A showcase of the fruits of Berengo Studio’s labour, the inaugural edition of Glasstress took place in 2009 and has since become a firm fixture of the Venice Biennale. This year’s exhibition sees Glasstress alumni Laure Prouvost, Erwin Wurm and Ai Weiwei, among others, join newcomers including José Parlá and Denise Milan for a blockbuster tenth anniversary edition of two halves – one that casts its eye to the future, while the other celebrates Glasstress’ greatest hits.
A disused glass furnace sets the scene for new works and installations by artists such as Monica Bonvicini and Thomas Schütte. For this section, Brazilian artist Vik Muniz dons his curatorial cap, having invited his peers to explore ‘how glass redefines our perception of space’. He, too, takes part in the show with a pair of hyper-realistic murrine portraits in which he has borrowed from a centuries-old decorating technique. Fellow compatriot and sculptor Valeska Soares has made a series of glass containers, entitled Acqua Alta, that reflect on water as a precious commodity. Argentine artist Pablo Reinoso similarly references Venice with a life-size sculpture based on the wooden poles (bricole) that line the channels of the city and its lagoon.
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