News / Events

Polly Apfelbaum is one of the recipients of the Creative Capital Awards 2019.

Joan Semmel: A Necessary Elaboration, reviewed by Elena Martinique in Widewalls.

Lorraine O'Grady, Art Is. . . (Women in Crowd Framed), 1983/2009, featured by Julia Wolkoff in Artsy.

Melvin Edwards discussed in Artforum.

Alexander Gray Associates announces Joan Semmel: A Necessary Elaboration, an exhibition of new work by Joan Semmel.

Hassan Sharif discussed by Jyoti Kalsi in Gulf News.

Joan Semmel: A Necessary Elaboration featured by Mark Segal in The East Hampton Star.

Luis Camnitzer interviewed by the Museo Nacional Centro de Arte Reina Sofía in conjunction with his retrospective: Hospice of Failed Utopias at the Museum.

Joan Semmel discussed by Jamie Robinson in The Spaces.

Joan Semmel included in A Woman Looking at Men Looking at Women curated by Kasia Redzisz at Museum Susch, Zernez, Switzerland.

Hassan Sharif discussed by Melissa Gronlund in The National.

Melvin Edwards discussed in Artforum.

Coco Fusco published an article in Frieze about Cuban Decree 349.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Cutting Out CONYT at the Städtische Galerie Wolfsburg, Germany.

Alexander Gray Associates presents a curated selection of Gallery artists in SP-Arte 2018.

Frank Bowling discussed by Hilarie M. Sheets in The New York Times.

Joan Semmel discussed by Douglas Dreishpoon in The Brooklyn Rail.

Lorraine O'Grady discussed by Sebastian Smee in The Washington Post in conjunction with the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today at the Wallach Art Gallery, Columbia University, Lenfest Center of the Arts, New York, NY.

Frank Bowling discussed by Morgan Kinney in Houstonia Mag.

Coco Fusco discussed by Jasmine Weber in Hyperallergic.

Polly Apfelbaum included in the group exhibition PRISM: The Art and Science of Light curated by Chris Clarke and Fiona Kearney at The Glucksman Gallery, Cork, Ireland.

Harmony Hammond included in the group exhibition Under/erasure curated by Heather and Raphael Rubinstein at Pierogi Gallery, New York, NY.

Lorraine O'Grady: Cutting Out CONYT reviewed by Jillian Steinhauer in The New York Times.

Joan Semmel featured by Jerry Saltz in Vulture.

Lorraine O'Grady: Cutting Out CONYT discussed in the New Yorker.

Polly Apfelbaum discussed by Irene Machetti in Fad Magazine.

Hassan Sharif discussed in by Steve Dow Art Guide Australia in conjunction with The 9th Asia Pacific Triennial (APT9) at the Queensland Gallery of Modern Art, Brisbane, Australia.

Melvin Edwards included in the group exhibition A Gathering: Sculpture from the Collection curated by Avis Larson at the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed in Artfix Daily in conjunction with the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, NY. 

Hassan Sharif discussed by Nick Lavars in New Atlas in conjunction with The 9th Asia Pacific Triennial (APT9) at the Queensland Gallery of Modern Art, Brisbane, Australia.

Lorraine O'Grady: Cutting Out CONYT reviewed by Lauren O'Neil-Butler in Artforum.

Luis Camnitzer discussed by Tess Thackara in The New York Times.

Hassan Sharif discussed in Artnet News.

Coco Fusco discussed in e-flux in conjunction with her new video Coco Fusco: To Live in June with your Tongue Hanging Out (2018) to be displayed in Bar Laika on December 13, 2018.

Coco Fusco discussed by Niki Kottmann in Your Observer in conjunction with her solo exhibition Coco Fusco: Twilight at The John & Mable Ringling Museum of Art, Sarasota, FL.

Lorraine O'Grady and Joan Semmel included in the group exhibition My Silences Had Not Protected Me organized by Luci Benni and Emma Nuzzo at Fort Gansevoort, New York, NY.

Lorraine O'Grady: Cutting Out CONYT reviewed by Alexandria Deters in Gallery Gurls.

Lorraine O'Grady discussed by Sarah Cascone in Artnet News in conjunction with her exhibition Lorraine O'Grady: Cutting Out CONYT currently on view at Alexander Gray Associates, New York, NY.

Frank Bowling: Make It New reviewed by Nicole Miller in The Brooklyn Rail.

Sergei Eisenstein included in the group exhibition Le Violin d'Ingres curated by Christian Boltanski at the Villa Médicis, Académie de France à Rome, Rome, Italy.

Polly Apfelbaum, discussed by Laura Tortora in Vogue Italia, in conjunction with her participation in the Lady Dior Art #3 project. 

Luis Camnitzer, profiled by Carlos Reyes in TV Show, in conjunction with the exhibition Hospice of Failed Utopias, at Museo Centro Nacional de Arte Reina Sofia, Madrid, Spain.

Luis Camnitzer, discussed in ABC Cultura, in conjunction with the exhibition Hospice of Failed Utopias, at Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.

Hassan Sharif included in the exhibition The Monochrome Revisited at the Jean-Paul Najar Foundation, Dubai, UAE.

Betty Parsons solo exhibition Betty Parsons: Blue sky very high at Art Omi, Ghent, NY.

Frank Bowling, discussed by Melissa Gronlund in The National.

Lorraine O'Grady, interviewed in WGBH.

Luis Camnitzer: Hospice of Failed Utopias at Museo Nacional Centro de Arte Reina Sofia reviewed by Javier Arnaldo in El Cultural.

Luis Camnitzer, Hospice of Failed Utopias, at Museo Nacional de Arte Reina Sofia, reviewed in La diaria.

Polly Apfelbaum, Happiness Runs, at Belvedere 21, reviewed by Athena Waligore in Interior Design Magazine.

Luis Camnitzer, Hospice of Failed Utopias, at Museo Nacional Centro de Arte Reina Sofia, reviewed by Ana Robledano in Ars Magazine.

Luis Camnitzer, profiled by Bea Espejo in El Pais.

Coco Fusco: Twilight reviewed by Marty Fugate in Herald Tribune.