News / Events

Melvin Edwards' inclusion in the Museum of Modern Art's new permanent collection display in Hyperallergic. 

Melvin Edwards in conversation with LA Blacksmith curator Jill Moniz at California African American Museum, Los Angeles, CA. 

Luis Camnitzer: Towards an Aesthetic of Imbalance included in artnet News' "Editors Picks."

Melvin Edwards: Crossroads at the Baltimore Museum of Art in Artblog.

Frank Bowling's retrospective at Tate Britain in The Arts Desk.

Harmony Hammond's inclusion in Art After Stonewall, 1969–1989 at Leslie-Lohman Museum of Art and Grey Art Gallery in ARTnews.

Joan Semmel's figurative painting practice mentioned in Artsy.

Frank Bowling's retrospective at Tate Britain in The Guardain.

The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 in Datebook.

Melvin Edwards: Painted Sculpture in Hyperallergic. 

Harmony Hammond's retrospective at the Aldrich Contemporary Art Museum in The New York Times. 

Luis Camnitzer included in a panel discussion on Art, Ethics and New Identities at the International Studio & Curatorial Program 25th Anniversary Symposium, held at State University of New York Global Center, New York, NY. 

Coco Fusco presents the United Kingdom premiere of her films La Confesión and To Live in June with Your Tongue Hanging Out at Tate Modern, London, United Kingdom.

Melvin Edwards' inclusion in Afrocosmologies: American Reflections at the Wadsworth Atheneum Museum of Art in The Boston Globe.

Frank Bowling's retrospective at Tate Britain in Hyperallergic.

Melvin Edwards' inclusion in Generations: A History of Black Abstract Art and Afrocosmologies: American Reflections in The Wall Street Journal.

Ricardo Brey's solo exhibition, Adrift, curated by Arie Hartog, at Gerhard-Marcks-Haus, Bremen, Germany. 

Valeska Soares discusses Collection in Transformation: Women in Front at Museu de Arte de São Paulo in Artforum.

Melvin Edwards' inclusion in Where the Oceans Meet at the Museum of Art and Design at Miami Dade College featured in the Miami Herald.

Melvin Edwards chairs the annual Fall Night at the Dia Art Foundation featured in Culture Type.

Frank Bowling is named winner of Artist of the Year as part of the Apollo Awards 2019 featured in Apollo. 

Harmony Hammond included in Queer Abstraction at the Nerman Museum of Contemporary Art, Overland Park, KS.

The announcement of The Fine Arts Museum of San Franciso's acquisition of Penumbra (1970) by Frank Bowling and it's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 featured in Culture Type. 

Joan Semmel attends TWO x TWO's black-tie gala for the Dallas Museum of Art and The Foundation for AIDS Research featured in Paper City.

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in The Bay Area Reporter.

Harmony Hammond's inclusion in Making Knowing: Craft in Art at the Whitney Museum of American Art featured in ARTFIX Daily.

Lorraine O'Grady included in Photo Revolution: Andy Warhol to Cindy Sherman at the Worcester Art Museum, MA.

Lorraine O'Grady included in Elements of Vogue: A Case Study on Radical Performance, curated by Sabel Gavaldón and Manuel Segade, at Museo Universitario del Chopo, Mexico City, Mexico.  

Regina Silveira's Octopus Wrap at the Seattle Art Museum featured in The Vancouver Sun. 

Melvin Edwards: Crossroads exhibition at the Baltimore Museum of Art and Public Art Fund's inclusion of a survey of Melvin Edwards' work as part of the 2020 exhibition program featured in artnet News. 

A survey exhibition of Melvin Edwards' sculptural career at City Hall Park announced as part of Public Art Fund's 2020 exhibition program featured in Observer.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation, organized by Timothy Anglin Burgard at the de Young Museum, San Francisco, CA. 

Melvin Edwards at Museu de Arte Moderna da Bahia, Salvador, Brazil. 

Coco Fusco's solo exhibition, Swimming on Dry Land/Nadar en seco at the Flaten Art Museum, featured in Manitou Messenger.

Melvin Edwards interviewed by Choghakate Kazarian for The Brooklyn Rail.

Lorraine O'Grady's retrospective at the Brooklyn Museum, NY featured in Artforum.

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Melvin Edwards: Crossroads at the Baltimore Museum of Art featured in Culture Type. 

Regina Silveira included in Recovering Stories, Recovering Fantasies at The National Museum of Saudi Arabia, Riyadh, Saudi Arabia.

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in Hyperallergic. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar. 

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in London Evening Standard.

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Regina Silveira's inclusion in Art Weekend São Paulo featured in Ocula.

Lorraine O'Grady's inclusion in Exodus at The Watergate Complex, Washington D.C. featured in artnet News. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Harmony Hammond and Lorraine O'Grady included in Direct Message at the Museum of Contemporary Art Chicago, IL.

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University’s Grey Art Gallery featured in Al-Fanar Media. 

Melvin Edwards: Painted Sculpture featured in Culture Type. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, reviewed by Emily LaBarge for Artforum. 

Coco Fusco's Tin Man at the second Anren Biennale, A Confrontation of Ideals, featured in The Art Newspaper. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in El Mostrador.