
Bethany Collins's one person exhibition Bethany Collins, America: A Hymnal at Peabody Essex Museum in Boston, MA.
Bethany Collins's one person exhibition Bethany Collins, America: A Hymnal at Peabody Essex Museum in Boston, MA.
Lorraine O'Grady is included in the group exhibition Inheritance at the Whitney Museum of American Art in New York.
Harmony Hammond and Joan Semmel are included in the group exhibition It’s Pablo-matic: Picasso According to Hannah Gadsby at the Brooklyn Museum in Brooklyn, New York.
Melvin Edwards Lines for the Poet reviewed in Artforum.
Jennie C. Jones is included in the group exhibition To Bend the Ear of the Outer World: Conversations on contemporary abstract painting curated by Gary Garrels at Gagosian in London, UK
Joan Semmel is included in the group exhibition Hardcore at Sadie Coles HQ in London.
Harmony Hammond is included in the group exhibition Queer Threads, curated by John Chaich at the San Jose Museum of Quilts & Textiles, CA.
Ricardo Brey, Luis Camnitzer, Melvin Edwards, and Lorraine O’Grady are included in the group exhibition Juan Francisco Elso: Por América organized by El Museo de Barrio and curated by Olga Viso travels to the Pheonix Art Museum.
Melvin Edwards's group exhibition, Revisiting 5+1, at Stony Brook University reviewed in Artforum.
Melvin Edwards and Steve Locke are included in the group exhibition Then Is Now: Contemporary Black Art in America at the Bruce Museum in Greenwich, CT.
Luis Camnitzer is included in the group exhibition Escala: Escultura (1945-2000) at the Juan March Madrid Foundation in Madrid, Spain.
Alexander Gray Associates's relocation to Tribeca and collaboration with studioMDA featured in The New York Times.
Bethany Collins's one-person exhibition Bethany Collins: Tempest at Brynmawr College in Bryn Mawr, PA.
Hugh Steers is included in the group exhibition Close curated by Russel Tovey at GRIMM Gallery in London, United Kingdom.
Ricardo Brey is included in the duo exhibition Common Ground with Lois Weinberger at Keteleer Gallery in Antwerp, Belgium.
Melvin Edwards's one-person exhibition Lines for the Poet at Alexander Gray Associates reviewed in The New York Times.
Alexander Gray Associates announces the Gallery's relocation to Tribeca in The Art Newspaper.
Alexander Gray Associates announces the Gallery's relocation to Tribeca in Artnews.
Steve Locke's group exhibition Hot Off the Press at Anderson Ranch featured in The Aspen Times.
Regina Silveira's upcoming installation at George Bush Intercontinental Airport mentioned in Texas Monthly.
Luis Camnitzer's one-person exhibition Arbitrary Order at Alexander Gray Associates reviewed in e-flux.
Betty Parsons is included in the group exhibition Action, Gesture, Paint: Women Artists and Global Abstraction 1940–70 at Whitechapel Gallery in London, UK.
Luis Camnitzer's one-person exhibition, Arbitrary Order, featured in Hyperallergic.
Melvin Edwards's group exhibition Revisiting 5+1 featured in Art in America.
Bethany Collins will perform America: A Hymnal as part of the group exhibition Visual Record: The Materiality of Sound in Print presented by the International Print Center New York.
Betty Parsons is included in the group exhibition Friends in a Field: Conversations with Raoul De Keyser at Mu.ZEE, Oostende, Belgium.
Coco Fusco's Your Eyes Will Be an Empty Word (2021) named a "Defining Artwork of 2022" in ARTnews.
Lorraine O'Grady's video Greetings and Theses will be screened in part of JAM Film Screenings, Then and Now in conjunction with the group exhibition Just Above Midtown: Changing Spaces, at the Museum of Modern Art.
Luis Camnitzer included in the group exhibition Turn of Phrase: Language and Translation in Global Contemporary Art at the Bowdoin College Museum of Art in Brunswick, ME.
Steve Locke: your blues ain't like mine on view through December 17, 2022 at Alexander Gray Associates, New York featured in The New Yorker.
Coco Fusco included in the group exhibition Entre/Between at The Momentary, Crystal Bridges Museum of American Art in Bentonville, AR.
Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in Hyperallergic's guide to Miami Art Week.
Teresa Burga's one-person exhibition La Equilibrista will travel to Museo de Arte Contemporáneo de Castilla y León, Spain.
Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, NY discussed in a profile of Linda Goode Bryant in Frieze.
Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in ArtNet News's guide to Miami Art Week.
Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL named a "must see during Miami Art Week" in Artsy.
Ronny Quevedo's site-specific installation ule ole allez at LOCUST Projects, Miami, FL featured in WMagazine's guide to Miami Art Week.
Ronny Quevedo's one person exhibition ule ole allez at Locust Projects in Miami, FL.
Ronny Quevedo featured in Art in America's piece Latinx Artists in the Borderlands.
Lorraine O'Grady included in the group exhibition Forecast Form: Art in the Caribbean Diaspora, 1990s–Today at the Museum of Contemporary Art Chicago, IL.
Hugh Steers included in the group exhbibiton Macho: Representing Masculinity at ANOTHER SPACE in New York.
