-
Lesbian Dreams, 1992
Mixed media
32 1/2 x 23 in (82.55 x 58.42 cm)
Collection of the Minneapolis Institute of Art -
Chicken Lady, 1989
Mixed media
96 x 127 1/2 in (243.84 x 323.85 cm)
Collection of the Minneapolis Institute of Art -
Burden, 1995
Mixed media on canvas
72 x 141 in (182.88 x 358.14 cm) -
Flesh Journal #2, 1993
Acrylic on latex
11 3/4 x 8 1/2 in each (29.8 x 21.6 cm each)
15 1/4 x 38 3/8 x 2 1/8 in framed (38.7 x 97.5 x 5.4 cm framed) -
Farm Ghosts, 1990
Mixed media
97 x 189 in (246.38 x 480.06 cm) -
Erasure #7, 2002
Mixed media in 3 parts
48 x 35 3/4 x 1/4 in each (121.9 x 90.8 x 0.6 cm each) -
Inappropriate Longings, 1992
Mixed media
Dimensions variable
Tia Collection
After moving to New Mexico in the mid-1980s, Harmony Hammond’s practice began to evolve as she started to experiment with painting. “Moving to New Mexico allowed me to work in the studio every day, and I could push my paint surface, imagery, and scale,” Hammond recalled in a 1992 interview. “While I had been making mostly sculpture for years, the problematics of painting began to engage me more and more.” Approaching paint as a sculptural material—akin to latex rubber, human hair, straw, or corrugated tin—Hammond began to create mixed-media works from disparate materials.