Melvin Edwards, Cotton Hangup, 1966
Collection of the Studio Museum in Harlem
Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, curated by Connie H. Choi, at Kalamazoo Institute of Arts, MI.
The institution's press release follows:
Reflecting nearly 100 years of art history in America, Black Refractions: Highlights from The Studio Museum in Harlem reflects the breadth of The Studio Museum's 50 years of supporting and incubating artists of African descent. The exhibition will fill all four of the main floor KIA galleries.
The exhibition features a diverse array of works created by artists of African descent from the 1920s to present. Featuring 91 works from The Studio Museum s permanent collection, this unique exhibition illuminates the museum's unparalleled impact on the art world and the community of Harlem. The exhibition is organized by the American Federation of Arts and The Studio Museum, and is touring the country while the museum completes its new building. The KIA is the only Midwest stop for this tour, with support from Art Bridges.
The exhibition reflects the caliber of artists that The Studio Museum has exhibited, collected, and supported, in part through its formative Artist-in-Residence (AIR) program. One of the museum's founding initiatives (which informs the 'Studio' in the organization s name), the AIR program was the brainchild of William T. Williams, whose work is included in Black Refractions. The show also features Elizabeth Catlett, Thornton Dial, Barkley Hendricks, Kori Newkirk, Norman Lewis, Julie Mehretu, Howardena Pindell, and Kehinde Wiley — known for his portrait of President Barack Obama, now hanging in the National Portrait Gallery in Washington, DC.
Black Refractions creates opportunities for dialogue about how artists respond to the artistic and social happenings of their time, while also expanding our understanding of American, modern and contemporary art. The exhibition addresses themes connected to Kalamazoo and the nation like class, identity, socio-economic power & status, and social justice. Black Refractions, together with Resilience and Where We Stand, will demonstrate the curiosity and virtuosity of artists who encourage new ways of seeing, understanding, and talking about art, society, and the world.
Black Refractions: Highlights from The Studio Museum in Harlem
September 13 – December 8, 2019
Kalamazoo Institute of Arts
Kalamazoo, MI