News / Events

Lorraine O'Grady included in Harlem in Situ at the Addison Gallery of American Art, Phillips Academy, Andover, MA.

Frank Bowling included in Spilling Over: Painting Color in the 1960s, curated by David Breslin and Margaret Corss, at the Whitney Museum of American Art, New York, NY. 

Harmony Hammond: Material Witness, Five Decades of Art featured in CT Post.

Hassan Sharif featured in The National. 

Harmony Hammond spotlighted in The Magazine by Jenn Shapland. 

Ricardo Brey: Doble Existencia/Double Existence reviewed by Jonathan Goodman for the Brooklyn Rail. 

Melvin Edwards featured in Dyanne Weiss’s review of Soul of a Nation in Guardian Liberty Voice. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed by Hilarie M. Sheets in The New York Times.

Melvin Edwards featured in Christopher Knight’s review of Soul of a Nation in the Los Angeles Times.

Ricardo Brey: Doble Existencia / Double Existence reviewed by Ellie Botoman for Artforum. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized by Sarah Loyer at The Broad, Los Angeles, CA. 

Melvin Edwards featured in Makeda Easter's review of Soul of a Nation in the Los Angeles Times. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Evan Moffitt in Frieze. 

Joan Semmel: A Necessary Elaboration reviewed by Emilia Dubicki for The Woven Tale Press. 

Ricardo Brey included in The Collection (I): Highlights for a Future at Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.  

Ricardo Brey: Doble Existencia / Double Existence reviewed in Blouin Artinfo.

Melvin Edwards in conversation with Ricardo Kugelmas for New City Brasil. 

Valeska Soares featured in Artforum. 

Valeska Soares featured in ArtNews. 

Joan Semmel's work Sunlight (1978) featured on The Jewish Museum's Medium page. 

Melvin Edwards featured in New City Art. 

Frank Bowling's survey at Tate Britain featured in ARTnews. 

Polly Apfelbaum: Waiting for the UFOS (a space between landscape and a bunch of flowers) reviewed by Dana Self in KC Studio. 

Harmony Hammond's survey exhibition, Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at The Aldrich Contemporary Art Museum, Ridgefield, CT.

Joan Semmel's work on view at ADAA Art Show featured in NY Social Diary. 

Ricardo Brey: Doble Existencia / Double Existence reviewed by Dimitris Lempesis for Dream Idea Machine. 

Alexander Gray Associates' presentation of work by Joan Semmel and Betty Parsons at ADAA: The Art Show discussed by Will Heinrich in The New York Times.

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Blasz Takac for Widewalls. 

Luis Camnitzer solo exhibition Luis Camnitzer 1968–2018 at Parra & Romero, Madrid, Spain.

Harmony Hammond: Material Witness, Five Decades of Art featured in Galerie Magazine. 

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Frank Bowling's False Start (1970) discussed in the Star Tribune. 

Ricardo Brey: Doble Existencia / Double Existence previewed by Cuban Art News.

Luis Camnitzer's exhibition at El Reina Sofía reviewed by Pablo Álvarez in El Estado. 

Melvin Edwards' work on view at Frieze LA discussed by Daniel Gerwin in Hyperallergic.

Polly Apfelbaum included in The Quebec City Biennial Small Between the Stars, Large Against the Sky curated by Jonathan Watkins at Centre Maria, Quebec City, Canada.

Ricardo Brey solo exhibition Adrift at De Domijnen Museum, Sittard, Netherlands. 

Coco Fusco's documentary Vivir en junio con la lengua afuera (To live in June with Your Tongue Hanging Out), 2018, will be presented at the 2019 Berlin International Film Festival, Germany.

Melvin Edwards solo exhibition Melvin Edwards curated by Ricardo Ortiz Kugelmas at Auroras, São Paulo, Brazil.

Valeska Soares included in the group exhibition Perdona que no te crea curated by Victor Gorgulho at Fortes D'Aloia & Gabriel, Carpintaria, Rio de Janeiro, Brazil.

Joan Semmel: A Necessary Elaboration reviewed by Phoebe Hoban in Riot Material.

Joan Semmel: A Necessary Elaboration reviewed by Johanna Fateman in 4Columns.

Joan Semmel discussed by Paddy Johnson in Observer.

Hassan Sharif discussed by Melissa Gronlund in The National.

Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) reviewed by Laura Spencer in Kcur. 

Polly Apfelbaum solo exhibition Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) curated by Erin Dziedzic at the Kemper Museum of Contemporary Art, Kansas City, MO.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in Culture Type.

Polly Apfelbaum: Polly Apfelbaum: Waiting For The UFOs (a space set between a landscape and a bunch of flowers) opening at the Kemper Museum of Contemporary Art was featured by Dan Kelly in the Kansas City Star.

Regina Silveira included in Passado/Futuro/Presente: Arte contemporânea no acervo do Museu de Arte Moderna de São Paulo, curated by Vanessa K. Davidson and Cauê Alves, at Museu de Arte Moderna, São Paulo, Brazil.

Frank Bowling's Night Journey (1969–1970) selected as a work that defined the Civil Rights Era for curator Randall Griffey of the Metropolitan Museum of Art in artnet News.

Lorraine O'Grady and Betty Parsons discussed by Jillian Steinhauer in The New York Times, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Lorraine O'Grady discussed by Aruna D'Souza in 4Cloumns, in conjunction with the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today at Wallach Art Gallery, New York.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem. Curated by Connie H. Choi, the exhibition is organized by Emily Kuhlmann at the Museum of the African Diaspora, San Francisco, CA.