Skip to content

Melvin Edwards: Asafokra

The Aldrich Contemporary Art Museum

April 27–September 5, 2022

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Installation view: Melvin Edwards: Asafokra, The Aldrich Contemporary Art Museum, 2022. Photo: Christopher E. Manning

Press Release

Melvin Edward's large scale installation Asafokra will be on view at the Aldrich Contemporary Art Museum’s Main Street Sculpture program from April 27–September 5, 2022.

The institution's press release follows:

Melvin Edwards returns to The Aldrich’s Sculpture Garden after fifty years with exhibition of Asafokra. This spring, Melvin Edwards’ large-scale sculpture Asafokra will be on view as part of The Aldrich Contemporary Art Museum’s Main Street Sculpture program from April 27 to September 5, 2022. Since its founding in 1964, The Aldrich has activated its grounds with public sculpture and outdoor installations. Free and open to the public, Museum visitors can find Asafokra installed at 258 Main Street in Ridgefield, CT.

Asafokra denotes the artist’s return to painted steel sculpture after working in the medium for roughly a decade. Consisting of three distinct elements, the work includes forms from the artist’s visual vernacular such as a rocker, a disc, and a chain fragment. The work takes its title from the Ghanaian Twi language. Edwards explains, “It connects to the traditional society in Ghana, the Asafo society, the organization of younger men who are responsible to defend the community. The Asafo shrine complex is in the form of a fortress combined with human figures that are painted in symbolic or appropriate colors....” Paying homage to these traditions and colors Edwards unites his abstract reductive forms with African history and ritual.

The exhibition of Asafokra marks the return of Edwards’ work to The Aldrich’s Sculpture Garden after fifty years. From 1971-73, For Coco, the artist’s first large-scale painted work to use the rocker form, was exhibited in the Museum’s Garden.

Melvin Edwards: Asafokra is organized by Richard Klein, Exhibitions Director. Melvin Edwards was born in 1937 in Houston, Texas. He currently lives and works in Plainfield, New Jersey and New York’s Hudson Valley.