Steve Locke included in the group exhibition Equals 6: A Sum Effect of Frank Bowling’s 5+1 at University Hall Gallery at University of Massachusetts in Boston, MA.
Melvin Edwards included in the group exhibition Revisiting 5 + 1 at the Staller Center for the Arts, Stony Brook University in Suffolk County, NY.
Melvin Edwards screening of Some Bright Morning: The Art of Melvin Edwards followed by a conversation with the artist, curator Phillip Townsend, and director Lydie Diakhaté.
Alexander Gray Associates featured among prominent art institutions located in the Hudson Valley in Art Basel.
Ricardo Brey's one-person presentation at ADAA featured in Hyperallergic.
Steve Locke in conversation with curator Helen Molesworth for The David Zwirner Podcast.
Ricardo Brey, Luis Camnitzer, Melvin Edwards, and Lorraine O’Grady included in the group exhibition Juan Francisco Elso: Por América curated by Olga Viso at El Museo del Barrio, New York.
Coco Fusco included in the group exhibition María Teresa Hincapié: Si este fuera un principio de infinito at the Museu d'Art Contemporani de Barcelona (MACBA), Spain.
Valeska Soares's group exhibition Movement: The Legacy of Kineticism at the Dallas Museum of Art covered in NBC Dallas-Fort Worth.
Steve Locke's one person exhibition the daily practice of painting at Moss Arts Center at Virginia Tech University in Blacksburg, VA.
Betty Parsons included in exhibition Kinship: Dusti Bongé and Betty Parsons at Hollis Taggart, New York.
Coco Fusco in conversation with Associate Professor of Religious Studies and African American and African Studies, Ashon Crawley as part of CAAPP's (Center for African American Poetry and Poetics) Fall Black Study series Close Reading the Emergency.
Luis Camnitzer among those to be honored at the Francis J. Greenburger Awards presented by Art Omi at the New Museum, New York.
Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in Forbes.
Lorraine O'Grady included in the group exhibition Just Above Midtown: Changing Spaces, curated by Thomas J. Lax at the Museum of Modern Art, New York.
Bethany Collins and Jennie C. Jones included in the group exhibition Visual Record: The Materiality of Sound in Print at the International Print Center New York.
Betty Parsons’s upcoming exhibition at Hollis Taggart, Kinship: Dusty Bongé and Betty Parsons covered in ARTFIXdaily.
Ronny Quevedo profiled in "5 Latinx Artists Using Abstraction to Address Precolonial Histories" in Artsy.
Joan Semmel’s Red Hand (2019) featured in Artnews piece about work acquired by top Collectors.
Steve Locke's one-person exhibition the daily practice of painting at the Moss Arts Center at Virginia Tech, Blacksburg, VA covered in VTX.
Betty Parsons will have an opening reception at the Marion Art Center, MA followed by a presentation and conversation with Collections and Research Manager, Rachel Vorsanger.
Lorraine O'Grady included in the group exhibtion Somewhere Downtown at the UCCA Center for Contemporary Art in Beijing, China.
Lorraine O’Grady interviewed by Doreen St. Félix for the New Yorker.
Harmony Hammond and writer and art critic Lucy Lippard in conversation reflecting upon the artists and artwork of the group exhibition Women's Work at Lyndhurst in Tarrytown, NY.
Luis Camnitzer included in a panel discussion Voces: Exploring Latin American/Latinx Artists at the Pratt Institute in Brooklyn, NY.
Lorraine O'Grady included in the group exhibition Fun Feminism at the Kunstmuseum Basel, Switzerland.
Lorraine O'Grady among participating artists in the FotoFest Biennial 2022: If I Had a Hammer held in Houston, TX.
Betty Parsons's one-person exhibition Betty Parsons at the Marion Art Center in Marion, MA.
Melvin Edwards’s site-specific installation at Dia: Beacon highlighted in Art in America’s September Sculpture issue.
Bathany Collins and Jennie C. Jones included in the group exhibition Monochrome Multitudes at the Smart Museum of Art at The University of Chicago in Chicago, IL.
Joan Semmel included in the group exhibition Painting in New York: 1971–83 at Karma, New York.
Ronny Quevedo in conversation with Editor-At-Large Jason Rosenfeld about his current exhibition entre aquí y allá at Alexander Gray Associates, New York for the Brooklyn Rail's New Social Environment Conversation series.
Harmony Hammond and writer and art critic Lucy Lippard will be in conversation reflecting upon the artists and artwork of the group exhibition Women's Work at Lyndhurst in Tarrytown, NY.
Valeska Soares included in the group exhibition Movement: The Legacy of Kineticism at the Dallas Museum of Art in Dallas, TX.
Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".
Valeska Soares is among the participating artists in the 2022 Lyon Biennale: manifesto of fragility.
Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art covered in the New York Times for championing Black Avant-garde art of the 1970s and 80s.
Lorraine O'Grady's upcoming group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art discussed by Gallerist Linda Goode Bryant in Artnet News.
Ronny Quevedo included in the group exhibition Gilded: Contemporary Artists Explore Value and Worth at the Weatherspoon Art Museum.
