News / Events

Frank Bowling's life story presented in the new children's book Meet the Artist: Frank Bowling by Zoé Whitley, included in Culture Type.

Alexander Gray Associates' Senior Director John Kunemund quoted in ARTnews about Frieze New York's online viewing platform. 

Coco Fusco writes on Cuban artist Luis Manuel Otero Alcántara’s arrest and release for Hyperallergic.

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin, Germany in Süddeutsche Zeitung. 

Lorraine O'Grady included in T Magazine's exploration of influential artists of color. 

Jennie C. Jones' representation announcement in Artforum. 

Jennie C. Jones' interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’ conceptual works reflect on the legacy of modernism and minimalism.

Valeska Soares included in AAA – Antologia de Arte e Arquitetura, a group exhibition at Galpão Fortes D'Aloia & Gabriel, São Paulo, Brazil.

Coco Fusco included in Art Critique. 

Jennie C. Jones: Constant Structure at The Arts Club of Chicago, IL.

Hassan Sharif honored by filmmaker Akram Zaatari’s The Landing, a Sharjah Art ­Foundation-funded piece in The National. 

Jennie C. Jones' presence in the dynamic collection of Arthur Lewis in Artsy.

Luis Camnitzer's paricipation in Una Escuela Sustentable in Chile alongside an interview with the artist in La Tercera.

Valeska Soares included in Enchanted Interior at Guildhall Art Gallery, London, United Kingdom. 

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in Scoop Empire.

Hassan Sharif included in To Speak with Many Tongues: Selections from the Sharjah Art Foundation Collection, curated by Omar Kholeif, at Royal College of Art, London, United Kingdom.

Coco Fusco starts petition to free Luis Manuel Otero Alcántara in Hyperallergic.

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Columbus Alive.

Hassan Sharif's retrospective at the KW Institute for Contemporary Art in The National.

Melvin Edwards' Nigerian Diamond, 1978 at the Rose Museum in The Justice's Just Art Spotlight. 

Harmony Hammond's inclusion in Art After Stonewall, 1969-1989 at the Columbus Museum of Art in Windy City Times.

Regina Silveira's Octopus Wrap at the Seattle Art Museum in The Stranger.

Melvin Edwards' 1970 solo show at the Whitney Museum of American Art in Hyperallergic.

Lorraine O'Grady included in Duro Olowu: Seeing Chicago, a group exhibition curated by Duro Olowu, Naomi Beckwith, and Jack Schneider, at the Museum of Contemporary Art Chicago, IL.

Betty Parsons: Heated Sky in The East Hampton Star. 

Alexander Gray Associates' presentation of Hugh Steers at ADAA's The Art Show in Penta.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Luxury London.

Harmony Hammond's particpation in Art on a Postcard's International Women’s Day charity auction in Hyperallergic.

Hassan Sarif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University's Grey Art Gallery fetured in Art & Object.

Betty Parsons: Heated Sky in artnet News' "Editors’ Picks."

Joan Semmel's approach to figurative painting in Artsy.

Betty Parsons: Heated Sky in Hyperallergic's New York Art Guide for Spring 2020.

Lorraine O'Grady included in the discussion, The Larger Conversation, Redefined: The Black Model in 21st Century Portraiture, at The Isabella Stewart Garner Museum, Boston, MA. 
 

Ricardo Brey included in Other.Worldly, curated by Hanne Hagenaars, a group exhibition at Fries Museum, Leeuwarden, Netherlands.

Lorraine O'Grady's inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the Museum of Fine Arts, Houston in CultureMap Houston.

Melvin Edwards' inclusion in the Smithsonian's travelling exhibiton African American Art in the 20th Century at the Westmoreland Museum of American Art in City Paper Pittsburgh.

Luis Camnitzer: Towards an Aesthetic of Imbalance in The Brooklyn Raili.

Lorraine O'Grady included in A Collective Constellation: Selections From The Eileen Harris Norton Collection, a group exhibition at Art + Practice, Los Angeles, CA. 

Melvin Edwards' solo show at Stephen Friedman Gallery, London in Time Out.

Melvin Edwards solo exhibition at Stephen Friedman Gallery, London, United Kingdom. 

Coco Fusco will visit with students across a range of disciplines, share new video work, and give a public presentation for a general audience at Indiana University, Bloomington, IN.

Coco Fusco included in Construção, curated by Renato Silva, at Mendes Wood DM, São Paulo, Brazil.

Luis Camnitzer: Towards an Aesthetic of Imbalance in Auture.

Regina Silveira's Limiares, curated by Priscilla Arantes, inaugurates the newly reopened Paço das Artes, São Paulo, Brazil. 

Luis Camnitzer: Towards an Aesthetic of Imbalance reviewed by Jonathan Goodman for Arte Fuse.

Hassan Sharif's participation in the early years of the Sharjah biennial in ARTnews.

The Museu de Arte de São Paulo acquires work by Valeska Soares to the collection in Artforum.

Frank Bowling and Melvin Edwards' inclusion in Generations: A History of Black Abstract Art at the Baltimore Museum of Art in Culture Type.

Frank Bowling, Melvin Edwards, and Lorraine O’Grady included in Black Refractions: Highlights from The Studio Museum in Harlem at Smith College Museum of Art, Northampton, MA. The exhibition is curated by Connie H. Choi and organized at Smith College Museum of Art by Emma Chub. 

Joan Semmel: Centered retrospective exhibtion at Pennsylvania Academy of the Fine Arts receives grant from The Andy Warhol Foundation in Artforum.

Lorraine O'Grady's The Strange Taxi, Stretched on the Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston, MA.

Valeska Soares included in Samba in the Dark at Anton Kern Gallery, New York, NY. 

Taking Shape: Abstraction From the Arab World, 1950s–1980s featuring Hassan Sharif included in artnet News' "Editors Picks."