News / Events

Melvin Edwards, discussed in Frieze Magazine by Ori Gat, in conjunction with the Baltic Triennial XIII, at the Contemporary Art Centre, Vilnius, Lithuania.

Valeska Soares, interviewed in Frieze Magazine by Evan Moffit, in conjunction with her retrospective titled Entrementes, at the Pinacoteca do Estado de São Paulo, Brazil.

Regina Silveira, included in the exhibition Mixed Realities, at Kunstmuseum Stuttgart, Germany.

Joan Semmel, interviewed by Jennifer Samet in Hyperallergic.

Luis Camnitzer included in the group exhibition Perspectivas Latinas #18 at Städtische Galerie Wolfsburg, Germany.

Luis Camnitzer, included in the group exhibition Conceptual Strategies: 1960-1970, curated by Ricardo Sardenberg, at Bergamin & Gomide, São Paulo, Brazil.

Regina Silveira, solo exhibition Todas as escadas, at the Instituto Figueiredo Ferraz, Riberão Preto, São Paulo.

Harmony Hammond and Joan Semmel included in the exhibition Half the Picture: A Feminist Look at the Collection curated by Catherine Morris and Carmen Hermo at the Brooklyn Museum, NY.

Melvin Edwards solo exhibition titled Melvin Edwards curated by Rodrigo Moura at the Museu de Arte de São Paulo (MASP), Brazil.

Hassan Sharif, discussed by Aimee Dawson in The Art Newspaper, in conjunction with the exhibition Hassan Sharif: I am the Single Work Artist, at the Sharjah Foundation, UAE.

Coco Fusco, discussed by Joey Orr in Hyperallergic.

Harmony Hammond discussed in Art new England by Julianna Thibodeaux, in conjunction with the announcement of her retrospective exhibition Harmony Hammond: Material Witness, Five Decades of Art, at The Aldrich Contemporary Art Museum, CT.

Coco Fusco, discussed in Artforum, in conjunction with an open letter addressing Cuba's new decree on art. 

Coco Fusco, discussed in Artnews, in conjunction with the Open Letter regarding the Cuban Decree 349.

Hugh Steers, discussed by Larissa Pham, in Garage Magazine, in conjunction with the exhibition Intimacy, curated by Stephen Truax, at Yossi Milo, New York, NY.

Joan Semmel is included in the exhibition Go Figure at the Pizzuti Collection, Columbus, OH. 
 

Regina Silveira, solo exhibition Regina Silveira: Exit, curated by Cauê Alves, at the Museu Brasileiro da Escultura,  São Paulo, Brazil.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Family Gained at the Museum of Fine Arts, Boston, MA.

Lorraine O'Grady discussed by Maria Garcia in conjunction with the exhibition We Wanted A Revolution: Black Radical Women, 1965 to 1985 in The ARTery.

Frank Bowling Two Blues, The Terminal Illness, 1973 is on view at Rhode Island School of Design Museum of Art, RI.

Valeska Soares, included in the group exhibition Gaze, at Van Doren Waxter, New York, NY. 

Coco Fusco has been awarded The Dorothea & Leo Rabkin Foundation grant program for visual art journalists.

Lorraine O'Grady discussed by Thomas Chatterton Williams in the New York Times in conjunction with the exhibition Micahel Jackson: On The Wall, at the National Portrait Gallery, London, UK.

Alexander Gray Associates will present the work of Hugh Steers.

Hassan Sharif, discussed by Katrina Kufer in conjunction with the exhibition Ways of Seeing (curated by Sam Bardaouil and Till Fellrath) in Harper's Bazaar Arabia.

Hugh Steers: The Nullities of Life, reviewed by Jillian Steinhauer in the New York Times.

Frank Bowling, solo exhibition Frank Bowling, Mappa Mundi, curated by Okwui Enwezor and Anna Schneider, at the Irish Museum of Modern Art, Dublin, Ireland. 

Luis Camnitzer discussed in Artistshock in conjunction with the contemporary art festival SACO7, Antofagasta, Chile.

Melvin Edwards discussed by Colony Little in Artnet News.

Regina Silveira discussed in Art in Blouin Art Info in conjunction with the exhibition Mixed Realities: Virtual and Real Worlds at the Kunstmuseum Stuttgart, Germany.

Hassan Sharif discussed in Gulf News, in conjunction with the exhibition Ways of Seeing curated by Sam Bardaouil and Till Fellrath.

Hugh Steers: The Nullities of Life, at Alexander Gray Associates, reviewed by Emily Colucci in Filthy Dreams.

Lorraine O'Grady, discussed by Steve Dool in conjunction with the exhibition Michael Jackson: On The Wall in CNN Style.

Melvin Edwards included in Afro-Atlantic Histories, a group exhibition at the Museu de Arte São Paulo (MASP), Brazil.

Lorraine O'Grady, discussed by Louisa Buck in conjunction with the exhibition Michael Jackson: On The Wall in The Art Newspaper.

Lorraine O'Grady, discussed in conjunction with the exhibition Michael Jackson: On The Wall in Artlyst.

Polly Apfelbaum, included in the group exhibition Out of Control, at Venus Over Manhattan, New York, NY. 

Hugh Steers: The Nullities of Life, at Alexander Gray Associates, reviewed by Andre-Naquian Wheeler in i-D Magazine.

Lorraine O'Grady, included in the exhibition We Wanted a Revolution: Black Radical Women, 1965–85, curated by Catherine Morris, and Rujeko Hockley, at the Institute of Contemporary Art, Boston, MA. 

Coco Fusco, discussed by Seph Rodney in Hyperallergic. 

Polly Apfelbaum included in the festival PLAY Kortrijk 2018 in Kortrijk, Belgium 

Joan Semmel included in Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, a group exhibition at Carnegie Museum of Art, Pittsburgh, PA. 

Lecture: Coco Fusco Don't Look Down: Art on the Political Tightrope, at the School of Visual Arts (SVA), New York, NY. 

Hugh Steers: The Nullitites of Life, reviewed in Blouin Art Info.  

Polly Apfelbaum,included in the group exhibition Paper/Print: American Hand Papermaking, 1960s to Today, curated by Hilde Teerlinck, and Patrick Rose, at the International Print Center, New York, NY. 

Alexander Gray and Melanie Gerlis discuss Alexander Gray Associates' program in Financial Times.

Frank Bowling, included in the 250th Summer Exhibition, curated by Greyson Perry, at the Royal Academy of Arts, London, UK.

Valeska Soares' mid-career survey exhibition Valeska Soares: Any Moment Now at the Phoenix Museum of Art, AZ.

Hugh Steers The Nullities of Life, at Alexander Gray Associates, New York, NY, featured in ARTnews.

Jack Tworkov, discussed by Jason Andrew in the Observer.

Melvin Edwards will participate in a panel discussion at the 2018 Madison Square Park Conservancy symposium titled: Removing Public Art, at the School of Visual Arts, New York, NY.

Luis Camnitzer, solo exhibition 38º58’29.65’’N 1º26’34.24’’E, curated by Eloy Molanes, and Guillermo Parra, at Parra & Romero, Ibiza.

Ricardo Brey featured by Victoria L. Valentine in Culture Type.