Lorraine O'Grady included in the group A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9 at David Zwirner, New York.
Coco Fusco included in the group exhibition Citing Black Geographies at Richard Gray Gallery in New York and Chicago, IL.
Coco Fusco's book Dangerous Moves: Performance and Politics in Cuba featured in Art Newspaper's new column, "Trigger Warning" that discusses censorship in art.
Melvin Edwards's More Than You See selected as one of several works at the fair that explore heritage and identity at Seoul in Frieze.
Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art recognized by Holland Cotter as a "don't miss important show" in the New York Times.
Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the Fall 2022 New York Art Guide in Hyperallergic.
Betty Parsons highlighted in Korea Esquire's special edition, "Frieze Seoul, Open, Run!".
Steve Locke awarded the Rappaport Prize by the deCordova Sculpture Park and Museum in Lincoln, MA announced in The Boston Globe.
Joan Semmel’s retrospective, Skin in the Game that traveled to the Herbert F. Johnson Museum of Art reviewed by Nancy Princenthal in Hyperallergic.
Melvin Edwards in conversation with curator Daniel S. Palmer about Brighter Days at the deCordova Sculpture Park and Museum in Lincoln, MA
Hugh Steers's work in collections by gay art collectors highlighted in T: The New York Times Style Magazine.
Melvin Edwards included in the group exhibition A Site of Struggle traveling to the Montgomery Museum of Fine Arts in Alabama.
Lorraine O'Grady in conversation with artist Sam Vernon as the final iteration of the Wattis Institute's year-long research season on O'Grady's work and its sphere of influence.
Melvin Edwards's 2015 conversation with Christopher Bedford and Chad Williams re-broadcasted Wednesday, August 10 at 7pm by the Rose Art Museum for their series Encore Presentations.
Lorraine O'Grady's group exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art included in the "Fall Art Preview" in The New Yorker.
Teresa Burga's one-person exhibition Die Seiltänzerin (The Tightrope Walker) at the Weserburg Museum für moderne Kunst in Bremen, Germany.
Jennie C. Jones included in the group exhibition Put It This Way: (Re)Visions of the Hirshhorn Collection at the Hirshhorn Museum, Washington, D.C..
Lorraine O'Grady's Art Is foregrounded in The Guardian's series on female artists.
Coco Fusco in conversation with editor-in-chief, David Velasco, about Whitney Biennial piece Your Eyes Will Be an Empty Word in Artforum.
Lorraine O'Grady's group exhibition Picturing Black Girlhood: Moments of Possibility will have a virtual conversation as part of Brooklyn Rail's New Social Environment Conversation series.
Lorraine O'Grady will debut her video Greetings and Theses at the Brooklyn Museum followed by a panel discussion.
Ronny Quevedo included in group show A New Way to Travel: Delta Air Lines x Queens Museum at LaGuardia Airport at the Queens Museum, NY with corresponding works on view for permanent installation at LaGuardia Airport.
Jennie C. Jones: Nocturnes at PATRON Gallery highlighted in the Chicago Reader.
Betty Parsons's catalogue raisonné launch highlighted in Artnews.
Alexander Gray Associates's participation in ADAA 2022 announced in Artnews.
Coco Fusco's video art practice featured in Artnet News.
Harmony Hammond included in the group exhibition The Double: Identity and Difference in Art Since 1900 at the National Gallery of Art, Washington, D.C..
Coco Fusco named one of the "10 Cuban Artists Who Are Shaping Contemporary Art" in Artsy.
Joan Semmel's retrospective, Joan Semmel: Skin In The Game, travels to the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, following its premiere at the Pennsylvania Academy of the Fine Arts.
Alexander Gray Associates announces the Gallery's participation in the inaugural edition of Frieze Seoul.
Betty Parsons included in the group exhibition What You See Is What You Get at Casa Corbellini-Wasserman in Milan and Massimo de Carlo Pièce Unique in Paris.
Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in Ocula Magazine.
Alexander Gray Associates is listed among the 118 galleries participating in the inaugural edition of Frieze Seoul in The Art Newspaper.
Artists Melvin Edwards and Rashid Johnson reflect on the legacy of their friend Sam Gilliam in The New York Times.
Melvin Edwards: Brighter Days included in the Juneteenth African American Read-In program at deCordova Sculpture Park and Museum in Lincoln, Massachusetts.
Joan Semmel's group exhibition Hanging / Leaning: Women Artists on Long Island, 1960s–80s will have a panel discussion led by Director and Chief Curator of Guild Hall, Christina Mossaides, at Eric Firestone Gallery in East Hampton, NY.
Lorraine O'Grady: Body Is the Ground of My Experience at Alexander Gray Associates, New York, reviewed in Hyperallergic.
Ricardo Brey's one-person exhibition Gap in the Clouds covered in De Tijd.
Jennie C. Jones's one-person exhibition Jennie C. Jones: Nocturnes at Patron Gallery, Chicago, IL.
Ronny Quevedo's site-specific commission for LaGuardia Airport highlighted in Hype Beast.
Coco Fusco's Your Eyes Will Be an Empty Word for the cover of Artforum highlighted in Culture Type.
