News / Events

Betty Parsons' African Dawn, 1972, unveiled at Louis Vuitton, New York, reviewed by Gotham.

Betty Parsons' African Dawn, 1972, unveiled at Louis Vuitton, New York, reviewed by Evan Prince in WWD.

Melvin Edwards' solo exhibition Festivals, Funerals, and New Life, curated by Ian Alden Russell at David Winton Bell Gallery, Brown University, Providence, RI.

Split (1998) included in the Pulse of Color at the Kemper Museum of Contemporary Art, Kansas City, MO. 

Coco Fusco's remarks in the panel conversation, The Lie That Tells the Truth at the Post-Truth conference in Detroit discussed by Wendy Vogel in Frieze Magazine.

Hassan Sharif's inclusion in the Louvre Abu Dhabi discussed Saffiya Ansari in Arab News.

Hassan Sharif's retrospective Sharjah Art Foundation, UAE discussed in The Gulf Today.

Hugh Steers' work discussed by Stephen Truax in Artsy.

Valeska Soares solo exhibition Any Moment Now at the Santa Barbara Museum of Art, reviewed by Debra Herrick in Artillery.

Hassan Sharif discussed by Melissa Gronlund in The National.

Hassan Sharif's retrospective I Am The Single Work Artist, curated by Hoor Al Qasimi, at the Sharjah Art Foundation, United Arab Emirates.

Hassan Sharif's retrospective at the Sharjah Art Foundation, UAE, reviewed by Nick Leech in The National.

Luis Camnitzer's work included in Parapolitics: Cultural Freedom and the Cold War, curated by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca at Haus der Kulturen der Welt (HKW), Berlin.  

Luis Camnitzer and Valeska Soares' exhibitions as a part of Pacific Standard Time discussed by Elisa Wouk Almino in Hyperallergic.

Coco Fusco celebrates the legacy of Linda Nochlin in a letter for The Brooklyn Rail.

Talk: Joan Semmel to disscuss her work at the New York Academy of Art, NY.

Wednesday, November 1, 6:00 PM 
New York Academy of Art
111 Franklin St, New York, NY

Polly Apfelbaum's solo exhibition The Potential of Women reviewed by David Ebony in Art in America. 

Joan Semmel's work discussed by Rachel Corbett in The New York Times Style Magazine.

Age of Terror: Art since 9/11 including Coco Fusco's Operation Atropos (2006), at The Imperial War Museum in London, reviewed by Edward Lucie-Smith in Artlyst.

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at the Sharjah Art Foundation reviewed by Nick Leech in The National.

Harmony Hammond's Farm Ghost (1991) discussed by Margaret Regan in The Tucson Weekly.

Valeska Soares solo exhibition Neither Here Nor There at Alexander Gray Associates, previewed by Sarah Cascone in Artnet News. 

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at Sharjah Art Foundation, UAE, discussed by Shafaat Shahbandari in Gulf News.

Melvin Edwards's work included in Art of Rebellion at the Detroit Institute of Art discussed by Sarah Rose Sharp in Hyperallergic.

Coco Fusco included in Group exhibition Truth: 24 frames per second at Dallas Museum of Art, TX.

Talk: Jens Hoffman on the work of Valeska Soares at the Santa Barbara Museum of Art, CA.

Sunday, October 22, 2017, 2:30–4 PM
Santa Barbara Museum of Art
1130 State Street, Santa Barbara, CA 93101

Alexander Gray Associates is pleased to announce representation of Kay Rosen (b.1943).

Polly Apfelbaum solo exhibition The Potential of Women at Alexander Gray Associates reviewed by Torey Akers in This is Tomorrow.

Regina Silveira's installation in Parque de la Memoria, Brazil, for BienalSur discussed in the New Delhi Times.

Regina Silveira's Installation on the facade of the Museo de la Memoria, Brazil, for BienalSur discussed by Lidia Hernández Tapia in Cuban Art News. 

Regina Silveira's instalation of Mundus Admirabilis (2007) for SITE Santa Fe discussed by Iris McLister in Pasatiempo.

Regina Silveira Mundus Admirabilis (2017) is included in the group exhibition Future Shock at SITE Santa Fe, New Mexico.

Regina Silveira discussed by Liz Brindley in the Santa Fe Reporter.

Alexander Gray Associates presents paintings by Betty Parsons (1900–82).

Hassan Sharif included in Ways of Seeing at the Villa Empain, Boghossian Foundation, Brussels, Belgium.

Polly Apfelbaum's Flags of Revolt and Defiance, 2016, are currently on view at The Whitney Museum of American Art, New York. 

Melvin Edwards discussed by Gareth Harris in The Art Newspaper.

Polly Apfelbaum's The Potential of Women reviewed by Michael Tomeo in Medium.

Joan Semmel discussed by Julie L. Belcove in the Financial Times.
 

Coco Fusco plans workshops with Sandra Ceballos at Aglutinador in Havana.

Polly Apfelbaum's The Potential of Women discussed by Howard Halle in Time Out. 

Talk: Hugh Seers's work and legacy discussed by Sam McKinniss, Bryson Rand & Ursula Davila-Villa at MoMa PS1.

Saturday, September 23, 2017, 3 PM
MoMA PS1 
2225 Jackson Ave 
Long Island City, NY, 10001 

Polly Apfelbaum's The Potential of Women recomended by Rema Hort in Whitewall.

Valeska Soares included in The Half-Life of Love, curated by Margo Cohen Ristorucci, at MASS MoCA North Adams, MA.

Valeska Soares included in Ainda Esculturas | Suclptures Still at Auroras in São Paulo. 

Polly Apfelbaum's The Potential of Women reviewed in Blouin Artinfo.

Regina Silveira is included in the group exhibition Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985 curated by Julieta Gonzales at the Museum of Contemporary Art, San Diego.

Valeska Soares: Any Moment Now brings together forty-nine artworks, consisting of installation, sculpture, photography, and video, dating from the early 1990s to the present. 

Valeska Soares's exhibition Any Moment Now discused in Vix.

Lorraine O'Grady's work discussed by Claire Voon in Hyperallergic.

Valeska Soares discussed by Antonio Martín Guirado on W Radio.

Valeska Soares's exhibition Any Moment Now discussed by Charles Donelan in The Santa Barbara Independent.

Siah Armajani's Irene Hixon Whitney Bridge discussed by Paul Schmelzer in The Walker Center Blog: Sightlines.