News / Events

Lorraine O'Grady's Art Is ... named a defining work of 2020 by ARTnews.

Coco Fusco, Paula Heredia: The Couple in the Cage: Guatinaui Odyssey at The Cleveland Museum of Art, Cleveland, OH.

Coco Fusco in No Country Magazine.

Melvin Edwards: The Sculptor of Resistance revisits years of career and research by one of the main names in contemporary art at the Museu Afro Brasil, São Paulo, Brazil.

Joan Semmel included in i’m yours: Encounters with Art in Our Times, a group exhibition at the Institute of Contemporary Art Boston.

Betty Parsons in the Financial Times.

Coco Fusco in Art in America.

Jennie C. Jones in The Art Newspaper.

Lorraine O'Grady in Observer.

Lorraine O'Grady featured in New York Times.

Lorraine O'Grady in Artforum.

Lorraine O'Grady in Culture Type.

Coco Fusco in Variety.

Luis Camnitzer included in Tools for Utopia, a group exhibition at the Kunstmuseum Bern, Germany.

Jennie C. Jones participation in group exhibition Ground/work curated by Molly Epstein and Abigail Ross Goodman located at Clark Institute mentioned in Wallpaper*. 

Coco Fusco in Hyperallergic.

Jennie C. Jones in Design Milk.

Harmony Hammond: Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at the Sarasota Art Museum, FL.

Lorraine O'Grady included in Art on the Stoop: Sunset Screenings, at Brooklyn Museum. 

Hassan Sharif: I Am The Single Work Artist in Al Bawaba.

Hassan Sharif: I Am The Single Work Artist in the Office of Public and Cultural Diplomacy in Abu Dhabi.

Jennie C. Jones included in Ground/work, curated by Molly Epstein and Abigail Ross Goodman, a group exhibition at The Clark Art Institute, Williamstown, MA. 

Lorraine O'Grady in Art Papers.

Jennie C. Jones: Passing Tones and Broken Cords in The Brooklyn Rail.

Joan Semmel included in Never Done: 100 Years of Women in Politics and Beyond, a group exhibition at The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY. 

Joan Semmel included in ID: Formations of the Self, a group exhibition at Shirley Fiterman Art Center, New York, NY.

Steve Locke featured in Artforum.

Between the Lines in Artland.

The Gallery participates in Upstate Art Weekend in the Hudson Valley, NY. On view: Jennie C. Jones, “Passing Tones and Broken Chords," Hours: Friday–Sunday, 12–6 PM. Masks required.

Alexander Gray Associates as a gallery in Upstate New York in artnet News.

Luis Camnitzer's exhibition A Museum is a School at Gund Gallery of Kenyon College, Gambier, OH.

Frank Bowling in The East Hampton Star.

Jennie C. Jones These Mournful Shores (2020) in The Wall Street Journal. 

The space will be inaugurated on August 14, 2020 with a new body of paintings by Hudson-based Jennie C. Jones. 

Alexander Gray Associates' expansion to the Hudson Valley in ARTnews.

Melvin Edwards included in Museum for Preventive Imagination, a group exhibition curated by Luca Lo Pinto at Museum of Contemporary Art of Rome, Italy. 

Frank Bowling's Suncrush in Wbur's The Artery. 

Betty Parsons included in Cross Atlantic, a virtual group exhibition presented by Gazelli Art House, London, United Kingdom. 

Frank Bowling included in Relations (Diaspora and Painting), a group exhibition at Fondation Phi pour l’art contemporain, Montréal, Québec, Canada. 

Joan Semmel in Het Financieele Dagblad.  

Betty Parsons and Hugh Steers included in Intimate Companions, a group exhibition curated by Joe Sheftel, at the Mary Heaton Vorse home, Provincetown, MA. 

Coco Fusco included in Global(e) Resistance, a group exhibition at Centre Pompidou, Paris, France. 

Frank Bowling, Melvin Edwards, Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power, a group exhibition at the Museum of Fine Arts, Houston, TX.

Ricardo Brey: I Love to Sail Forbidden Seas in ARTnews.

Luis Camnitzer's publication One Number Is Worth One Word from Sternberg Press in e-flux.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Nola.

Valeska Soares included in One strike, everything is scattered, a group exhibition at Galería de arte Nogueras Blanchard, Barcelona, Spain. 

Frank Bowling's inclusion in The Shape of Abstraction: Selections From the Ollie Collection at St. Louis Museum of Art, MO in Culture Type.

Melvin Edwards: Crossroads at the Ogden Museum of Art, New Orleans, LA in Off Beat Magazine.

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Time Out New York. 

Melvin Edwards: Brighter Days, curated by Daniel Palmer of Public Art Fund, in Wall Street Journal Magazine. 

Frank Bowling and Melvin Edwards in ARTnews.