Ronny Quevedo's site-specific commission for LaGuardia Airport featured in Artnet News.
Coco Fusco's Your Eyes Will be an Empty Word celebrated on the Summer 2022 cover of Artforum International.
Ronny Quevedo mentioned in Surface Magazine.
Coco Fusco's Your Eyes Will Be an Empty Word featured in Jace Clayton's review of the Whitney Biennial in Artforum International.
Coco Fusco's Your Eyes Will Be an Empty Word featured in Hilton Als's review of the Whitney Biennial in Artforum International.
Coco Fusco's, Your Eyes Will Be an Empty Word for the cover of Artforum's 2022 Summer Issue announced on e-flux.
Ronny Quevedo's site-specific commission for LaGuardia Airport featured in The New York Times.
Melvin Edwards's one-person exhibition Brighter Days will travel to deCordova Sculpture Park and Museum in Lincoln, Massachusetts.
Coco Fusco's Your Eyes Will Be an Empty Word featured in Daily Art Magazine.
Joan Semmel's commencement speech at the New York Academy of Art featured in Artnet News.
Joan Semmel included in the group exhibition HANGING/LEANING: Women Artists on Long Island, 1960s-80s at Eric Firestone Gallery in East Hampton, NY.
Harmony Hammond included in the group exhibition Women's Work at Lyndhurst in Tarrytown, NY.
Coco Fusco in conversation with artists Tamy Ben-Tor and Miki Carmi about book-making and their monographs Text Book and Archive at the Amant in Brooklyn, New York.
Harmony Hammond's group exhibition Women's Work covered in Artfix Daily.
Melvin Edwards's one-person exhibition at Dia Beacon covered in Stir World.
Lorraine O'Grady: Body Is the Ground of My Experience named one of the best shows to see during Frieze New York in Frieze.
Ricardo Brey's one-person exhibition Gap in the Clouds at the Museum Hof van Busleyden and De Garage in Mechelen, Belgium.
Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Gazet van Antwerpen.
Ricardo Brey's one-person exhibition Gap in the Clouds mentioned in Het Laatse Nieuws.
Ronny Quevedo's errant globe named one of Marcela Guerrero's favorite works at Frieze New York in the Art Newspaper.
Melvin Edwards one-person exhibition Brighter Days at deCordova Sculture Park and Museum highlighted in Artfix Daily.
Melvin Edwards's Mozambique named one of Nora Lawrence's Top 5 Works at Frieze New York in Frieze.
Ricardo Brey featured in Harper's Bazaar Netherlands.
Joan Semmel included in the group exhibition Women Painting Women at the Modern Art Museum of Fort Worth, TX.
Melvin Edwards's group exhibition A Site of Struggle at the Block Museum of Art featured in Hyperallergic.
Ronny Quevedo's work in Alexander Gray Associates's Frieze New York presentation featured in the Financial Times.
Luis Camnitzer included in the group exhibition Alfredo Jaar: THE TEMPTATION TO EXIST at Galerie Lelong & Co. in New York.
Harmony Hammond and Jennie C. Jones included in the group exhibition No Forms curated by Margot Norton at Hill Art Foundation in New York.
Lorraine O'Grady: Body Is the Ground of My Experience named a must-see exhibition by Artforum.
Coco Fusco highlighted in Barry Schwabsky's review of the Whitney Biennial in the Nation.
Hassan Sharif mentioned in Gulf Today's review of Louvre Abu Dhabi's Stories of Paper exhibition.
Melvin Edwards's one-person exhibition Melvin Edwards highlights site-specific sculptures of welded steel, chains, and other metal objects at Dia Beacon in Beacon, NY.
Coco Fusco highlighted in Ben Davis's review of the Whitney Biennial in Artnet News.
Coco Fusco featured in the New York Times for Your Eyes Will Be an Empty Word.
Steve Locke's one person exhibition Homage to the Auction Block at Alexander Gray Asociates Germantown, NY featured in Interior Design.
Lorraine O'Grady: Body Is the Ground of My Experience named a gallery show not to miss in Artnet News.
Coco Fusco and Joiri Minaya will be in conversation with curators Rodrigo Moura and Susanna Temkin for a discussion of the artists' filmmaking practices on April 29, 2022 at 10am EST.
Jennie C. Jones: Dynamics highlighted in the New York Times.
Melvin Edwards's exhibition Brighter Days at the deCordova mentioned in Artfix Daily.
Harmony Hammond and Steve Locke included in the group exhibition Under My Skin at Campeche Gallery in Mexico City.
Coco Fusco highlighted in Ariella Budick's review of the Whitney Biennial in the Financial Times.
Melvin Edward's large scale installation Asafokra will be on view at the Aldrich Contemporary Art Museum’s Main Street Sculpture program from April 27–September 5, 2022.
Coco Fusco highlighted in Culture Type's coverage of 2023 Sharjah Biennial participating artists.
Coco Fusco highlighted in Wallpaper's Whitney Biennial review.
Coco Fusco highlighted in Live Mints's coverage of 2023 Sharjah Biennial participating artists.
Coco Fusco highlighted in Ocula's coverage of 2023 Sharjah Biennial participating artists.
