News / Events

Harmony Hammond included in Rebecca Solnit and Joshua Jelly-Schapiro's City of Women 2.0, featured in ARTnews.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Frieze.

Luis Camnitzer featured on Hans Herzog's blog A Latin American Art Serial. 

Valeska Soares included in The Enchanted Interior, curated by Madeleine Kennedy, at Laing Art Gallery, Newcastle upon Tyne, United Kingdom.

Lorraine O'Grady included in Truthiness and the News, organized by Sam Adams, at deCordova Sculpture Park and Museum, Lincoln, MA. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Harmony Hammond featured in Women’s Wear Daily.

Joan Semmel honored with the Impact Award at Pratt Institute’s 2019 Alumni Achievement Awards Ceremony. 

Luis Camnitzer included in the exhibition Mental Border Control at Museo de la Memoria, Cúcuta, Colombia.

Melvin Edwards: Crossroads and Generations: A History of Black Abstract Art featured in e-flux.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times Style Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured Frieze.

Ashton Cooper discusses Harmony Hammond's Presences series in Artforum's October 2019 print issue. 

Melvin Edwards: Crossroads featured in Garden & Gun's October/November 2019 issue. 

Teresa Burga reviewed by Jonathan Goodman for Whitehot Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in artnet News. 

Frank Bowling's retrospective at Tate Britain reviewed by Gabriel Coxhead in Art in America. 

Melvin Edwards included in Generations: A History of Black Abstract Art, curated by Christopher Bedford and Katy Siegel, at Baltimore Museum of Art, MD.

Ricardo Brey included in Les Abeilles de l'Invisible at Musée des Arts Contemporains, MAC's, Le Grand-Hornu, Boussu, Belgium.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The Financial Times. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Apollo Magazine 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Evening Standard Magazine. 

Melvin Edwards featured in Christopher Knight's review of LA Blacksmith for The Los Angeles Times. 

Betty Parsons included in Garden at Sargent’s Daughters, New York, NY. 

Coco Fusco interviews Pope L. for Art Basel. 

Harmony Hammond included in Otherwise Obscured: Erasure in Body and Text, curated by Danilo Machado, at Franklin Street Works, Stamford, CT.

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in Ocula. 

Joan Semmel's Skin in the Game featured in artnet News.

Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Art Museum, MO. 

Frank Bowling, Teresa Burga, and Lorraine O'Grady featured in The Artsy Vanguard 2019: 50 Artists to Know Right Now. 

Harmony Hammond included in Art after Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Patricia and Phillip Frost Art Museum, Miami, FL.

Luis Camnitzer's exhibition, Cuaderno de Ejercícios, featured in Observador.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, curated by Connie H. Choi, at Kalamazoo Institute of Arts, MI. 

Melvin Edwards and Regina Silveira included in Walking Through Walls, curated by Sam Bardaouil and Till Fellrath, at Martin-Gropius-Bau, Berlin, Germany.  

Harmony Hammond's solo exhibition at White Cube Bermondsey, London, United Kingdom.

Melvin Edwards included in LA Blacksmith, curated by Jill Moniz, at California African American Museum, Los Angeles, CA. 

Harmony Hammond included in Queer Forms, curated by Howard Oransky, at the Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN.

Harmony Hammond featured in Garage. 

Lorraine O'Grady included in Age of You, curated by Shumon Basar, Douglas Coupland and Hans Ulrich Obrist, at the Museum of Contemporary Art Toronto, Canada.

Joan Semmel included in Women Artists on the Leading Edge: Celebrating Douglass College at 100 at the Zimmerli Art Museum, Rutgers University, New Brunswick, NJ. 

Lorraine O'Grady included in It's Urgent!, curated by Hans Ulrich Obrist, at Luma Westbau, Zurich, Switzerland. 

Harmony Hammond in conversation with art critic and Pulitzer Prize winner Holland Cotter at the Marlene Marlene Nathan Meyerson Auditorium, SITE Santa Fe, NM.

Harmony Hammond's talk with Holland Cotter at SITE Santa Fe in Pasatiempo Magazine.

Regina Silveira's Octopus Wrap featured in The Stranger. 

Melvin Edwards at Museu da Republica, Rio de Janeiro, Brazil.

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in FAD Magazine. 

Frank Bowling interviewed by Poppy Malby for GQ.

Harmony Hammond featured in At London Bridge. 

Harmony Hammond: Material Witness, Five Decades of Art featured in Art Daily.

Harmony Hammond's inclusion in About Face: Stonewall, Revolt and New Queer Art featured in New City Art. 

Frank Bowling's retrospective at Tate Britain reviewed by Sabo Kpade in Guardian Arts. 

Lorraine O'Grady's inclusion in Harlem: In Situ at Addison Gallery featured in Culture Type.