News / Events

Juliana Huxtable discusses Coco Fusco in an interview with Blake Abbie, in Document Journal.

Frank Bowling, discussed in conjunction with the exhibit Soul of a Nation: Art in the Age of Black Power, by Andrea Leonhardt, in the BK Reader.

Coco Fusco, discussed by Colleen Flaherty in Inside Higher Ed.

Coco Fusco, included in the group exhibition Age of Terror: Art Since 9/11 at the Imperial War Museum, London.

Harmony Hammond Inappropriate Longings, at Alexander Gray Associates, reviewed by William J. Simmons in Flash Art.

Hassam Sharif, included in the group exhibition 40 Years of Passion: Collection David H. Brolliet, Geneva, curated by Véronique Hillereau and Yann Rudler, at the Foundation Fernet Branca, Saint-Louis, France.

Harmony Hammond Inappropriate Longings, at Alexander Gray Associates, featured in the Editor's Picks section by Sara Cascone in Artnet News.

Melvin Edwards included in the group exhibition On Edge (The Domestic Plane) organized by Richard Klein at The Aldrich Contemporary Art Museum, Ridgefield, CT. 

Harmony Hammond: Inappropriate Longings, at Alexander Gray Associates, reviewed by Michael Busch in Arte Fuse. 

Hassan Sharif included in the group exhibition A Century in Flux: Highlights from the Barjeel Art Foundation, curated by Salwa Milkdadi, Mandy Merzaban, and Karim Sultan, at the Sharjah Museum, UAE.

Melvin Edwards is included in the Baltic Triennial XIII titled GIVE UP THE GHOST.

Coco Fusco featured as one of the "51 Artists, Curators, Directors, and Dealers Changing the Art World in 2018" in the Observer.

Harmony Hammond: Inappropriate Longings, featured in The New Yorker Goins on About Town section. 

Alexander Gray Associates' presentation at Frieze New York (2018), featured by Sarah Roffino in Cultured Magazine.

Frank Bowling & Melvin Edwards, donated works to Sotheby's auction benefitting the Studio Museum, Harlem, NY.

Betty Parsons, discussed in ARTnews in conjunction with the Frieze (2018) fair, at Randalls Island, New York, NY.

Lorraine O'Grady is included in the upcoming book New York, New Wave: The Legacy of Feminist Artists in Emerging Practices by Dr. Kathy Battista.

Alexander Gray Associates is pleased to announce representation of Ricardo Brey.

Melvin Edwards, included group exhibition, Art of Protest, at the Fralin Museum of Art, Charlottesville, VA. 

Melvin Edwards, discussed in Hudson Valley One. 

Regina Silveira is included in the group exhibition Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985 curated by Julieta Gonzales at Museo Jumex, Mexico City. 

Hassan Sharif documentary, Sharp Tools (2017), directed by Nujoom Al-Ghanem won Best Film at the Ismailia Int'l Film Festival, Giza, Egypt.

Joan Semmel, discussed by Michael Slenke and Molly Langmuir in The Cut. 

Kay Rosen is included in the group exhibition This Brush for Hire curated by John Baldessari and Meg Cranston at the Institute of Contemporary Art, Los Angeles. 

Harmony Hammond, interviewed by Chelsea Weathers for Artforum, in conjunction with the exhibition Harmony Hammond: Inappropriate Longings, at Alexander Gray Associates, New York.

Hassan Sharif, discussed by Melisa Gronlund in The National.

Harmony Hammond: Inappropriate Longings, at Alexander Gray Associates, New York, discussed in ARTnews.

Melvin Edwards, discussed by Rachel Lebowitz in Artsy.

Regina Silveira is included in the group exhibition Radical Women: Latin American Art, 1960-1985, curated by Cecilia Fajardo-Hill, Andrea Giunta, and Marcela Guerrero, at the Brooklyn Museum, New York.

Kay Rosen, discussed by Lori Waxman in the Chicago Tribune.

Melvin Edwards, included in the exhibition A Page from My Intimate Journal (Part I): Opening February 11, 2018, at Gordon Robichaux, New York, NY. 

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, reviewed by Louis Bury in Hyperallergic. 

Harmony Hammond is included in the group exhibition Terribly Vulnerable and Terribly Hard at Cooper Cole, Toronto, Canada

Luis Camnitzer's collaboration with artist Gabo Camnitzer is included in the 11th Mercosul Biennial, Porto Alegre, Brazil. 

Alexander Gray Associates presents its third exhibition of work by Harmony Hammond (b.1944), Harmony Hammond: Inappropriate Longings. 

Valeska Soares is included in the group exhibition The Half Life of Love curated by Margo Cohen Ristoruscci at MASS MoCA, North Adams, MA.

Harmony Hammond, Erasing Censorship, at Artist Curated Projects was reviewed in Contemporary Art Review, La.   

Valeska Soares is giving a lecture at the Phoenix Art Museum in connection with her Mid-Career Retrospective titled Any Moment Now.

Coco Fusco was interviewed in Texte Zur Kunst

Harmony Hammond, featured in the book: FRAY - Art & Textile Politics by Julie Bryan-Wilson.

Kay Rosen was discussed in The Architect's Newspaper.

Lorraine O'Grady's work for the exhibition Reclaimed at the Linda Pace foundation was highlighted in Glasstire.

Alexander Gray Associates presented The 5th Annual l.a.Eyeworks Eyewear Shopping Event to benefit Art Matters.
 

Betty Parsons' presentation at the 2018 Armory Show was discussed in The Observer.

Lorraine O'Grady's work in the exhibition, Reclaimed at the Linda Pace Foundation was highlighted in the Rivard Report 

Group exhibition Effects that Aren't Special: The 40th Annual Photography Regional curated by Tim Davis at the Opalka Gallery, New York.  

Lorraine O'Grady performance Art is. . ., 1983 was discussed in an Interview on Archinect.

Lorraine O'Grady included in the group exhibition Reclaimed at the Linda Pace Foundation, San Antonio, TX.

Luis Camnitzer's talk at El Eco Experimental Museum of the city of Mexico was highlighted in El Universal.

Kay Rosen, Kay Rosen: Stirring Wirds at Alexander Gray Associates, reviewed by Lauren O'Neill-Butler in Artforum.

Hassan Sharif's presentation at the Venice Biennale, Venice Italy, was discussed by Melissa Gronlund in The National.

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, New York, NY, discussed by Sandi Di Yu in Art Rabbit. 

Frank Bowling, Untitled (Mother’s House), 1966 Sold for $112,500 at auction.