Jennie C. Jones's group exhibition Walk the Line at the Center for Maine Contemporary Art mentioned in the Courier Gazette.
Hassan Sharif included in the group exhibition Stories of Paper at Louvre Abu Dhabi in Abu Dhabi, United Arab Emirates.
Hassan Sharif's group exhibition Stories on Paper at the Louvre Abu Dhabi highlighted in Emirates News Agency WAM.
A survey of recent paintings for the artist’s first one-person exhibition in Mexico at Morán Morán, Mexico City.
Coco Fusco highlighted in Artreview's coverage of 2023 Sharjah Biennial participating artists.
Coco Fusco in conversation with Marco Baravalle for the Institute of Radical Imagination's podcast series, No Land Ahoy!
Coco Fusco highlighted in Artnews's coverage of 2023 Sharjah Biennial participating artists.
Coco Fusco highlighted in Artforum's coverage of 2023 Sharjah Biennial participating artists.
Hassan Sharif mentioned in The National News.
Coco Fusco highlighted in 4Columns's Whitney Biennial review.
Hassan Sharif mentioned in Emirates News Agency WAM.
Lorraine O'Grady mentioned in The New York Times's coverage of Simone Leigh's U.S pavilion in the Venice Biennale.
Lorraine O'Grady mentioned in CultureType for her inclusion in Los Angeles County Museum of Art's Black American Portraits.
The Worcester Art Museum's group exhibition, Us Them We | Race Ethnicity Identity, featuring works by Melvin Edwards, Jennie C. Jones, and Lorraine O’Grady will have an artist's panel discussion moderated by co-curator Toby Sisson.
Jennie C. Jones: Dynamics at the Solomon R. Guggenheim reviewed in Theguide.art.
Tour of Jennie C. Jones's one-person exhibition Jennie C. Jones: Dynamics at the Solomon R. Guggenheim Museum for visitors who are blind or have low vision.
Jennie C. Jones included in the group exhibition Shifting the Silence at the San Francisco Museum of Modern Art.
Regina Silveria’s exhibition at Museu de Arte Contemporânea da Universidade de São Paulo featured in Frieze.
Coco Fusco's work in the Whitney Biennial highlighted in Observer.
Coco Fusco's work in the Whitney Biennial highlighted in the Art Newspaper.
Jennie C. Jones participation in group exhibition Ground/work curated by Molly Epstein and Abigail Ross Goodman located at Clark Institute mentioned in Wallpaper*.
Jennie C. Jones interviewed by the Brooklyn Rail for Jennie C. Jones: Dymanics exhibition at the Solomon R. Guggenheim Museum, New York.
Coco Fusco is among the 63 participating artists in the 2022 Whitney Biennial entitled Quiet as It's Kept.
Coco Fusco's participation in the Whitney Biennial mentioned in The Art Newspaper.
Coco Fusco highlighted in Wall Street Journal's review of the Whitney Biennial.
Lorraine O'Grady mentioned in Vogue's review of the Whitney Biennial.
Harmony Hammond's group exhibition The Printer's Proof reviewed in Hyperallergic.
Coco Fusco highlighted in Peter Schjeldahl's review of the Whitney Biennial for The New Yorker.
Luis Camnitzer mentioned in El Marplatense.
Harmony Hammond included in a panel discussion of her group exhibition The Printer's Proof: Artist and Printer Collaborations held at Albuquerque Museum, NM.
Ronny Quevedo's group exhibition Lux et Veritas featured in Art Miami Magazine.
Tour of Joan Semmel's one-person exhibition Skin in the Game at the Pennsylvania Academy of the Fine Arts led by Curatorial Fellow, Juan Omar Rodriguez.
Ronny Quevedo's group exhibition Lux et Veritas curated by Bonnie Clearwater at Nova Southeastern University Art Museum Fort Lauderdale in Florida.
Regina Silveira mentioned in Newcity Brazil.
Coco Fusco interviewed about her work in the Whitney Biennial in the Art Newspaper.
Melvin Edwards's group exhibition Epistrophy mentioned in Artnews.
Coco Fusco included in The Abyss of the Ocean: Cuban Women Photographers, Migrations, and the Question of Race, a virtual group exhibition curated by Aldeide Delgado at the Caribbean Cultural Center African Diaspora Institute, New York.
Melvin Edwards included in Epistrophy, a group exhibiton with Sam Gilliam and William T. Williams at Pace Gallery, New York.
Luis Camnitzer mentioned in The City Paper, Bogotá.
Coco Fusco's Your Eyes Will be an Empty Word in the 2022 Whitney Biennial featured in the Boston Globe.
Coco Fusco highlighted in Holland Cotter's review of the Whitney Biennial for The New York Times.
Melvin Edwards interviewed with Sam Gilliam and William T. Williams for their group exhibition Epistrophy at Pace Gallery in T: The New York Times Style Magazine.
Hassan Sharif: Political Paintings (2008–2009) named a "must see" by Artforum.
Joan Semmel mentioned in Smithsonian Magazine.
Coco Fusco's Your Eyes Will be an Empty Word in the 2022 Whitney Biennial featured in Artnet.
Coco Fusco's participation in South South Veza mentioned in the Financial Times.
