News / Events

Polly Apfelbaum included in The Quebec City Biennial Small Between the Stars, Large Against the Sky curated by Jonathan Watkins at Centre Maria, Quebec City, Canada.

Hugh Steers' work on view at Frieze Los Angeles discussed by Ted Loos in Cultured Magazine.

Coco Fusco's documentary Vivir en junio con la lengua afuera (To live in June with Your Tongue Hanging Out), 2018, will be presented at the 2019 Berlin International Film Festival, Germany.

Luis Camnitzer included in the exhibition Affective Utopia: Art as a Critical Tool curated by Bruno Leitão and Mónica de Miranda at Kadist, Paris.

Valeska Soares included in the group exhibition Perdona que no te crea curated by Victor Gorgulho at Fortes D'Aloia & Gabriel, Carpintaria, Rio de Janeiro, Brazil.

Hassan Sharif discussed by Stephanie Bailey in Ocula.

Joan Semmel: A Necessary Elaboration reviewed by Johanna Fateman in 4Columns.

Lorraine O'Grady: Cutting Out CONYT reviewed by Colby Chamberlain in Artforum.

Hassan Sharif discussed by Melissa Gronlund in The National.

Lorraine O'Grady and Betty Parsons discussed by Andrew Russeth in ARTnews, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Polly Apfelbaum solo exhibition Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) curated by Erin Dziedzic at the Kemper Museum of Contemporary Art, Kansas City, MO.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in ARTnews.

Polly Apfelbaum: Polly Apfelbaum: Waiting For The UFOs (a space set between a landscape and a bunch of flowers) opening at the Kemper Museum of Contemporary Art was featured by Dan Kelly in the Kansas City Star.

Regina Silveira's solo presentation, UP THERE, included in Além do infinito at the Farol Santander, São Paulo, Brazil.

Frank Bowling's Night Journey (1969–1970) selected as a work that defined the Civil Rights Era for curator Randall Griffey of the Metropolitan Museum of Art in artnet News.

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Lorraine O'Grady discussed by Aruna D'Souza in 4Cloumns, in conjunction with the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today at Wallach Art Gallery, New York.

Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York, NY.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed by Victoria L. Valentine in Culture Type.

Polly Apfelbaum is one of the recipients of the Creative Capital Awards 2019.

Joan Semmel discussed by Anna Louise Sussman in Artsy.

Lorraine O'Grady, Art Is. . . (Women in Crowd Framed), 1983/2009, featured by Julia Wolkoff in Artsy.

Melvin Edwards discussed by Ben Luke in The Art Newspaper.

Alexander Gray Associates announces Joan Semmel: A Necessary Elaboration, an exhibition of new work by Joan Semmel.

Joan Semmel profiled in Elephant Magazine.

Joan Semmel: A Necessary Elaboration featured by Mark Segal in The East Hampton Star.

Jack Tworkov discussed by Edith Newhall in The Inquirer.

Joan Semmel discussed by Jamie Robinson in The Spaces.

Valeska Soares: Any Moment Now at the Phoenix Art Museum, AZ was featured by Douglas Markowitz in Phoenix New Times.

Hassan Sharif discussed by Melissa Gronlund in The National.

Polly Apfelbaum featured by Landon Peoples in Refinery 29.

Coco Fusco published an article in Frieze about Cuban Decree 349.

Polly Apfelbaum interviewed by Brian Alfred for the podcast Sound & Vision.

Alexander Gray Associates presents a curated selection of Gallery artists in SP-Arte 2018.

Harmony Hammond discussed by Sarah Cascone and Caroline Goldstein in Artnet News in conjunction with the exhibition Half The Picture: A Feminist Look at the Collection at the Brooklyn Museum of Art, Brooklyn, NY.

Joan Semmel discussed by Douglas Dreishpoon in The Brooklyn Rail.

Coco Fusco included in the group exhibition Aplicación Murillo: materialismo, charitas y populismo curated by Pedro G. Romero, Luis Martínez Montiel, and Joaquín Vázquez at Centro de Iniciativas Culturales de la Universidad de Sevilla, Spain.

Frank Bowling discussed by Morgan Kinney in Houstonia Mag.

Lorraine O’Grady: From Me to Them to Me Again reviewed by Chase Quinn in Hyperallergic.

Polly Apfelbaum included in the group exhibition PRISM: The Art and Science of Light curated by Chris Clarke and Fiona Kearney at The Glucksman Gallery, Cork, Ireland.

Jack Tworkov discussed by Jason Andrew in Catalogue Raisonné.

Lorraine O'Grady: Cutting Out CONYT reviewed by Jillian Steinhauer in The New York Times.

Lorraine O'Grady discussed by Cecilia Rodriguez in Forbes in conjunction with the exhibition Michael Jackson: On The Wall at the Grand Palais, Paris, France.

Lorraine O'Grady: Cutting Out CONYT discussed in the New Yorker.

Lorraine O'Grady included in the group exhibition Michael Jackson: On the Wall at the Grand Palais, Paris, France. 

Hassan Sharif discussed in by Steve Dow Art Guide Australia in conjunction with The 9th Asia Pacific Triennial (APT9) at the Queensland Gallery of Modern Art, Brisbane, Australia.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed in Culture Type by Victoria L. Valentine in conjunction with the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, NY. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed in Artfix Daily in conjunction with the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, NY. 

Poly Apfelbaum included in the group exhibition Recognize you when she sees you, Give you the thing she has for you at September, Hudson, NY.

Lorraine O'Grady: Cutting Out CONYT reviewed by Lauren O'Neil-Butler in Artforum.

Lorraine O'Grady discussed by Ashawnta Jackson in Jstor Daily in conjunction with the exhibition Soul of A Nation: Art in the Age of Black Power currently on view at the Brooklyn Museum, Brooklyn, NY.

Hassan Sharif discussed in Artnet News.

Luis Camnitzer: Hospice of Failed Utopias reviewed by Paloma Checa-Gismero in Hyperallergic.