Art Foundation in Dallas, TX announced on Glasstire.

Melvin Edwards's participation in the Destination Crenshaw project mentioned in the Los Angeles Downtown News.

Melvin Edwards's group exhibition, This Tender, Fragile Thing, at Jack Shainman Gallery mentioned in Chronogram.

Coco Fusco's group exhibition, Angela Davis: Seize the Time, organized by the Zimmerli Art Museum mentioned in The Brooklyn Rail.

Melvin Edwards's group exhibition The Profound Responsibility of Individuality: A Selection of Works by Prominent African American Artists (1957-2013) at The Creative Arts Guild mentioned in Daily Citizen News.

Coco Fusco contributed to "Who Are the Most Underrated Artists, Alive or Dead? 12 Leading Art-World Figures Share Their Picks" in Artnet News.

Joan Semmel mentioned in "What to read in 2022: The Best New Art Books To Look Out For" in Christie's.

Coco Fusco's inclusion in the Sharjah Biennial 15: Thinking Historically in the Present mentioned in Gulf Today.

Ronny Quevedo's exhibition, Ronny Quevedo: offside, at the University Art Museum at UAlbany is featured in The Daily Gazette.

Valeska Soares highlighted in ARTnews's coverage of 2022 Lyon Biennale participating artists.

Valeska Soares highlighted in ArtReview's coverage of 2022 Lyon Biennale participating artists.

Coco Fusco highlighted as a participating artist in the Whitney Biennial 2022 by Diario de Cuba.

Coco Fusco highlighted in Tittle Press's coverage of Whitney Biennial 2022 participating artists.

Coco Fusco's inclusion in Whitney Biennial 2022 highlighted in Ocula.

Coco Fusco mentioned in Artforum as a Whitney Biennial 2022 participating artist.

Coco Fusco highlighted in Artfix Daily's coverage of Whitney Biennial 2022 participating artists.

Coco Fusco highlighted in Artnet News's coverage of Whitney Biennial 2022 participating artists.

Coco Fusco highlighted in Hyperalleric's coverage of Whitney Biennial 2022 participating artists.

Coco Fusco highlighted in The New York Times's coverage of Whitney Biennial 2022 participating artists.

Jennie C. Jones included in Walk the Line, a group exhibition curated by Timothy Peterson at the Center for Maine Contemporary Art, Rockland, ME.

Valeska Soares highlighted in e-flux's coverage of 2022 Lyon Biennale participating artists.

Melvin Edwards mentioned in Artfix Daily.

Joan Semmel's upcoming participation in Frieze Los Angeles with Alexander Gray Associates.

Melvin Edwards mentioned in The Highland Current.

Coco Fusco's inclusion in the Sharjah Biennial 15: Thinking Historically in the Present mentioned in Albawaba.

Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game reviewed by Andrea Kirsh at Artblog.

Melvin Edwards mentioned in the Tribune Chronicle.

Hassan Sharif mentioned in Gulf Today.

Hassan Sharif mentioned in Zawya.

Joan Semmel featured as a special guest on the Brooklyn Rail's "The New Social Environment" series to discuss her exhibition at the Pennyslvania Academy of Fine Arts.

Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina, featured on the Triad City Beat.

Steve Locke's representation by Alexander Gray Associates is announced in Culture Type.

Jennie C. Jones included in Women in Print: Recent Acquisitions, a group exhibition of works from the collection of the Cleveland Museum of Art, OH. 

Steve Locke now represented by Alexander Gray Associates mentioned in The Baer Faxt.