Alexander Gray Associates presents the 7th Annual l.a.Eyeworks Eyewear Shopping Event to benefit Art Matters.
Coco Fusco's Your Eyes Will be an Empty Word featured in an interview with the curators of the Whitney Biennial for Artnet News.
Coco Fusco's Your Eyes Will Be an Empty Word named one of the standout works in the 2022 Whitney Biennial in Artnews.
Coco Fusco's group exhibition This Tender, Fragile Thing organized by Jack Shainman Gallery mentioned in the Times Union.
Coco Fusco included in The Abyss of the Ocean, a virtual group exhibition curated by Aldeide Delgado at the Caribbean Cultural Center African Diaspora Institute, mentioned in Harlem World Magazine.
Hassan Sharif mentioned in The National News.
Luis Camnitzer's site-specific installation A Museum is a School at the Institute for Contemporary Art at Virginia Commonwealth University mentioned in Virginia Living.
Melvin Edwards's Asafokra at the Aldrich Contemporary Art Museum covered in Hamlet Hub.
Jennie C. Jones and poet Fred Moten will discuss "Jennie C. Jones: Dynamics," followed by Moten's reading of his experimental text "The Red Sheaves" and a musical performance by musicians Brandon Lopez and Cecilia Lopez.
Lorraine O'Grady's retrospective Both/And at the Weatherspoon will have a virtual interactive engagement led by poet, independent scholar, and activist Alexis Pauline.
Melvin Edwards mentioned in The Brooklyn Rail.
Luis Camnitzer’s site-specific installation A Museum is a School at Virginia Commonwealth University's Institute for Contemporary Art covered in Style Weekly.
Lorraine O'Grady's retrospective Both/And at the Weatherspoon Art Museum featured in the Winston-Salem Journal.
Coco Fusco's inclusion in the 2022 Whitney Biennial Quiet As It's Kept mentioned in Hypebeast.
Jennie C. Jones's group exhibition Soundwaves at the Moody Center for the Arts at Rice University mentioned in Houstonia Magazine.
Tour of Joan Semmel's one-person exhibition Skin in the Game at the Pennsylvania Academy of the Fine Arts led by Museum Coordinator Christiana Cruz-Council.
Steve Locke highlighted in the Boston Globe's coverage of group exhibiton On This Ground: Being and Belonging in America at the Peabody Essex Museum in Salem, Massachusets.
Alexander Gray Associates inclusion in Frieze New York mentioned in Artnews.
The Worcester Art Museum's group exhibition, Us Them We | Race, Ethnicity, Identity, featuring works by Melvin Edwards, Jennie C. Jones, and Lorraine O’Grady will have a discussion led by Associate Professor of English and Creative Writing at Dartmouth College and specialist in visual culture studies, Kimberly Juanita Brown, Ph.D. as a part of Master Series Third Thursday programs.
Coco Fusco's inclusion in the 2022 Whitney Biennial Quiet As It's Kept mentioned in Gotham.
Jennie C. Jones interviewed by Taylor Dafoe for Artnet News.
Teresa Burga's one-person exhibition The Equilibrist at Museo de Arte Contemporáneo de Castilla y León's mentioned on e-flux.
Luis Camnitzer will deliver a talk in relation to A Museum is a School, his site-specific installation at the Institute for Contemporary Art at Virgina Commonwealth University, on view from March 12, 2022 through January 1, 2023.
Luis Camnitzer's one-person exhibition A Museum is a School at the Institute for Contemporary Art at Virginia Commonwealth University.
Ronny Quevedo's site-specifc commission for LaGuardia Airport covered by Telemundo.
Coco Fusco interviewed in Museum of Modern Art Magazine.
Joan Semmel interviewed by Amelia Jones for The Brooklyn Rail.
Harmony Hammond's exhibition A Lesbian Show referenced in i-D.
Ricardo Brey included in the group exhibition Elsewhere(s): Other worlds, other times, other territories at ANOTHER SPACE, New York.
Coco Fusco and Paula Heredia’s The Couple in the Cage: Guatinaui Odyssey on view online from March 9 through March 23, 2022 as part of the Museum of Modern Art's Hyundai Card Video Views series.
Harmony Hammond's group exhibiton The Printer’s Proof: Artist and Printer Collaborators mentioned in the Albuquerque Journal.
Valeska Soares interviewed by Katie White for Artnet News.
Lorraine O'Grady's retospective at the Brooklyn Mueseum mentioned in British Vogue.
Ronny Quevedo in conversation with Rodrigo Valenzuela, another exhibiting artist at the University Art Museum at the University of Albany, NY.
Coco Fusco included in a group exhibition Angela Davis - Seize the Time at the Zimmerli Art Museum at Rutgers University covered by Artblog.
Joan Semmel mentioned in Artforum coverage of Frieze Los Angeles 2022.
Jennie C Jones: Dynamics reviewed by Seph Rodney for Hyperallergic.
Ronny Quevedo's exhibition offside covered by the Times Union.
Hassan Sharif: Political Paintings (2008–2009) featured on Hyperallergic.
Hassan Sharif mentioned in Emirates News Agency.
