It began around 1981 when Hassan Sharif, a young fine arts student from Dubai, completed his foundation courses at the Warwick College and joined The Byam Shaw School of Art. From the beginning, Hassan expressed great interest in experimenting in art and showed heightened sensitivity and understanding of the avant-garde strategies and concepts that permutated the art community at that time.
Once becoming acquainted with Kenneth Martin’s (1905-1984) Chance and Order theory, Sharif very quickly adopted it in his independent experimentations in drawings and Performance Art. The philosophical base for his art was, therefore, grounded in the British Constructivist movement, which focused strictly on inventing new means of generating forms. It is important to understand that Kenneth Martin, as the leading theorist of British Constructivism, devoted his life to defining the relationship between movement and construction as a means of generating a variety of sculptural structures. Martin’s most prominent student, Peter Lowe, also a sculptor, defined the scope of the research by focusing on the order of forms.
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