Teresa Burga
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Biography
Teresa Burga (1935–2021) was born in Iquitos, Peru. A pioneer of Conceptualism in Latin America, Burga’s practice encompassed drawing, painting, sculpture, multimedia installations, and displays of analytical data and experimental research. She studied at the School of Visual Arts at the Pontifical Catholic University of Peru and contributed significantly to the local avant-garde beginning in the mid-1960s. In 1966, Burga formed part of the group Arte Nuevo (New Art Group), a collective of artists dedicated to advancing the genres of Pop, minimalism, Op Art, and happenings in Peru.
Burga’s figurative paintings and works on paper incorporate mass media iconography and commercial aesthetics into psychically charged compositions, often focused on women and accompanied by bold, colorful geometric patterns. Questioning traditional artistic authorship, in 1968 she devised a series of reconfigurable sculptures emblazoned with graphic signs and recognizable icons, which were meant to be produced by anyone following schematic diagrams and rearranged according to play and chance.
Traveling to the United States in 1968 on a Fulbright scholarship, Burga studied at the School of the Art Institute of Chicago. There, she began to incorporate data sets and photographic documentation into her work. In other projects, like Pictures With a Limited Time (1970) and Work That Disappears When the Spectator Tries to Approach It (1970), Burga proposed immersive situations in which spectators activate the environment through the use of their own bodies.
In 1971, Burga returned to an authoritarian Peru, under the military rule of Juan Velasco Alvarado. Facing a repressive regime which did not favor Conceptual art, she pursued a career in Peru’s General Customs Office, where she worked as an official for three decades, designing solutions to enhance administrative efficiency in digital information systems. Burga continued to make work that reflected the sociopolitical realities of the country: in particular, how standardized, regulated, and bureaucratic systems function as apparatuses for control and oppression––most saliently for women. Autorretrato. Estructura. Informe, 9.6.1972 (1972), for example, consists of a thorough portrait of Burga’s own body illustrated through medical reports, an audio simulation of her heartbeat, photographs, and various diagrams outlining biological data. Following a similar conceptual vein, in 1980 Burga developed Perfil de la muter Peruana (Profile of the Peruvian Woman) (1980–81), an ambitious large-scale research project and installation. For the project, in collaboration with sociologist Marie-France Cathelat, Burga interviewed 290 women in Lima and recorded statistical data about their height, weight, religious identities, and political affiliations, among other categories, and displayed the findings using conceptual visual representations like a mannequin, a jigsaw puzzle, and various drawings.
In later series of works on paper, Burga affirmed her commitment to the destabilization of ubiquitous and singular authorship by appropriating subject matter from newspaper clippings and children’s drawings. As she explained, “I want to escape from the artist’s taste and from subjective self-abstraction, because the worst thing an artist can do is to be self-complacent and please the public. I’ve always believed that.”
Burga’s work was the subject of numerous one-person exhibitions, including La equilibrista (The Tightrope Walker), Weserburg Museum für moderne Kunst, Bremen, German (2022), traveled to Museo de Arte Contemporáneo de Castilla y León, Spain (2022); Aleatory Structures, Migros Museum für Gegenwartskunst, Zurich, Switzerland (2018), traveled to Kestner Gesellschaft, Hannover, Germany (2019); An Artist or a Computer?, Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium (2018); Mano Mal Dibujada, SculptureCenter, Queens, NY (2017); Estructuras de aire, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina (2015); Die Chronologie der Teresa Burga. Berichte, Diagramme, Intervalle. 29.9.11, Württembergischen Kunstvereins Stuttgart, Germany (2011); Informes. Esquemas. Intervalos. 17.9.10., Instituto Cultural Peruano Norteamericano (ICPNA), Lima, Peru (2010); and Cuatro Mensajes, Instituto Cultural Peruano Norteamericano (ICPNA), Lima, Peru (1974), among others. She has also participated in many group shows, including Radical Women: Latin American Art, 1960–1985, Hammer Museum, Los Angeles, CA (2017), traveled to the Brooklyn Museum, NY (2018) and Pinacoteca do Estado de São Paulo, Brazil (2018); Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, Museum of Contemporary Art San Diego, CA (2017), traveled to Museo Jumex, Mexico City (2018); 56th Venice Biennale, All the World’s Futures, curated by Okwui Enwezor, Italy (2015); The New Contemporary, Art Institute of Chicago, IL (2015); The World Goes Pop, Tate Modern, London, United Kingdom (2015); and the 12th Instanbul Biennial, Turkey (2011), among others.
Burga’s work is featured in collections of the Art Institute of Chicago, IL; Migros Museum für Gegenwartskunst, Zurich, Switzerland; Minneapolis Institute of Art, MN; Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina; Museo de Arte de Lima (MALI), Lima, Peru; Museum Ludwig, Cologne, Germany; Museum van Hedendaagse Kunst Antwerpen (M HKA), Belgium; Pinault Collection, Venice, Italy; and Thyssen-Bornemisza Art Contemporary Collection, Vienna, Austria, among others. The Estate of Teresa Burga is also represented by Galerie Barbara Thumm, Berlin, Germany.