Luis Camnitzer mentioned in Hyperallergic.
Jennie C. Jones interviewed by Alison Stewart on WNYC.
The Worcester Art Museum's group exhibition, Us Them We | Race Ethnicity Identity, featuring works by Lorraine O’Grady, Melvin Edwards, and Jennie C. Jones reviewed by The Boston Globe.
Jennie C. Jones interviewd by Taylor Dafoe for Artnet News's podcast, The Art Angle Podcast.
Joan Semmel mentioned in The Washington Post's 100 Great Works In Focus.
Ronny Quevedo's commision for La Guardia Airport mentioned in Artnet News.
Jennie C. Jones delivers the Jack Wolgin Visiting Artist Lecture at Temple University's Tyler School of Art and Architecture
Lorraine O'Grady mentioned in Rutgers University News for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.
Ronny Quevedo's commision for La Guardia Airport announced in The New York Times.
Melvin Edwards's installation of his Breaking of the Chains monument in San Diego mentioned in The Daily Aztec.
Harmony Hammond included in the group exhibition The Printer’s Proof: Artist and Printer Collaborations at the Albuquerque Museum, NM.
Melvin Edwards, Jennie C. Jones, and Lorraine O'Grady included in Us Them We | Race Ethnicity Identity, a group exhibition co-curated by Nancy Kathryn Burns and Toby Sisson at the Worcester Art Museum, MA.
Lorraine O'Grady is among the honorees for the 2022 Lifetime Achievement Honorees.
Joan Semmel featured in Galerie Magazine for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.
Hugh Steers included in Every Moment Counts – AIDS and its Feelings, a group exhibition at the Henie Onstad Kunstsenter in Høvikodden, Norway.
Lorraine O'Grady included in the group exhbiiton Picturing Black Girlhood: Moments of Possiblity at Paul Robeson Galleries at Express Newark, Rutgers University–Newark, NJ.
Betty Parsons featured in National Museum of Women in the Arts.
Jennie C. Jones mentioned in ARTnews for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.
Regina Silveira mentioned in Architectural Digest.
Joan Semmel mentioned in Whitewall for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.
Luis Camnitzer mentioned in VCUnews for the upcoming installation of his "A Museum is a School" on February 24, 2022.
Ricardo Brey's "Saturno devorando a uno de sus hijos" (2012) will become part of the collection of S.M.A.K.
Lorraine O'Grady mentioned in The Cut for her group exhibition, Picturing Black Girlhood: A Moment of Becoming at Paul Robeson Galleries, NJ.
Steve Locke mentioned in Frieze for his work featured by Alexander Gray Associates at Frieze Los Angeles 2022.
Joan Semmel's PAFA exhibition, Skin in the Game, is accompanied by a series of four evening lectures that explore issues suggested by her work, particularly "erotic art." The third lecture of the series, discusses the "ingenious ways artists emphasize, or obscure, the member in question" in relation to artists Joan Semmel, Ming-Yi Sung, Michelangelo Buonarroti, Thomas Eakins and Sylvia Sleigh.
Regina Silveira's one-person exhibition, Regina Silveira: Em Escala at Bolsa de Arte in São Paulo, Brazil.
Regina Silveira's one-person exhibition, Regina Silveira: Fauna Mix at Luciana Brito Galeria, São Paulo, Brazil.
Joan Semmel mentioned in Artnet News for her work featured by Alexander Gray Associates at Frieze Los Angeles 2022.
Jennie C. Jones profiled by Siddhartha Mitter at The New York Times for her exhibit Jennie C. Jones: Dynamics at the Solomon R. Guggenheim Museum.
Jennie C. Jones's one person exhibition Jennie C. Jones: Dynamics at the Solomon R. Guggeneheim mentioned in Culture Type.
Jennie C. Jones is featured by Hyperallergic for being the upcoming sixth Jack Wolgin Visiting Artist and Lecturer at the Tyler School of Architecture at Temple University, February 23rd.
Luis Camnitzer and poet Tan Lin discuss the binds between form, content and context that shape the impact of public language.
Steve Locke's group show, On This Ground: Being and Belonging in America, at the Peabody Essex Museum mentioned in Art Fix Daily.
Jennie C. Jones: Compilation publication highlighted by Artbook.
Melvin Edwards included in the group exhibition The Profound Responsibility of Individuality: A Selection of Works by Prominent African American Artists (1957-2013) at The Creative Arts Guild in Dalton, GA.
Jennie C. Jones's role on the board of the Foundation for Contemporary Arts mentioned by Hyperallergic.
Jennie C. Jones: Dynamics, a one-person exhibition of new and recent work by the interdisciplinary artist, at the Solomon R. Guggenheim Museum in New York.
Ronny Quevedo now represented by Alexander Gray Associates mentioned in Baer Faxts.
Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina Greensboro, SC, following its premiere at the Brooklyn Museum, NY covered by The University of North Carolina Greensboro News.
Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game is traveling to the Green Family Art Foundation in Dallas, TX announced on Glasstire.
Melvin Edwards's participation in the Destination Crenshaw project mentioned in the Los Angeles Downtown News.