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Exhibitions
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Teresa Burga
Dibujos (1974–2019) 18 March - 17 April 2022 GermantownAlexander Gray Associates, Germantown presented Teresa Burga: Dibujos (1974–2019). The exhibition featured nearly five decades of works on paper by Burga (1935–2021), paying tribute to the late artist who died...Read more -
Teresa Burga
5 September - 12 October 2019 New YorkAlexander Gray Associates presented its first exhibition of works by Teresa Burga (b.1935). A pioneering figure in Latin American Conceptualism, since the 1960s Burga has made works that encompass drawing,...Read more
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Public Collections
Art Institute of Chicago, IL
Collection Hochschild, Lima, Peru
Migros Museum für Gegenwartskunst, Zurich, Switzerland
Minneapolis Institute of Art, MN
Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina
Museo de Arte de Lima (MALI), Lima, Peru
Museum Ludwig, Cologne, Germany
Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerp, Belgium
Pinault Collection, Venice, Italy
Sammlung Verbund Collection, Vienna, Austria
Thyssen-Bornemisza Art Contemporary Collection, Vienna, Austria -
News / Events
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Teresa Burga and Regina Silveira
Off-Register: Publishing Experiments by Women Artists in Latin America, 1960-1990 at the Center for Book Arts October 6–December 16, 2023Teresa Burga and Regina Silveira are included in a group exhibition, Off-Register: Publishing Experiments by Women Artists in Latin America, 1960-1990 at the Center for Book Arts, New York.
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Teresa Burga: La Equilibrista
Museo de Arte Contemporáneo de Castilla y León November 26, 2022–May 28, 2023Teresa Burga's one-person exhibition La Equilibrista will travel to Museo de Arte Contemporáneo de Castilla y León, Spain.
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Teresa Burga: Die Seiltänzerin (The Tightrope Walker)
Weserburg Museum für moderne Kunst August 6–November 6, 2022Teresa Burga's one-person exhibition Die Seiltänzerin (The Tightrope Walker) at the Weserburg Museum für moderne Kunst in Bremen, Germany.
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Articles / Reviews
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Exhibition programme 2022: MUSAC, Museo de Arte Contemporaneo de Castilla y Leon
e-flux16 March 2022 MUSAC, Museo de Arte Contemporáneo de Castilla y León presents its exhibition programme for 2022, which will implement the strategic... Read more -
Teresa Burga, Pioneering Conceptual Artist Focused on Women and Labor, Has Died at 85
ARTnews12 February 2021 Teresa Burga , an artist whose indefinable output made her one of the most important conceptual artists in Latin America,... Read more -
Teresa Burga, trailblazing Peruvian conceptualist artist, has died, aged 86
The Art Newspaper12 February 2021 Teresa Burga, a trailblazer in Latin American Conceptualism, has died, aged 86. The Ministry of Culture of Peru, where she... Read more -
Teresa Burga
Artforum1 November 2019 Teresa Burga, who is based in Lima, Peru, has been making art for more than fifty years. Yet it was... Read more -
Teresa Burga
The New Yorker5 October 2019 In the delightful centerpiece of this exhibition, the octogenarian Peruvian Conceptualist presents two new sculptures based on her “Máquinas Inútiles”... Read more -
Teresa Burga at Alexander Gray
Whitehot Magazine1 October 2019 The Peruvian artist Teresa Burga, now in her eighties, has a very good show on currently in Chelsea. Educated both... Read more -
The Artsy Vanguard 2019: The Artists Finally Receiving the Acclaim They Deserve
Artsy16 September 2019 Teresa Burga ’s most iconic project, Profile of the Peruvian Woman (1980–81), was an investigation into the lives of middle-class... Read more -
Pioneering Conceptual Provocateur Teresa Burga Is Now Represented by Alexander Gray Associates Gallery in New York
ARTnews23 April 2019 In 2006, the artist Teresa Burga, then in her 70s, was visited by two curators who wanted to discuss her... Read more -
Teresa Burga: Profile of a Peruvian Woman
Frieze29 October 2018 For nearly 30 years, they sat in storage in the dampness of Lima – a city where, as the artist... Read more -
Teresa Burga's exhibition “Insomnia”: Radical in the framework
Tagesspiegel18 October 2018 The drawings are made up of hundreds of boxes, which form endless variations, entanglements and distortions like the fantasies of... Read more -
Teresa Burga: Aleatory Structures at Migros Museum, Zürich
Art Review5 September 2018 Teresa Burga’s first retrospective in Switzerland covers an impressive range of work: from relatively conventional modernist paintings to playful Pop,... Read more -
The Playful, Feminist Sculptures of a Member of the Peruvian Avant-Garde
Hyperallergic17 July 2017 Teresa Burga: Mano Mal Dibujada (Badly Drawn Hand) , the Peruvian artist’s first solo museum exhibition in the United States,... Read more
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