Alexander Gray Associates announces representation of Ronny Quevedo (b.1981). Quevedo’s practice spans installation, drawings, and prints, incorporating and subverting aspects of abstraction, painting, collage, cartography, and sports imagery.
Melvin Edwards's group exhibition, This Tender, Fragile Thing, at Jack Shainman Gallery mentioned in Chronogram.
Jennie C. Jones included in Walk the Line a group exhibition curated by Timothy Peterson at the Center for Maine Contemporary Art, Rockland, ME.
Ricardo Brey included in the group exhibition Le Tour du Jour en Quatre-Vingts Mondes (Around the Day in Eighty Worlds) at Contemporary Art Museum of Bordeaux, France.
Coco Fusco's group exhibition, Angela Davis: Seize the Time, organized by the Zimmerli Art Museum mentioned in The Brooklyn Rail.
Melvin Edwards's group exhibition The Profound Responsibility of Individuality: A Selection of Works by Prominent African American Artists (1957-2013) at The Creative Arts Guild mentioned in Daily Citizen News.
Hugh Steers included in We Are Family, a group exhibition at the New York Academy of Art, NY.
Coco Fusco contributed to "Who Are the Most Underrated Artists, Alive or Dead? 12 Leading Art-World Figures Share Their Picks" in Artnet News.
Jennie C. Jones's group exhibition Soundwaves: Experimental Strategies in Art + Music at the Moody Center of Arts at Rice University in Houston, TX.
Joan Semmel mentioned in "What to read in 2022: The Best New Art Books To Look Out For" in Christie's.
Coco Fusco's inclusion in the Sharjah Biennial 15: Thinking Historically in the Present mentioned in Gulf Today.
Ronny Quevedo's exhibition, Ronny Quevedo: offside, at the University Art Museum at UAlbany is featured in The Daily Gazette.
Valeska Soares highlighted in ARTnews's coverage of 2022 Lyon Biennale participating artists.
Valeska Soares highlighted in ArtReview's coverage of 2022 Lyon Biennale participating artists.
Coco Fusco highlighted as a participating artist in the Whitney Biennial 2022 by Diario de Cuba.
Coco Fusco highlighted in Tittle Press's coverage of Whitney Biennial 2022 participating artists.
Coco Fusco's inclusion in Whitney Biennial 2022 highlighted in Ocula.
Melvin Edwards included in A Site of Struggle, a group exhibition curated by Janet Dees at the Block Museum of Art at Northwestern University, IL.
Ronny Quevedo's one-person exhibition Ronny Quevedo: offside at the University Art Museum at University of Albany, NY.
Coco Fusco mentioned in Artforum as a Whitney Biennial 2022 participating artist.
Coco Fusco highlighted in Artfix Daily's coverage of Whitney Biennial 2022 participating artists.
Coco Fusco highlighted in Artnet News's coverage of Whitney Biennial 2022 participating artists.
Coco Fusco highlighted in Hyperalleric's coverage of Whitney Biennial 2022 participating artists.
Coco Fusco highlighted in The New York Times's coverage of Whitney Biennial 2022 participating artists.
Jennie C. Jones included in Walk the Line, a group exhibition curated by Timothy Peterson at the Center for Maine Contemporary Art, Rockland, ME.
Valeska Soares highlighted in e-flux's coverage of 2022 Lyon Biennale participating artists.
Joan Semmel's upcoming participation in Frieze Los Angeles with Alexander Gray Associates.
Melvin Edwards mentioned in The Highland Current.
Jennie C. Jones included in Beneath Tongues, a group exhibition curated by Sable Elyse Smith at the Swiss Institute / Contemporary Art New York, NY.
Coco Fusco's inclusion in the Sharjah Biennial 15: Thinking Historically in the Present mentioned in Albawaba.
Joan Semmel's retrospective at the Pennsylvania Academy of Fine Art Joan Semmel: Skin in the Game reviewed by Andrea Kirsh at Artblog.
Melvin Edwards mentioned in the Tribune Chronicle.
Jennie C. Jones's work is highlighted in a review of the Prospect 5 triennial by Ben Davis for Artnet News.
Joan Semmel featured as a special guest on the Brooklyn Rail's "The New Social Environment" series to discuss her exhibition at the Pennyslvania Academy of Fine Arts.
Lorraine O'Grady's retrospective, Lorraine O'Grady: Both/And, travels to the Weatherspoon Museum of Art at the University of North Carolina, featured on the Triad City Beat.
Joan Semmel featured as a special guest on the Brooklyn Rail's "The New Social Environment" series to discuss her exhibition at the Pennyslvania Academy of Fine Arts.
Steve Locke's representation by Alexander Gray Associates is announced in Culture Type.
Jennie C. Jones included in Women in Print: Recent Acquisitions, a group exhibition of works from the collection of the Cleveland Museum of Art, OH.
Melvin Edwards and Coco Fusco included in the group exhibiton This Tender, Fragile Thing at The School, Jack Shainman Gallery, Kinderhook, NY.
Steve Locke now represented by Alexander Gray Associates mentioned in The Baer Faxt.
Hassan Sharif's one-person exhibition, 184 Nails, at Gallery Isabelle van den Eynde, Dubai, UAE.